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Review - Sinners
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The best movie of the year, hands down! So many thoughts, so many amazing things!
Recommended
Transcript
00:00:01
Speaker
um We interrupt your regularly scheduled programming to bring you some breaking news. There's been reports all over the area of something crazy going on. Something big. People's homes, their minds even, are being taken over by something called... What is it they're calling it? They're calling it Bad Movie ja Debate!
00:00:19
Speaker
What up nerds, it's me Jacob Babb from Bad Movie Debate here to do another review episode. um I know I said this the last two reviews I think, maybe even the last three review episodes I did, but this is actually definitively,
00:00:36
Speaker
i mean it is only April, but definitively as of right now this is the best movie that's been out this year. um This movie is ah its movies incredible. ah Sinners, it absolutely blows the other two that I said this about out of the water. No offense to them. I love those movies. They're great.
00:00:53
Speaker
um Sinners, Ryan Coogler. I mean, what a just absolute... beautiful piece of filmmaking and that goes to mostly to him first and foremost Ludwig with the scoring um I've been listening to a lot of the score though over the past few days ah since I've seen it and Literally some of the music is making me want to just cry because it's so good and perfect for the movie and it's making me remember certain scenes of the movie and everything. Obviously give it up for Michael B. Jordan and Michael B. Jordan. ah He played two twin brothers flawlessly.
00:01:33
Speaker
Haley Steinfeld was incredible. um All the acting top to bottom. um What's his name? ah Miles Catten. I'm sorry if I'm mispronouncing that, but Miles never acted before.
00:01:47
Speaker
Never acted before. Insane. Insane. He's like the crux of the story. um Like he is the through line from beginning to end.
00:01:58
Speaker
mid-credits scene and post-credits scene. There are going to be spoilers in this review. um Duh. So if you haven't seen it, I recommend seeing it, then coming back to listen to this. But for you all that have seen this movie, we got a lot of to talk about. um So I think right off the bat, excuse me, the most important thing that we need to talk about and discuss is how tight this script is.
00:02:31
Speaker
There are very, very few plot holes in this movie. and my I mean, I've only seen it once, so you know maybe there are some that I'm missing. But I've been kind of describing it to people as pretty close to making a perfect script, like in the sense that Chinatown, um the Roman Polanski, Jack Nicholson movie from back in the day, which you got to see that movie. That's you know a masterpiece. and You know, notwithstanding Roman Polanski's crimes, but the movie is good. Sorry, just this.
00:03:03
Speaker
um That movie is considered the best script or one of the best scripts that's ever been written, because every single moment in that movie is directly related to furthering the plot and building up characters and giving um just pushing the story forward smoothly, easily.
00:03:24
Speaker
And like no time is wasted. And I feel like this is a very similar type movie movie. I can't think of a single moment that was a waste of time in any single way.
00:03:36
Speaker
um An example of that. ah Let's just do. mean, the main thing that kind of like. Could have just been a random thing, but like eventually leads to this, to that, to this, to that, to this, to that.
00:03:50
Speaker
um Sack wants to open the juke joint early. He wants to do it that night. And Smoke is like, we should wait. And he's like, no, no, no, we gotta do it now so we can get people, we can get people in early and start building up our repertoire, start earning money like sooner rather than later.
00:04:10
Speaker
And it's like, okay, so Smoke's like, okay, fine. we'll We'll get it done today so we can open SNAKE. Cut to hey man comes up to get a drink and he has he's a little bit short in change, but he has these little like pennies that the like plantation pennies. I'm not sure if that's the term, but that's what I'm going to call it for the time being.
00:04:29
Speaker
um And he gives that to Annie to pay and stack and Annie are like, yeah, that's totally fine. And then Smoke calls them out and is like, we need to talk about this. I thought we opened early so we could make money. Those like little plantation pennies that are good at the market don't mean anything for us.
00:04:48
Speaker
And they have a discussion about like, well, we want to get these people to come back. you know, and spend the money that they do have. So we can, we need to like give them a leg up or like let them, let it slide let people do that just so they can be here and have a good time. Cause the more they have a good time tonight on our opening night, the more they're going to come back. Right?
00:05:07
Speaker
So, He's like, okay, whatever, that's fine. Later, we have a conversation where they're doing the till, smoking stack. They're kind of doing like a midnight, ah like mid, not midnight, but like mid during the night kind of thing where they're like trying to see how much they're getting and they're realizing they're not making as much money as they need to be.
