Become a Creator today!Start creating today - Share your story with the world!
Start for free
00:00:00
00:00:01
Episode 3 - Life on a Compact Disc image

Episode 3 - Life on a Compact Disc

S1 E3 · Somewhere Elsewhere
Avatar
21 Plays1 month ago

ID follows OD  through the planar door and into a shattered reality  where he proceeds to explain to her exactly how the universe works. 

Does it literally blow her mind?

If you like what you hear please tell a friend and rate us on your podcast app

Join our discord!

Join the Sparkle Squad and we’ll send you a sticker!

Watch us on Twitch

Email us: contact@glitterfoxmedia@.com

Transcript

Entering the Industrial Chamber

00:00:20
Speaker
You step in through this door and immediately you notice that you are stepping into not the wilderness you just stepped out of, but a very large, what looks like a like half cylinder shaped chamber.
00:00:37
Speaker
ah And it's very large. um You look above you and you see the ceiling curve above your head 25 feet above you. And you also realize that the door you just walked in through It's just in the center of the room. It's not attached to anything except for a very hefty looking door frame. And you can actually see this side of the door as Odie closes it. It is a big iron looking door that looks very, very heavy.
00:01:05
Speaker
At the center of the door is this hatch wheel that he cranks to the left to shut it. Or he cranks to the right to shut it. And when he shuts it, the ground seems to vibrate a little bit with just this big thunk as he shuts this door it seems to lock. And the door frame that this door is mounted into is bolted to the ground with dozens of bolts that are the size of your forearm. ah They are huge. We look around this room. It's pretty empty.
00:01:31
Speaker
To the right of you, you see it looks like a partition in this chamber. This is a flat wall. There's a couple of man doors in it at the level that you are in. then you look above you and towards the partition, there seems to be remnants of a second floor that seems to have been torn out.
00:01:48
Speaker
And you can tell it's been torn out because it looks broken. In fact, there's things hanging from it. And when you really look at it, the things hanging from the second floor appear to be chairs of some kind seats. And there's a couple short rows of them of maybe two or three seats on the second story. Like, are they hanging as if, like... Like something has ripped this second story away and they're just kind of haphazardly hanging there. And you also notice about this partition compared to the rest of the chamber.
00:02:15
Speaker
It seems to be welded in. um It's a different material than the wall, the curved cylindrical wall of this chamber. And same thing with the floor. It seems like the door, the floor, and this partition are all made this like heavy, heavy material.
00:02:30
Speaker
You also look to

Exploring the Control Room

00:02:31
Speaker
ah your left and where Odie is heading off. You see he's walking next to these very thick cables that are attached to the back of the door.
00:02:41
Speaker
And when you look at the back of the door, there is no other side of the door. It's just a featureless back panel that has like almost like spaghetti coming out the back of it. is There's so many cables and wires and corrugated tubing that are coming out of the back of this of this door. And you follow it where Odie's kind of walking to the left of this room, and he's going up a staircase that's leading to a second story in this chamber that's not broken away. In fact, this seems to be ah pretty intact. On this second story, ah you see the room kind of come to a taper, almost like a cone.
00:03:18
Speaker
And on the second story, you see almost like a half circle ah wall of monitors. ah There are computer screens, television screens, monitors with blinking lights and buttons. ah There's a big seat in front of it that looks like it's on a rail so it can slide back and forth against all these monitors. um And hanging from the ceiling um above this seat is this big pillar. it looks like it's been bolted into the ceiling of this chamber. um And it's kind of like GLaDOS-like.
00:03:53
Speaker
It's just like this big pillar just covered in... like wires and little mechanical looking hands, like arms. Uh, it's just has all this technology just hanging from it.
00:04:06
Speaker
Um, well, you said glad I was like, I do not trust it, yeah but you see, uh, Odie walk up the staircase and, uh, he says, uh, well, um, for starters, it's been a while since I gave this kind of explanation to someone, uh,
00:04:25
Speaker
If you want, ah come up and join me and i will explain everything to you. um Just don't touch anything unless you like I give you permission to do so. She's already touching something. ah what are you What are you touching? What are you doing? What is I already doing just looking at this place?
00:04:43
Speaker
She's like running her hands on like surfaces just to kind of feel them. She's taking it all in. She doesn't have this like, oh, wow, expression on her face because she's already seen stuff. Yeah. I will say that like all the technology in here, it seems it's alive. It's active. Like ID has

