Transcript
Jo: everyone, Joe here. I forgot my name for a second. And I'm with none oh other than Georgie Ray. See, i I remember your name. i just forgot my name.
Georgie: Yeah, that happens.
Jo: That happens. And if you do not know anything about, we're gonna say Ripman, RIPman, little spoilers coming up, someone might be in the sequel. um And I'm pointing at the camera right now.
Jo: So first of all, I know, oh no, she didn't even know was in the movie.
Georgie: Oh my god.
Jo: Nice.
Georgie: Oh my god.
Jo: First, want to say thanks very much for coming. And it's honestly a while in the making and I couldn't wait. Honestly, gosh, i was like, okay, I can't wait to talk about this and just see all the new crop of actors coming up. I love it.
Jo: So first of all, thank you.
Georgie: Thank you. oh my goodness.
Jo: Oh, well, see, that's an easy one. Now, i only got like 12,000 hard questions for you.
Georgie: yeah
Jo: Question number, no, I'm not going that.
Georgie: Imagine.
Jo: So,
Georgie: i'
Jo: We're going to talk about you know ah Rip Man 2, RIP Man 2. And if you want to go on Kickstarter right now, I'll put a link in there, click on, and then we'll discuss that and all. But I really want to know more about The Ostrich.
Jo: I need to know. I've seen you do The Ostrich. I've actually done seen you. i seen I heard you do The Ostrich sound.
Georgie: Yeah Oh did you see the trailer?
Jo: I was like, what the is this?
Georgie: Okay
Jo: Yeah, yeah, I saw the trailer of The Ostrich. So walk me through that. Walk me through premise to go on.
Georgie: um Have you seen Black Swan?
Jo: Yeah, yes.
Georgie: So it's basically like Have you seen Fleabag?
Jo: Yes.
Georgie: So it's basically a mixture of Fleabag and Black Swan It's like a metaphor of getting your head out the sand Like the ostrich effect
Jo: I can see that.
Jo: Yeah, that's brilliant.
Georgie: um Yeah, it gets quite gruesome, but we didn't want to show that in the trailer. But yeah, it's a bit of a weird film.
Jo: ah Slightly, but ah it's it works. i mean Just by the trailer, me i'm I'm just saying it works. And that means that was a short. How long was that short film? 15?
Georgie: It's running at 15 minutes at the minute.
Jo: Okay. okay So when you are doing a like a demo reel, are you trying to make smaller films just to kind of like fill fill feel, feel, feel reel? Or is this something that you're just really passionate about for shorts?
Georgie: I think I'm just passionate about telling the stories. I made one last year, which was sort of a 10 minute long um film, but because it was a bit more of a passion project and no budget, it's hard to get things properly made.
Jo: Right.
Georgie: um But yeah, i'm I'm really happy with this one and it's what I love to do.
Jo: Well, that's brilliant because I'm glad you brought up the doing it because it's a passion. We talked to a lot of people like I really want to be in this and that, but I don't have the like the money, the funds like, well, yeah, a cell phone camera.
Jo: You got three friends.
Georgie: Yeah.
Jo: You know, there you go.
Georgie: Yeah.
Jo: Like it's not the best maybe, but yeah, it's going to start you through.
Georgie: You can do so much now. pray Yeah.
Jo: Did you ever want to make something that you just didn't have the like the technology or just didn't have the crew or just quite get the right setup on on page yet.
Georgie: I think there's always like more you could do, especially with ostrich.
Jo: Right.
Georgie: I you know was going to go all out with the proper prosthetics and everything, but when you are working on a Titan budget.
Jo: Really?
Georgie: We did make a mask, but I think if I had like thousands of pounds, I would have gone like crazy.
Jo: That's amazing though. So there's obviously, there's too many budgets, sometimes limitations. Now, have you ever, have you ever, we're not gonna play have you ever. oh no No, no, I'm not gonna hear that.
Jo: bro Have you ever done this? No, I have not done this. No, we're not gonna do So when you're when you're doing this, I know you have a movie called Method.
Georgie: do
Jo: I'm really trying not to do, for for us in the States, it's the Wu-Tang Clan song. I was like, I'm not trying to do Method Man right now. i swear to God, and I'm not gonna channel that. But, but, but, but what's your acting style? mean, I haven't seen you're doing 12th night, you've done this and you're doing commercials and voiceovers and now, you know, what's your style for acting? How do you get into it?