00:05:28
Speaker
Probably because of letting stuff like that slide and stuff, but they need to be making money ASAP. So, The white people show up, the vampires, again, spoilers, or if I hadn't said that already, spoilers abound.
00:05:40
Speaker
um The vampires show up and they're like, we have good money to spend. And they're like, I mean, obviously there's a lot of like race in this movie and like a lot of what it's about. And like, we'll get to that.
00:05:51
Speaker
But. They're like, no, if you guys are here and somebody else who's white sees and stuff and Larry, like something happens to one of y'all, we're all fucked. Like, we no, we can't take the risk, even if you have money to spend.
00:06:04
Speaker
So they turn him away and they walk away at the time being. Then Mary, Hailey Steinfeld, is talking to Stack ah Because she is white-facing in this movie. Her grandpa is black, was black.
00:06:19
Speaker
So she is technically considered black. um I saw somebody talking about it, a few people talking about it online. that It's a... I know rather it was Ryan Coogler an interview uh like uh the one drop like one drop of like black ancestry made you black in this time like you to be pure white or you were POC kind of a thing so she but she's white facing she looks white and so she married into a white family and stuff but she grew up with them she knows them and like that's why she was able to come and like it was okay her and uh stack have a history and everything and then he left blah blah blah that's
00:06:54
Speaker
Not irrelevant, but not super relevant to the point that I'm trying to make right now. um So they're talking and she's like, let me go suss them out and see if it's worth bringing them in.
00:07:08
Speaker
Because if they have money to spend, like, I know y'all need to be making this money. And if they've got money and they're going to be cool about it and everybody's going to be fine, they should come in. And he's like, okay, you're right. We didn't even make money because, and he agrees to let her do that because of the decision he made earlier in the movie. Like we have to do it now.
00:07:27
Speaker
We have to like, oh, we can get away with doing these like a plantation penny things and stuff. So he made a couple of mistakes and was like, yeah, shit, we need to make money. So then that's what makes her go outside.
00:07:38
Speaker
and then she gets turned and then she's inside and then she turns him and then all that shit starts popping off. That's just one thing. the and The other one that somebody pointed out, and I actually didn't notice it, but I saw somebody pointed out earlier, um seems like a pretty innocuous, just kind of a joke line.
00:07:56
Speaker
When they go to pick up cornbread, he says, oh well, going to make so much money, maybe your wife will let you will like will blow you, basically, is what he's implying.
00:08:09
Speaker
um Cornbread goes to take a piss and that's when he gets turned. And when he comes back, you can't see any obvious like marks on him. But that's why you have that incredible scene of like, wait, why do you have to be inside? Like invited inside. You've been coming in and out all night and stuff when Andy's like, cause she's like the hoodoo person. She knows about all this kind of stuff.
00:08:32
Speaker
um There's only one place that there's only, You know, yeah I think you guys can get where I'm going with that and stuff like so like that random line, like just seemed to be like a bit of a joke to get him to come.
00:08:45
Speaker
Happen like it's foreshadowing, like everything in this movie is foreshadowing one way or another. millions of other examples that I'm forgetting. Those are just that first one is one that I noticed the immediately was like, hell yeah, this is how we're moving the plot.
00:08:56
Speaker
Beautiful, great writing. And the second one was a funny thing that somebody pointed out that is actually ah for A second example that's pretty solid. um So that's hilarious.
00:09:08
Speaker
um ah Hilarious, but also proves point like this is a tight script. There are plot holes that I haven't noticed. I mean, I feel like I could justify about any plot hole anybody could throw at me because I was just completely reined in this entire movie. um And I feel like there is an answer for everything, whether they're obvious or not. So, you know, we'll see. We'll see if ah plot holes come about. But as far as I'm saying right now, nah, there's none in that regard.
00:09:37
Speaker
Damn, just started raining really hard here. um I digress. So, um oh, a quick fun little thing. When we went to go see this movie, Austin, Zach Casting, and I, we went to go see this movie Monday night.
00:09:50
Speaker
The theater that we saw it in, for some reason, that specific theater, the AC wasn't working. So it was like really hot in there. Like not unbearably hot, but it was like pretty toasty in the theater.
00:10:00
Speaker
So it was kind of nice because it was like a hot summer movie, like like but the time and place was like a hot day in ah Mississippi in the 30s and stuff. And it was kind of immersive. So that probably added to why I love the movie so much because I could really feel like I was there, um not just because of ah how great Ryan Coogler, he specifically talked about in an interview with ah Last Podcast on the Left, actually, if you're a member of their Patreon, you should definitely check that out.