Understanding Planar Travel

00:05:01
Speaker
seen ruins. This is like everything is lit up. It's making noises. You hear this hum that's constantly here in this place.
00:05:08
Speaker
Like how she handling like the like what she what she feel in this place? Right now she's in processing mode, right? So she's just taking all the information in, information in, information in, and taking it all in and like filing it away from the categories in her brain that that it goes to. And when Odie talks to her, she looks up at him. Then she, you know, she follows.
00:05:29
Speaker
As she is setting the stairs, she just says, this is where you live? Uh, yes. That's where i I work. Wow, it's pretty shabby, isn't it? i just want I want you to make a rule for me, actually. Just a straight rule. ah Okay. Just a flat rule.
00:05:46
Speaker
10. Oh, shit. Okay. Yeah. I, okay. We'll get to that in a minute. He's like, well, yes, this is where I work. This is where I do my job and it is where i reside.
00:05:57
Speaker
And he's almost cut off by this very loud, sudden, thunderous boom that almost knocks you off your feet. And he says, that's normal. That is that is normal for this place. you'll You'll get used to it if you, well, if you, you get used to it after a while.
00:06:12
Speaker
Are we on some sort of unstable ground? Uh, unstable, we'll be putting it lightly. Um, but it's stable enough to exist here.
00:06:23
Speaker
She gives him the, like, most really look. But for for for instance, I am pleasantly surprised to see you on your feet. Where else would I stand? um well usually Do you want me on my knees? Is that what you're suggesting? No, no, no. I'm saying- am i supposed to like proffer myself? Miss Heidi, if I could explain. Sorry.
00:06:45
Speaker
Usually during planar travel, especially if it's your first time, it can be a little physically upsetting, but it seems that you are doing quite well. you are you Are you feeling ill at all? Lightheaded?
00:06:58
Speaker
Nauseous? No.

Introduction to 'The Buzzard'

00:07:01
Speaker
that's that's very good. That's what I had to roll for. To see how well you handled your first transition into an another plane. Nailed it.
00:07:10
Speaker
Nailed it. You're already a natural at this. And Odie looks around, he's like, it is a little in shambles, but everything here is in shambles.
00:07:20
Speaker
That's how it maintains its own stability, in a way. Wait, hold on. It maintains its stability through entropy? Order and disorder. I, um... Still, I mean, those hanging chairs over there, that's that's kind of a safety hazard, don't you think? Oh, well, they they haven't moved and in quite some time. oh So what what you're in currently... Until I walk underneath them and they're going to fall on me.
00:07:44
Speaker
I can fix that later. But for right now, I just want explain some things to you. For the immediate stuff, ah what you're standing in now is what I affectionately call the buzzard. It is is a giant Flying machine essentially. Like a ship. It's a ship, but it doesn't go through space. It's only through the atmosphere and when he says that he produces an image on his lens and he pulls it out and he hands to you a very small version of the buzzard and he says ah the one we're standing in is a little bit more broken.
00:08:21
Speaker
um But you can get an idea. She like reaches out and she doesn't exactly know what she's supposed to do because it looks like light right? Well, it's a solid, it's a prop. Oh, it's a solid. Oh, okay. It's like the map he made. Okay. I was thinking it was hologram or something. He basically produced a toy.
00:08:36
Speaker
okay. And he says, ah that is what the buzzer would look like if it was intact. um It's missing some of its ah control surfaces um and a couple of its engines. But that is what you are standing in, the very front of it. She throws it to see if it flies. Oh, just it just falls to the ground like it dissipates. And he's like, well, I could work on making a small flying version of it. But the buzzard itself hasn't flown in in millennia. But if you want to walk over here with me really quick, I can give you an explanation of what all this is and what I do.
00:09:08
Speaker
She'll follow him. Okay. And she still touches things just just to like feel them. So like like just run her hand like over whatever she passes, walls, chairs, like whatever. So Odie catches that and he says, Miss Heidi, you can touch anything on here as long as it's not blinking or looks like a button or a light or a screen. But this here and he spreads his arms out in front of this control panel.
00:09:33
Speaker
He says this controls my planar door down there. Um, and I highly suggest not touching any of this equipment.
00:09:43
Speaker
I understand you're very curious, but, uh, once I explain to you what that does down there and what this stuff does and what I do, I'm sure you don't want to touch it. Her first thought is to just be defiant. And so she's just be like, I'm not a baby.
00:09:59
Speaker
Yes, but you are touching a lot of things I told you not to touch. She kind of like catches herself. As I said, once you understand how this equipment works and what I do, there could be a time where you can study this equipment and touch it and explore it however you want to. But for right now, I just need to explain something to you. Okay.
00:10:17
Speaker
He almost seems excited. He's like, excellent. Um, only one minute. I'm sorry to delay this, but I do need repairs. He sits