Georgie: I think I love horror and female rage characters. And that's very much what in my short films I've written. I've written, you know, a female who goes method into the serial killer role rage and then ostrich is more female rage.
Jo: Right.
Georgie: But I, yeah, I seem to get cast in some female rage things as well. So, yeah. Yeah.
Jo: Well, that's one of the things like sometimes if that's your wheelhouse, that's, that's where you want to go. That's, that's brilliant. I will ask something about stage though. When you're on stage, like 12th night, right? When you're on stage, what's the vibe versus if you're doing a film is a different vibe, same or.
Georgie: Very different vibe. I played Feste in Twelfth Night, which is like the absolute fool and the clown.
Jo: Okay.
Georgie: um But with stage, there's, if you go wrong, you've got to wing it. There's no one to save you.
Jo: Yeah.
Georgie: There's more.
Jo: And you hope they don't know material.
Georgie: more
Jo: I'm like, they don't know this material. Do they?
Georgie: Yeah.
Jo: Oh, They do. they do it It's.
Georgie: Very different. oh
Jo: Who's a Shakespeare guy anyway?
Georgie: Yeah.
Jo: He might not catch on. Who knows?
Georgie: ah Yeah. You can't improvise Shakespeare. Not really.
Jo: Yeah. ah tape David Tennant. I hope you're listening on that one, buddy. That one's to you.
Georgie: yeah
Jo: I'm not going to say no more. So you have all these, these great experiences, right? As an actor. Do you believe having like everything from theater to commercial and the singing that you have the more experience with the better, or do you you rather suggest like one lane for people?
Georgie: I think I like all, like they're all such different fields.
Jo: All of it. Yeah. Cause that's the reason why I'm into acting because you were just really interested in learning about and just going out and forward. Right.
Georgie: Yeah, just getting the craft. It's just always been in my life. um i couldn't imagine it without it, really.
Jo: That's brilliant. Now, for when you're growing up and like, I want to be, it are your parents like, yeah, okay, hold on Yeah, yeah, sure, sure. Study school first, go to dental school first, and then as a fallback, you know, just as a fallback, just say.
Georgie: No, my parents have actually never said, or you know, maybe try something else, which I'm really grateful for.
Jo: Right.
Georgie: They've been amazing, but like biggest supporters.
Jo: Well, that's brilliant because I think if you encourage creativity and honestly, more creativity in the world, the better. And that comes a lot from the parent support or sometimes the lack of can just like crush it all before it gets out there.
Georgie: oh yeah.
Jo: So it's glad you had that experience.
Georgie: Oh, God, you know. Yeah. Really.
Jo: When you are on the ah r RIP, the Ripman, I'll just say Ripman. Ripman part two, the part the second part. When you're on this and you're getting the makeup on and you're getting the things and it's like 3 a.m. m for a call and you're doing this, did you ever think like, I picked that wrong fucking decision, didn't I?
Jo: I could have been.
Georgie: No, oh my god no i've at I've actually only done one filming day So far, yeah I've got um ah think some more this month than I know in May yeah, I've only done one
Jo: Really?
Jo: All the things look forward to.
Georgie: I know, I know. but the first day went amazing. So fingers crossed.
Jo: Touch wood.
Georgie: Oh, my God.
Jo: Yeah, yeah, yeah. We're definitely going to touch wood. The second day, like the prosthetic kept falling off. I don't know. um i got like sepsis in my eye from the makeup job. Who knew? but
Georgie: Oh, my God.
Jo: Okay, no. Okay. One, honestly, God, one time. What was it? It was below zero. i had pneumonia. And they're like, we're doing a reshoot. I'm like, a reshoot? And like, yeah, wear this like a lot like loincloth outside in the snow.
Georgie: gone mamma
Jo: Like, okay, yeah, yeah. I'm gonna do it right now with pneumonia, guys. How many hours left? Started, okay.
Georgie: That's crazy. Yeah, gotcha.
Jo: Yeah, yeah, I know. But it's, it gets, like it's fun after a lot. But it it is, it's hard, but it's fun. Like, you know, this part of the experience is pushing it through it, right? So have you gone through all of that?