00:10:27
Speaker
ah He talks about how knowing the place that you're filming a movie or like you're setting a movie and stuff is like gonna rope you in and like make you more immersed in the world, regardless of where it is and what it is and stuff. And so he already did a great job doing that, which he does in all of his movies. But then also that act was a a fun little like 4D movie experience thing because their AC was broken, apparently.
00:10:52
Speaker
um But yeah, that was just a funny little thing that happened. um But anyway, so the second thing, so script absolutely perfect as far as I'm concerned. Can't think of a single plot hole. Can't think of anything that is irrelevant one way or another, um even one handed off kind of jokes and or lines that seem kind of random and stuff come to fruition. um There's a um slick the old drunkard man um he says you got to go through me like everybody they're all gonna have to go through me to get to y'all he sacrifices himself at one point of the movie before anybody else uh can get can get got um you know that's a pretty obvious one but it's like little things like that like they're abound some of the major some of the minor but they're all there and they're all relevant and they all push the story forward um two for me ludwig
00:11:45
Speaker
He's already won two Oscars. He's already done such incredible work. This score is insanely good. It's insanely, insanely good. It is pure blues and stuff.
00:12:00
Speaker
Like... It's just classic ah Delta blues like Robert Johnson. Obviously, that's a big part of the narrative and everything. The man the man who sold his soul to play guitar ah very well and become a successful musician.
00:12:18
Speaker
um Spoiler for the for the movie that's kind of what happens in this movie um if you saw the post-credits scene not the mid-credits scene but the post-credits scene that's literally what this movie is uh which is in incredible but um we'll get there we'll get there we'll get there i'm sorry i digress um the music the score everything smokestack brothers uh i think that's the title of the track uh that that song I've been listening to it on repeat for the past few days and it almost makes me cry every time I hear it just because of how beautiful it is.
00:12:51
Speaker
um The passion you can feel in that just one piece and that's just one part of it. um Obviously a big narrative in the story is and like a big point of the story is Preacher Boy Sammy, his dad being like, like, Like this is the this is the time period where the devil's music like, oh, that's the devil's music. That's where that this is where it comes from is like the South.
00:13:15
Speaker
And especially in the black community and stuff like you had like preachers and stuff, but then black people were making and writing like blues and like blues was starting to form. You had Robert Johnson. He sold his soul to the devil. All of that is very necessary and intrinsic to this movie and everything. um And it' seems it's almost like Ryan Coogler wanted to make a blues movie and then landed on vampires because of ABC XYZ.
00:13:39
Speaker
He does talk about that in a few interviews, a little more detail. I'm not going to speak for him ah ah how we got there, but that is ah music is very important. So him and Ludwig sat down and did like the their due diligence times a million to make sure that they got all of that as crispy and clean and good as they needed to. And I think they did a perfect job.
00:14:00
Speaker
um the scene So for my friends who and saw the movie last night, you know who you are. I said, if you guys can find out the two scenes that made me cry in this movie, ah one was obvious, one was not.
00:14:12
Speaker
ah One, the obvious one was when at one point, Annie says, if I get, if they bit me, if they bite me, and you need to stake me through the heart. I don't want to turn at any point.
00:14:22
Speaker
She said that to Smoke and Smoke doesn't end up having to do that. And that made me cry. it was like, yeah, it was like, it's probably going to happen and that sucks. But It was a beautiful moment and it was good and I was still sad when it happened. Another another sign of it being a good movie.
00:14:39
Speaker
The second scene, the less obvious one, um the scene when Sammy starts to play I Lied to You, the song he wrote for his dad, and he reaches out to that the past and the present ancestors, the ancestors, the descendants, and we get like electric guitar in there, and it's a single shot panning around to everyone dancing, and then all of a sudden you've got some like
00:15:11
Speaker
some like African dancing like traditional African dancing going on and then you move around and then there's a DJ and like now there's like a like a beat going on with the guitar and everything get the people like twerking and stuff and like everything going around and then it pans up to the roof where it's starting to be on fire and then it pans back down and the whole building is gone but they're all still dancing And then we land on the vampires. and I just got chills thinking about it. And then you land on the vampires outside, looking at the building.
00:15:45
Speaker
And Remick is just so ready to go in there and get Sammy to be a part of his hive mind. That scene made me cry because...
