Speaker
Yeah, I'm not sure if she actually did or not because, you know, she's just losing it a little bit and thinking about it. But I like that because she's like, like, I would have loved a lot more of that of a slow going into the harvesting of bodies for her scenes. fair Yeah. Yeah. I think that was like a little hint to the ending there, but also like how the progression of the puppets in the stop motion in the Ashman film are getting more and more grotesque and morbid, you know, like, and now she's kind of thinking about human bodies, right? Yeah. And this kind of gives us a glimpse into the impressive body horror that stop motion also has in it. It has a good mix of horror stuff in it. This one does do some really good body horror. Oh, yeah. And I'm always a sucker for that, honestly. And they do it more for Ella herself yeah than anyone else. But I do like there's a shower scene, I think maybe a scene or two after the party where her and her boyfriend are hooking up again. And oh, yeah. Yep. In that brick shower, right? Yeah, it's almost like, hey, maybe things are looking up. ah I mean, from his perspective, yeah like she's reaching out again and and being reactive. She wants to stop but doing it. She's like feeling down his back and stuff and almost like trying to dig into his skin. I know. And yeah, I was like, oh, she's just, you know, imagining him as the as the wax.