Georgie: yeah got yeah
Jo: You've gone through all this. You you've did all your shorts. You did all movies. You did all other things. What's the one thing you haven't done yet then that you really want to? what What haven't you done?
Georgie: That's a good question. Well, I haven't done a lot of things, so I don't know why I'm not answering quicker. um
Georgie: guess I've never done a one-woman show. haven't
Jo: There's yet. yeah You haven't done one yet. There's always fringe.
Georgie: done one yet. but Yeah. I haven't done the Edinburgh Fringe. That's one thing I really want to do.
Jo: They really... Okay. Is that part of the lottery system? Because like in Montreal, we're doing a lottery. It's like, hey, you're number 17. Number 17. So
Georgie: Oh, no, I don't think so.
Jo: you properly... Like this is the... You get any submit. and Like we like this one. We don't like this one. That's good.
Georgie: ah think so, yeah. think it's the same.
Jo: Living where you... Living what you do in the great kingdom of the Uniteds. Sorry. Does that... Like Edinburgh, French... but Like a lot of people like gravitate to that. I mean...
Jo: everyone from this person to that person, I'm not gonna name a name. It's like, yeah, we did Edinburgh like i was 20. Like you fucking did Edinburgh. Like how? Like, it was like 12 years ago, but you know, it was like 13 fucking shows and I don't remember any of them.
Jo: Is that like your dream? Does it hit that or?
Georgie: I think I just, I've never been and it's just such a beautiful place to see everyone like bring their art and work.
Jo: It is.
Georgie: um I just love to do it. i love the environment of like everyone together, even like at the pub after everyone's just chatting away and you're meeting new people. I think it's so beautiful. really want
Jo: I was going to ask about that because if you've done the 12th night, you've done the 12th night.
Georgie: to do it. Oh yeah, yeah, yeah.
Jo: Like if if you go, you go, ah you know, after the cat after the, you know, the curtain go, you go to the pub afterwards, right? And that's where, like, do you do that when you're filming as well? It's like, oh, the day's over if it is kind of like split birth theaters almost like you always stay as a unit because you spend so much time together as a unit.
Georgie: Yeah, you really do spend a lot of time with each other.
Jo: Is that a different vibe?
Georgie: Like, you're rehearsing for weeks.
Jo: Yeah.
Georgie: um I think you do. You just make amazing friends. I think the same with film as well. When you're filming with people for, like, 14 hours and stuff, you you just bond so quick.
Jo: Yeah.
Georgie: It's nice.
Jo: o for for For those that don't know, those 14 hours, what you got, like maybe five hours of film, 20 seconds of that will actually make it to the theater.
Georgie: Yeah, crazy.
Jo: I was like, oh, do it again.
Georgie: There's so much waiting around.
Jo: Yeah. ah It's hurry up and wait. It's hurry up and wait. And if you're lucky, the k craft service is not a bottle of water. Like, where's the craft? It's a bottle of water right there. That's your craft service. Like, thanks. It's just tap water, isn't it? Yeah, it's just tap water.
Jo: Thanks, man.
Georgie: What's like like the longest set that you've been on? Okay,
Jo: Oh, fuck me. um Oh, you can swear on the show, by the way. Apparently just did.
Georgie: cool.
Jo: Yeah, yeah. No, it's fine.
Georgie: yeah
Jo: Oh God, the longest one as in, was I doing something or just kind of waiting to get the scene and then like having the retake stuff that.
Georgie: Yeah, I guess just like the longest you've been waiting.
Jo: It started at like six. It was a night shot. So it was like, it started like at six, like wait for the sun to go down, six or seven and end look at three.
Georgie: Hmm.
Jo: AM, maybe 3.34 AM. And you're just like, what's the fucking line again? Can't you say your... And it starts getting testy after a while because you said, like, redo it I don't like that one. What do you mean we don't like that one?
Jo: Say it this way. like Okay, I'll say it this way. No, no, don't like that one. Let's do it. I'm like, fuck.
Georgie: Yeah, the tiredness creeps
Jo: It's like, yeah, jargon, jargon. Yeah, it's like, you're sort of like, how do you want me say it? Yeah, yeah, sure. Just fucking just do a voiceover. Whatever.
Georgie: in. Pardon? Wow.