Odie's Maintenance System

00:10:26
Speaker
down in that big chair, and he takes a cable that's hanging down, almost like it almost looks like a USB cable hanging down from that big pillar of equipment, that big glass-looking thing um above him, and he plugs it into his wrist. There seems to be no port there, but you see it almost go into his skin, his...
00:10:42
Speaker
artificial skin. And immediately his, this, this big pillar almost comes to life. You see cables come down, attach them to, attach themselves to his left side of his head. ah you see, um, but another, almost like ah a robotic arm come down. It has like a laser on it and it burns away that,
00:11:01
Speaker
wax and honey you use to repair his antenna, but you also see it come down with like fasteners and bits of metal and just repair that damage in just seconds. Just very, very quickly repairs that that kink in his antenna.
00:11:15
Speaker
And he seems to pull that cord out like before it's completely done and the equipment seems to go back up into its little pillar. He gives his left side of his head of a tap and he's like, oh, it's...
00:11:28
Speaker
Almost like brand new. Well, as new as it can be. um Okay, um so... i have so many questions about what I just witnessed. ah Okay, so to begin with, this is my maintenance station.
00:11:43
Speaker
ah Every one of us has one. And when I suffer a little damage or feel like I need an upgrade of some kind, this is responsible for installing those. When you said that you were artificial, I guess I didn't really

Cosmic Structure and Function

00:12:01
Speaker
understand what that meant. Yes, um as lively as I might look, ah I am deep down in equipment and I do need my service and this is what provides that service. Okay. And I'm sure you have a lot of questions about where you are, what this place is.
00:12:23
Speaker
And here another slight rumble, and it seems to be from outside of this place. And he says that's normal. um But seriously though, like, are we going to sink into the earth or what?
00:12:34
Speaker
No, no, that's completely, completely normal. And there's no Earth here that's ah not on this plane. What? Okay. um So I'll do my best to explain if you want to follow along. And ah he produces another image from his lens and he pulls it out and he holds in front of you a small, flat, circular disc.
00:12:57
Speaker
And he twists it in the light a little bit. if it ah It's in between his thumb and forefinger. And it seems to shimmer, like it has rainbow urinescence to it. And he says, every world has their own, well, every advanced world has their own version of data storage. This happens to be my favorite because it's a perfect analog for how everything works.
00:13:19
Speaker
She like looks around for like somewhere to sit down. um He gets up from his chair. He's like, do you do you want to sit? Just don't touch the buttons. And but you see this chair. it's It's a big chair. Like it seems like if you were to recline it, it would be like a bed. It's almost like a plush gaming chair. It has controls and joysticks on its armrests.
00:13:40
Speaker
And it's just as tattered as Odie is. Like it has patches of fabric, but it looks comfortable for what it's worth. um She sits down. She was doing fine until he started, like, plugging cables into himself.
00:13:56
Speaker
I mean, if anyone, like, human-looking just plugs shit into themselves, it's like, okay, well... So he holds that disc, and he stands in front of you, and he says, this is a compact disc, or a CD, as it's often referred to. And it's it's a wonderful little...
00:14:16
Speaker
Sorry. I just like the ID is listening to OD explain a CD.
00:14:27
Speaker
I never actually thought about that, but yes, that's great. And he says, uh, this is, uh, a wonderful piece of technology that I picked up on my travels. And you notice that on his like, kind like desk in the middle of all these monitors, he has stacks of CDs that are just in their little containers, like little disc holders. And he even has like a CD and like DVD player on his desk. And He says, some people may see this as archaic, but the reason why I like this so much is because
00:14:59
Speaker
A compact disc is how everything works. So on the surface of this disc, you have millions of tiny little planes and divots.
00:15:10
Speaker
And these planes and divots, they represent ones and zeros. ah And by themselves, they don't really do much. It's a one and a zero. But if you string them along,
00:15:23
Speaker
in a certain pattern, you can make a code. It's binary code. it's It's the most basic code a computer can read and translate. And via that translation, you can get audio, you can get music, you can get text, you can get pictures, you can get video.
00:15:42
Speaker
You can store a lot of information on