00:15:55
Speaker
It is such good, beautiful storytelling, especially when you go back to the the intro with the narration from Annie about how music brings community together. if There's like a magic to it and you can reach out to ancestors and they can be there and everything. But it can also invite the devil. It was just such a beautiful visual like music video honestly um because that song is incredible i've been listening to that one a lot too um from the soundtrack and uh yeah just the the way they like like that's talked about at the beginning and then we actually get to see a moment like that where it becomes this like magical realism uh kind of a moment um and then like that's what brings the three vampire remake and the two uh the two that he had turned at the beginning into
00:16:51
Speaker
uh to come to the juke joint to do what they do um that one of the most beautiful scenes i've seen in a very long time in a movie um i a scene that wasn't necessarily supposed to be sad uh hasn't made me cry in a very long time in a movie um i cry a lot during movies It's just how who I am. I love movies obviously very much.
00:17:14
Speaker
So it's easy for me to just cry during ah when there's sad parts. But this was a this was a it's just such a good fucking moment. It's just so good that.
00:17:28
Speaker
I can't help but tear up ah ah when I saw it. And again, I just got chills describing it again. um So obviously the music had to be incredible, right? The music had to be was like the second most important thing after the story.
00:17:44
Speaker
And I think it absolutely did it. No piece of scoring is off or feels weird. All of the music is amazing. I was telling Austin my biggest worry about the movie was I was kind of worried because I had seen that Hailee Steinfeld had a song.
00:17:58
Speaker
um that was released on like a companion album for the movie. I thought at the time that that was a part of the actual soundtrack that was going to be in the movie. And I hate anachronisms in movies when it's like ah like it's like a period piece and you have like a modern song in there.
00:18:14
Speaker
That always really takes me out. That's not what happens. All the music is there except for this one scene. But again, it's magical realism and it works and it's okay in this moment because... It's reaching to the past and the present to be in this moment to bring these people together in this community and with this music.
00:18:32
Speaker
So that's fine. That's like an exception to the rule that I put on movies and like but how I feel about them. um Like I was worried that the Haley Seinfeld song was going to play like at some random part in the movie and I was going to be ripped right out of the scene and out of the entire movie. But.
00:18:47
Speaker
No, they just released companion album, which is crazy and they don't ever do. um People never do that anymore. So that was awesome that they did that for this movie. But then also so we have got a lot of really great blues music, right?
00:19:01
Speaker
But there's also some really great Irish folk music in this movie as well. ah Will You Go, Lassie Go is that Remick and the Vampires are singing. I believe it's the moment when Haley Seinfeld, ah Mary is coming out to like check on them to be like, it's like suss them out and stuff.
00:19:17
Speaker
um That beautiful, the little ah Irish jig that they do while everybody's freaking out inside and like he's singing that song. The, um though I can't remember the name of the song. Oh, God. it's so Oh, it's frustrating. um The song that they're singing um when they first went about like picking someone apart and like eating them and stuff like not only is it ah is it performed very well and it's like, oh, yeah, we're talking about eating someone and their vampires, but also it's kind of what they're there to do they're there to pick apart the community and like take what they want from it and everything like that um it's absolutely incredible the music top to bottom left or right whatever is just absolutely incredible um going back to the writing a little bit the third thing um no character in this entire movie felt
00:20:10
Speaker
Irrelevant in any way every single person that speaks is important and i was talking to Austin last night about it and I was like who do you think the most like? Unnecessary or like random people are and she was like the two guys who? Smoke shoots because he's stealing from the thing like they and i was like and I was like yes that but it's probably that's a good answer like they seem to be the most irrelevant, right?
00:20:33
Speaker
um but They're not because they're there to they're there to show that as soon as they realized who it was, they were fucking scared. They were fucking scared. They were like, oh shit, you're back.
00:20:46
Speaker
i didn't know it was yours. I thought she was lying when she said it was yours. Blah, blah, blah. Again, small little thing, but every character who speaks is important in one way or another, including ah the Chinese couple's daughter who barely speaks.
00:20:59
Speaker
She's super important later in the movie because they use the daughter to threaten her and she eventually lets them inside and then everything starts to pop off in this great, great way. Um, the girl that he hires to look after the truck and stuff he teaches her negotiation tactics like he doesn't just say like hey do this for this like and stuff he's like no no no i offered you 10 cents uh per minute like you should need to make me a counter offer and she's like 50 and he's like well that's too rich That's too rich. That's too much. What about 20 best I can do? And she's like, OK, he's like, see, and like he teaches her how to like haggle for money to make her life better and everything. So like that's something he and his brother learned when they were off in Chicago doing their like mafia gangster type stuff.