Jo: Yeah. So how long have you been on Like, what was your like?
Georgie: fadin
Jo: what Yeah, what's your long set? What's your long set? You're on set, you're calling in the morning, and you're still there the next fucking morning going wild.
Georgie: I think I was actually like a supporting role. It was a feature film and it was night shoot. So you started at like 6pm and then finished at 6am.
Jo: Oh, no.
Georgie: But where I was, I'm in like outside London.
Jo: Yeah.
Georgie: So I had to get like a two hour train um there and back. So it was the waiting and just the morning. ah Time didn't feel real this point.
Georgie: Yeah.
Jo: Oh, that's exactly it.
Georgie: Yeah.
Jo: Right? It's like you have no concept of time because you're either inside a studio or you're outside like, what the fucking day it is? It's like going to a club all day and waking up the next morning and still in the club.
Georgie: It literally is.
Jo: God.
Georgie: is so weird. But yeah, it's all worth it.
Jo: Oh my God. Okay. So this this is good. So welcome to Actor's Studio with Joe and Georgie. But that's what it comes down to.
Georgie: Yeah.
Jo: What was... Okay, when you do makeup, when you're just in the makeup, and I don't mean like prosthetics and stuff like that. I mean like actual makeup. Do you do your own? Or do you have like a makeup person or like?
Georgie: I mean, normally the time you are doing it on your own.
Jo: Yeah.
Georgie: um i was, because Jamie, the director, he was like, are you happy to do this sort of goth makeup? Because, you know, I've got experience in it. And I was like, yeah, I'll do it.
Jo: Versatile. See, you're versatile.
Georgie: Yeah, you've got to be in this industry.
Jo: And that's exactly it Like, what can you and do Like, what do you need? Ride horses? How hard can that be? It's very hard, by the way. Don't say you can ride horses if you can't ride horses. You find out really quickly you cannot. At least I couldn't.
Georgie: Yeah. My mum actually is a horse person. She tried to get me into it. And I kind of wish I did if so I could have that skill, but that's terrifying.
Jo: Oh, see, you know and that's Ripman 3, the equestrian version of it. They're all riding away.
Georgie: Yeah.
Jo: That's Mr. Ed. No, Wilbur, no.
Georgie: Yeah. Yeah. Write
Jo: If you guys make that movie, that's my fucking idea.
Georgie: it down.
Jo: No. Right? Stealing my fucking idea. Now I actually want to do that movie. Damn it. Now I want to do that movie. But claymation-wise.
Georgie: Yeah.
Jo: because it goes Just because.
Georgie: Why not?
Jo: Okay, so we are on set. You do all this stuff and you... Is there anything you dread? Like you absolutely just do not want on set. just like, oh my God, I can't believe today's the day we have to blah, blah, blah.
Georgie: I think it's when I'm in my head. It's like, I don't need...
Jo: okay
Georgie: do you know when like every actor criticises themselves?
Jo: Yes.
Georgie: And you think, oh, am I not going to give the right thing or am I going to say it right? Am I going to do this right? And it's, yeah, I think that's the hardest thing.
Jo: Yes.
Jo: No, absolutely. Do you ever do it as you're fucking acting? Like you have a third camera that sits outside of you just looking like, why am I moving like this?
Georgie: Yeah.
Jo: I don't fucking know why am I moving like this.
Georgie: Yeah, honestly.
Jo: It doesn't move like this.
Georgie: or it's like you're told to walk and it's like, how do I walk? Like, I've forgotten how to act like a human.
Jo: You're laughing, but it's true. It's true.
Georgie: It is true.
Jo: it like, how the fuck? And you start moving, like, really weird. Like, how the fuck my feet work? Like, why are my hips going this way?
Georgie: a yeah
Jo: The way I don't really walk like this? my God. Okay, thought I was just, yeah.
Georgie: what about you to what would you say
Jo: Oh no, like, it's the, it's the critic, you're absolutely, it's a self-critic, always. It is a self-critic every time they get you. Like, you're always like, no, no, no. And then if you, if you can silence that, it's actually, you know, that's nut so what we do.
Jo: And if you can't silence it, it's kind of like, that's when the lions, if it's a big monologue, you're like, fuck.
Georgie: Yeah.
