Speaker
Well, it ties into, you mentioned the Babadil thing. Everything now has, again, this is the the prequel era that we live in, where everything you watch has to exist to remind you of something that's coming down the line. And so everything is imbued with like a mythic weight and status. It's no longer just like the hobbits found a place and built a house. It's like, no, no, no. You have to like believe that it is a special place that it it is, you know, important. Tom Babadil is no longer just a fool who dances round and could easily be removed from the narrative, he has to be the most important character in the history of Middle-earth who you've never met. like there is this and you know it's Rings of Power is just the most obvious example of it, but it is so much modern pop culture of like, well, here, let us explain the backstory of the thing. And like i I think there is something more broadly in pop culture where we don't make I long for the days when we were like, man, they make so many sequels because now they just make prequels. Like there's no sense of continuing the story or expanding the story or pushing the boundaries of the story outwards. And I know obviously that's impossible to do in Lord of the Rings, given it ends with the end of middle earth. But like even in Star Wars or something like that, there's no sense of like, we're going to go past the sequel trilogy. Instead, it's all like, let let's