00:21:41
Speaker
And actually, every every little moment is just so good. So not so every character is good. So that's just minor characters we're talking about with those two. Right. What about the two like main characters?
00:21:54
Speaker
I feel like I know Smoke and Stack super, super well. They were in World War I. Smoke can't roll his own cigarettes because he has a shell shock, as it was called PTSD. He can't roll his own cigarettes.
00:22:07
Speaker
Stack is rolling a cigarette for him when we first see them and stuff, or he asks somebody for a cigarette. he does not ever And when he tries to roll his own cigarette, his hands are too shaky when he's like alone at the end before he pops off on all the KKK members. like That's...
00:22:22
Speaker
He like, you know what i mean? Like he like literally can't do it. And so he asked when he ah kind of jumped around the narrative here. But once he gets to the last KKK guy, he's like, do you have it? He's like, give do you have cigarettes? Give me a cigarette.
00:22:35
Speaker
Like, because he wants one because he's dying and stuff um because he got a shot the stomach and he's done for. um It's just absolutely incredible. Absolutely incredible. And then like the guy who hired there they got the grand wizard of the KKK that gives them the or sells them the ah old mill so they can make the juke joint and stuff. That whole scene with him.
00:22:59
Speaker
He comes up and it's like, yeah, this is the guy who owns land. He's just going to sell it to him like whatever. Turns out. He's KKK member. And when they go in there and they're like, oh, why are these floors? Are they clean? like what And he just kind of like, ugh. It's like, that's what he does. He sells it to black people. And then his KKK guys come and and ah kill people. And like kill POC people who they hired out. like They tricked them into doing that and stuff. And that's...
00:23:25
Speaker
Again, no one's irrelevant. And how do we find that out? Because Remick has a hide mine thing and the first two people that he turns to get on his side, they're not random. That's his fucking, that's the Grand Wizard guy's ah fucking um nephew.
00:23:39
Speaker
So he knows that. And he's like, they're going to come and kill you in the morning and stuff, which is why. We get the scene where ah Smoke is there waiting for them and he has his like military weapons so he can take them out because he's like, fuck this.
00:23:54
Speaker
So they literally only had that one night that they could be free and they all were until the vampires showed up because even if they didn't, Smoke and Sack would gotten smoked. the next morning because they would been there problems like probably probably would stayed there uh we're cleaning up the next day whatever anybody who was there would have gotten smoked so they had one last night of freedom not just because of the vampires but because of the world they live in um and that is evident from the beginning there are moments in every single part of that building up to that um i want to talk about uh
00:24:27
Speaker
Now let's talk about like the vampire thing, like the vampire stuff. um Great vampire lore, the the entire thing with the... um You can't come in unless you're invited stuff. That was super good way to like put some suspense into this movie. Cause you like with the scene with cornbread, like you didn't know if he was or wasn't kind of a thing. Like that was awesome. I thought that was a very well done and really cool.
00:24:54
Speaker
Um, one thing I don't see a lot of people talking about, people have been talking about how, uh, ah Ryan Coogler specifically used um was and the inspired by Puss in Boots, The Last Wish, the villain who is death in his red eyes.
00:25:09
Speaker
So he gives Remick like those red kind of eyes. Nobody's really talking about I haven't seen a lot where people talk about everybody. All the other vampires eyes are like blue or like white. Remick's are red.
00:25:21
Speaker
So it's like, again, it's a subtle thing. It's not really that important at the end of the day, but it's a nice little detail where his are red because he's the one that's in charge. He is the big, bad, evil guy, to put it in D&D terms, of this ah vampire hive mind and everything. So what he... so he is in charge of the hive mind and so he is getting everybody to do what he wants them to do that's why they can all sing and dance to the Irish jig that he does and everything um love that and then I just love the way that you know he dates himself when he's ah going to get Sammy and stuff and
00:26:01
Speaker
everything as being like 1200 or 1300 years old ah because he starts saying Sam starts saying the Lord's Prayer and then him, Remick and all the other vampires join in. He's like, oh, I know that one. Like, I know that one. That's a good one. Kind of a thing, um which we'll talk more about in a second and the importance of that.