Jo: Every, every word you must up. i'm like, oh, fuck. It doesn't really, I don't know. Every fucking small thing. Then it starts piling. It starts piling.
Georgie: Yeah.
Jo: How do you get out of that? Okay. How do you get out of that? I'm curious.
Georgie: oh I think shake it out. Shake it out of my body. Like literally, like physically. and i'm like wow Yeah.
Jo: Yeah. The kinetic. Yeah.
Georgie: And you just got to hype yourself up again.
Jo: Yeah, yeah.
Georgie: think Right, I'm here, I'm down, but the only way is up.
Jo: Well, that's the thing. It's like, if if you went through casting and you have the training and you did all those things, you're hired. They want you.
Georgie: yeah
Jo: Someone saw something in you. like know Even for the... It's so much weirder now about of you. It's like your your reels are all online right now. this and Did you audition in person or online now?
Jo: Just curious.
Georgie: Online.
Jo: It's good and bad. I mean, it honestly, I was like, okay, do you just send in the tape?
Georgie: Yeah. And then sometimes you do a callback so they actually get to meet you.
Jo: Yeah.
Jo: Actually, to see the front, yeah, yeah.
Georgie: Yeah, which is probably best because you don't know someone from a tape.
Jo: No. No, you you, yeah, you really don't. And it's, it's so bizarre because there's, you might have Lauren Michaels sitting there because no there's no feedback. Like, ah, this is month the way I'm doing it today.
Georgie: Yeah, literally.
Jo: hope Hopefully it's good. like I can't read anyone's faces because there's no face.
Georgie: Yeah, they can get lonely.
Jo: Yeah.
Georgie: For sure.
Jo: Yeah. Thank you, pandemic. No. um But it also...
Georgie: ah yeah
Jo: It opens up if you want to do ah casting across the world. It's a little easier that way now, I guess. But do you have a ritual you go through?
Georgie: yeah very a true ritual well like before there or
Jo: Yeah. Like if you're trying to memorize lines or before you're just doing a bigger part, like do you have a ritual that you kind of like
Georgie: yeah i have like a character bible so i have like my big notebook it's actually here i have like this is my bible
Jo: Do you?
Georgie: and everything about this character is in the Bible. So like, what does she do when she wakes up?
Jo: Nice.
Georgie: Does she have a skincare? Does she brush her teeth? Like everything.
Jo: Right. Good for you.
Georgie: Otherwise it's like, I don't know what I'm trying to play. Yeah.
Jo: Yeah. No. Brilliant. That is absolutely good for you. Fuck. I'm stealing that son of bitch. Hold on.
Georgie: Yeah, make Bibles, character Bibles.
Jo: Make Bible. I tried making a Bible once. The church came down on me for that. And they said, yo, man, like oh my Jesus is this way.
Georgie: yeah
Jo: I don't know about yours. made my own Bible.
Georgie: Yeah.
Jo: Georgie said I could. was her advice.
Georgie: then
Jo: No, but but that's honestly, fuck. 30 years later. Yeah, okay. Thanks. Like, that was brilliant. Because I used to memorize, yeah, you have to see what your character is going to, you the needs and wants and whatever your character breakdown is.
Jo: but I never wrote it down.
Georgie: Yeah.
Jo: Sometimes I'll scribble it on like a napkin or something like put it in an old world.
Georgie: Yeah.
Jo: But then you're trying to like, when your memory starts as you get older, you're like, what the fuck was supposed to? Oh yeah, that's what it is. Damn it. Good for you. All right. Now, if, if you could act in, I'll do a play, any play.
Georgie: okay
Jo: What's your what's, what's your goal? If you could get in any play you want, what would it be? Any play.
Georgie: I love People, Places and Things by Duncan Macmillan It was on probably a few years ago at the National now But basically the actor plays loads of different roles
Jo: Really?
Georgie: And it's the it's so like abstract and weird. It's about addiction. um i just think it's an an incredible play.
Jo: That's a brilliant answer. No, it's one of those things, especially if it's a role that you can just really sink and go, go, go, go in different directions with it because, and still have meaning behind it.
Jo: It's a bound dictionary. That's wonderful. Good for you. Good for you. So when's your one woman play to be about that, huh?
Georgie: Yeah.
Jo: When is it coming to Edinburgh?
Georgie: I know, I've got bloody right one, haven't
Jo: Wow. Yeah.
Georgie: Yeah, maybe.
Jo: 12,000 characters. All me.
Georgie: Yeah, I think i that's tough, though. but um in the West End right now, Cynthia Erivo is doing Dracula, just all her, playing all the roles.
Jo: Really?
Georgie: Yeah, it's crazy.
Jo: Oh my God.
Georgie: really want to see it.
Jo: If you see it, come back and we'll talk about it.
Georgie: Yeah. Definitely.
Jo: Absolutely. Because that sounds brilliant, man.
Georgie: Because they've sort of broadcast some of the show and it's done all very, very clever.
Jo: Yeah.
Georgie: But I'm and i'm really intrigued.
Jo: I bet. Is it was it prosthetics or was she just like, no shit's given. You get to guess which character I am right now.
Georgie: I think there's subtle costumes. And then she has the teeth, obviously.
Jo: The teeth. If teeth in, like, off.
Georgie: But yeah.
Jo: in. I'm I'm I'm in. in. I'm in. in.
Georgie: Yeah.
Jo: in. in. I'm I'm in.
Georgie: I'm so intrigued.
Jo: I'm I'm in. in. in. I'm I'm I'm I'm I'm I'm I'm in. in.
Georgie: I know.
Jo: I'm in. I'm in.
Georgie: Oh.
Jo: in. I'm I'm in. I'm in. in. I'm in. I'm in. in. in. in. I'm I'm I'm in. I'm I'm in. I'm in. in. in. in. in. I'm in. in. I'm
Georgie: Oh. Margot Robbie's always been one of my icons. I just think she's amazing.
Jo: in.
Georgie: um Yeah, it would have to be her.
Jo: Absolutely. And I must say, you kind of sound like everybody talking your Australian accent. Ooh, I went on that reel. I went on that reel, son.
Jo: I'm like, an accent tape?
Georgie: I love it.
Jo: Shit, i want to see this. Then the son, I'm like, oh my God. If I close my, you can be fucking in true blood right now.
Georgie: It can be anyone.
Jo: Perfect. Did you, okay. Did you, did you? Now I'm i'm all excited in the doodoo, did yous. Okay. When you are doing accents, has anyone ever said, for this one, I really want a Georgie one.
Jo: I want the Georgies. You have to put it out there. Oh my God, Georgie from Geordie.
Georgie: Go for?
Jo: Oh, what? No.
Georgie: Oh, Geordie.
Jo: Geordie. Yeah, I said Georgie doinging from Geordie. like, today's slurring word brought to you by?
Georgie: Yeah.
Jo: Yeah.
Georgie: Tongue, mister.
Jo: me yeah Did you ever like get an ax for an accent?
Georgie: Yeah.
Jo: Like I want you to do it. All right. But you have to do like California surfer. And as you do it, is going to be like, you know, Viola today. We're not going to fast. No, no, it be Viola today.
Georgie: so no I know. haven't really delved that much into accents. wi I had a module on it at uni. um
Jo: Yeah.
Georgie: Yeah. But I feel like i when I've been around someone with a different accent, I start mimicking them.
Jo: Start picking it up. Same.
Georgie: Yeah. So I'm really sorry if I start becoming American at some point.
Jo: Yeah.
Jo: Me too. No, wait. But that, no, that's...
Georgie: but Wait, you're American.
Jo: Am I? Oh my God. Don't tell them that.
Georgie: Oh my god, what?
Jo: They won't let me back in, those bastards. Of course I am. i mean, sort of, I guess. I had multiple choice tests. I knew what hockey was. was like, you can come to Canada now. Thanks. I know what hockey was. Thanks. And maple syrup.
Georgie: Oh.
Jo: Honestly, in my test, really weird. So you never, okay. For Ripman 2, I think you should use a Southern Australian Cockney.
Jo: Just like fucking blend that shit in and go for it.
Georgie: my god. That's crazy. I don't even know to attempt that. Could you attempt that?
Jo: Can I do that? ah Not sober, no.
Georgie: No, that's true.
Jo: No, not sober, no.
Georgie: That's the courage you need.
Jo: No, no, no. Although my first time, like i was I did uni in Lancaster and Oxford, so like you know we first time you fly into like Manchester, you take the train up, and two women are sitting next to me like, I have no idea what the fuck they're saying.