00:26:20
Speaker
ah Because he says those people, he's like, they came in and took my fan Like took killed me or like took my community away and put that like Christianity and that religion on me, too.
00:26:33
Speaker
And like it does bring me comfort at times, but, you know, they used it to oppress me just like they used it to oppress you and your people. He's trying to like relate to him.
00:26:45
Speaker
because there's this whole history. I'm not an expert in and stuff, but there's a whole history of like um Irish people being treated pretty bad, obviously not anything in comparison. um But there's this whole thing about ah seeing people talk about ah about the Irish black and stuff, whole different thing. You guys can look into that. It's pretty fascinating.
00:27:04
Speaker
But there is like a commonality in like a community ah there was like ah back in the day like between the Irish and like ah black people around because they were having similar type of like you can't be in here like there would be signs that say like like no black people no Irish people like they were also segregated to an extent and everything and they kind of helped each other so for him to be Irish um and be having a way to but like is a is a great move in terms of writing to like get them to be able to relate to him and understand his point of view kind of.
00:27:43
Speaker
um think the last thing I really want to hit is the use of religion. So obviously preacher boy, um his dad's the preacher and he's saying, don't play that devil's music. Like the devil is going to come get you and stuff.
00:27:58
Speaker
um in all that jazz and everything. And he goes there, but cutting back to that scene with Remick, and he says the Lord's Prayer and stuff like I saw a lot of people talking about how people in the theaters when he started reciting the Lord's Prayer um he would, people were like clapping and like, yeah, all right, like this is what's going to do it because that always works and stuff.
00:28:23
Speaker
And then when he started saying it and then all the remake and all the other vampires started saying it, people were like, like freaking out. They were like, oh, shit, because like that didn't work, that kind of a thing, which I think is a really awesome way to use the kind of like flip that ah piece of vampire lore, like.
00:28:38
Speaker
Usually was like Christianity can defeat vampires. Basically, you know, to cross the holy water and all that stuff. And while that stuff does work to an extent in this movie, it's mostly garlic and silver that is used to and then fire and stakes and like stuff like that. It's like the non-religious things that actually end up working the best um to save people in this movie.
00:29:01
Speaker
um So. him twisting Ryan Coogler making the decision to have Christianity and like religion not work is pretty pretty awesome and especially for the time period that this movie takes place um and for Remick to be like there's another thing that we can relate to and why you should you know join my join us and stuff and you know, he wants and again, but also at the same time, he's doing exactly what everyone else had been doing.
00:29:32
Speaker
He wants Sammy stories and his music for his own to use to his own nefarious ends because, you know, and he but he he tries to be like, yeah, like it's one of those like, well, yeah, they're doing that and I want to do that, but I want to do it for better reasons kind of a thing. Like it's one of those things. It's like, no, it's just another person trying to take from the black community and use those ah stories and music and talents for their own ah obviously especially in this case vampiric like evil evil things evil ah point of view and like plots and stuff like that so
00:30:15
Speaker
Yeah, I don't know. I just think this is an incredible movie. The post-credits scene, um ah the mid-credits scene, i think most people saw the post-credits scene. If you didn't see, we'll talk about that real quick. At the very end, it's just Sammy playing his guitar, no cut, in his father's church.
00:30:32
Speaker
And gets done playing and he looks up and to the left and kind of looks a little worried and stuff. I believe that's the moment when the devil actually did, the actual devil, not Remick, the actual devil came up and made him a deal.
00:30:43
Speaker
And that's why he doesn't let go of the he's like kind of distant from his dad's preacher stuff ah from the get go. And he um goes and leaves and is become was a long, successful life as a musician, you know, and then we see him in the ninety s and stuff. And then ah Stack and Mary show up because they were able to escape and everything.
00:31:06
Speaker
And then that's what that that's the true trigger for this movie is he was practicing in the church one day. The devil heard his music and came up um and then it also but then it also attracted a different kind of more like nefarious evil.
00:31:21
Speaker
um and Remick and whole vampire stuff. So again, I'm giving it a 10 out of 10. I'm giving it a five out of five. I can't stop thinking about this movie and I don't have any reason to give it anything less, not even a 4.9 out of 9.9, 10 out of 10, hundred percent, two thumbs up.
00:31:40
Speaker
If I had more thumbs, I would give it as many as I could. Um, Yeah, that's it. Thanks for listening. Follow on all social media, TikTok, Instagram ah to get updated about more things um as they come up. Thanks for listening.