Jo: like The Northern accent is still like, nah, and I'm like, what the fuck? Are they talking to me?
Georgie: Yeah. yeah
Jo: So to even nail these accents, I'm going to hats off. Amazing and well done. Now. Oh, shit. Two questions. Only two questions. You ready?
Jo: Question numero uno. See, now we're kind of like, we cleanse it. We cleanse ourselves and we move on. no
Jo: Question numero uno. What is... The one thing advice wise you would give younger and I mean like 10 or below like 9, 10, maybe younger you. What's the one piece of advice you would give?
Georgie: oh Oh, that's a good question. I think, ah I would say good things will come.
Georgie: Love yourself and love the people who love you.
Jo: Ooh, that's nice.
Georgie: Is that a good one?
Jo: No, that's good.
Georgie: Yeah.
Jo: That's tight. No, absolutely.
Georgie: Yeah.
Jo: Because you're focused on the love part then.
Georgie: Yeah, definitely.
Jo: Good for you. Good for you.
Georgie: Yeah.
Jo: This makes my second question to seem me really weird now.
Georgie: Oh, OK, go.
Jo: If you get on a train, going to Birmingham and 13 people on a train and then two people get off and five people get on and then 16 people get on at the next stop but four people get off that stop and then two people get on at the same time but then like oh my god forgot my bag and left and then they keep no that's not my second question my bad I actually had only one question I know no the last question is math yeah the last question is maths good luck no
Georgie: Oh, great.
Jo: No. For the Kickstarter, and I will drop the link, it's going to be Ripman 2, RIPman 2. When I saw the budget, I'm like, there's no fucking way you're doing this movie for that much. like There's no way. like like Are you like on camcorders? like No.
Jo: Then I never read the rest of the Kickstarter. I'm like, oh you're finishing the movie for that much. Got it.
Georgie: Yeah.
Jo: Makes more sense now. I'm like, holy shit, you can do an entire movie for like $5,000? Sign up. sign me up
Georgie: Yeah, honestyssly honestly, honestly.
Jo: Yeah, but if there's there's some cool things, okay, if you, this is my, my final. If you were going to be someone who wants invest in the movie, what, which, which level would you pick?
Jo: The early access, the early, earlier access, the bloody one, the book, the song, can we make a song? We should make a song together. We should make a song together and make them put it in the movie.
Georgie: We should.
Georgie: Yeah, I agree.
Jo: And a Cockney Australian accent from the South.
Jo: no Oh, it doesn't clap your hands. Oh, give yourself a brand. So what level? What level? What level would you do? a Associate producer.
Georgie: Oh, I think the bloody one.
Jo: The bloody one. I think so too.
Georgie: Yeah.
Jo: I believe so too. And if you want to put some money in this one, you just got to go to kickstarter.com.
Georgie: yeah
Jo: Click the link because no one can remember that shit anyways. Put some money in, get some movie done, make, let people finish art or make art that you want to see in the world. And this is, this is brilliant for, and I'm going to back this a thousand percent.
Jo: As soon as we get off, I'm like, do any, many, many, many, boom and done. It might be the song.
Georgie: oh
Jo: It might not be the song. Yeah. Yeah. But I think the more people doing movies, the more people going out and doing what they want for art, it's the better world for it. Absolutely.
Georgie: Yeah, absolutely.
Jo: And i've I want to see Ostrich 2. I want to see a sequel.
Georgie: I don't know if there is a sequel if you watch it.
Jo: If there's enough money, there's always a sequel.
Georgie: So true.
Jo: Like, didn't this guy die last week?
Georgie: So true.
Jo: Yeah, I know, but he offered him 90 mil. I'm like, okay, he's back now. Here we go.
Georgie: is on Plot twist!
Jo: Coming back again. Well, it's been a blast. i Thank you very much. I know it's got to be like 12 midnight PM, whatever it is. And if you want to see more, you got to go to Kickstarter. You have to sign up and do all those things. Put your money in and get this thing done because damn it, this movie sounds amazing. And of course, it's gonna be amazing because Georgie's in it and that's all you need to know.
Georgie: That's very kind. hello
Jo: Thank you very much for your time. It's been a blast. behalf of myself and Georgia, we bid you good day. y'alls.