The Shattered Plane of Elsewhere

00:15:44
Speaker
this disk. And generally, they do store music, video, all that. When read via a computer, read by a laser, everything, this this code that is stored on this disk is projected in some form. That's how you get your video, your audio, what have you.
00:16:02
Speaker
But what if I were to tell you that the universe itself is... kind of a big laser, a big computer. When it comes to on a it comes to a universal level, we don't call them compact disks. We call them planes of reality.
00:16:17
Speaker
And this is the code for everything. This is a code for how atoms bond. This is a code for how gravity works. If this code is present in your plane, you have gravity. You have water.
00:16:33
Speaker
You have everything based off of this code that runs absolutely everything. But you don't see the planes themselves. You simply exist upon them. Everything around you, you yourself, you are from the code that's plane stores.
00:16:50
Speaker
When it comes to me, what I do you could essentially call me and my kind planar system repair machines, essentially. um Because planes are massive. They contain entire universes. But just like this disk, they are extremely fragile. One minor scratch on this disk, and that code can become very difficult to read or impossible to read if something is broken, if there's a deep enough scratch.
00:17:23
Speaker
So my job is to go out into these planes and repair damage before it gets too severe. Because if it gets too severe and the code can't be read,
00:17:36
Speaker
Entire planes can shatter and cease to exist. All reality on them, if it can't be read, nothing's projected. Nothing is translated. It just goes inert. So what you are about to see is what happens when an entire planar system breaks.
00:17:55
Speaker
And he touches a button on his dial, and you see windows pull open on the side of the buzzard. ah And it's like it's like windows like an airplane. They're round, almost like porthole windows on the floor you were just in. But in front of you, beyond this stack of computers, you see what looks like the front of an airplane. that You see the cockpit windows open up.
00:18:20
Speaker
And you see outside, it is... You just see this beautiful grassy plain that seemed to stretch on for miles and this beautiful blue sky that is split almost in half by a brilliant white line. And on the other side of that line is a night sky filled with just blue and red stars.
00:18:43
Speaker
And then there's another divide in the sky and you see what looks like a very bright star that is just surrounded by a cloud of rocks.
00:18:57
Speaker
And you also see a section of this sky that just seems to be missing. It's just black behind it. And what you see drifting around in this black empty void is what looks like a giant piece of glass.
00:19:15
Speaker
You actually see two of them. And as they seem to reflect some light from each other, they almost seem to have a rainbow iridescence, almost like a CD. And you see them wait, you can't tell how big they are, you can't tell how far off they are, um but you see them collide and a few seconds later you hear that boom. And he says, that's normal.
00:19:38
Speaker
ah Those are planar shards. Those are from planes that are broken and no longer produce any reality. ah But everything else is the shattered remains of seven planes that were from a former planar system.
00:19:57
Speaker
Somehow enough of them exist together that they form their own plane. And this is where we get the Shetterplane of elsewhere.
00:20:07
Speaker
Where I'm from, where you are now, and the end result of a catastrophic failure. That's my

Grasping Complex Concepts

00:20:17
Speaker
kind was built to prevent.
00:20:20
Speaker
I'm sure it's a lot for you to take in ah and it's the reason why this place is stable, but unstable. Those planar shards you see floating around outside, those are the biggest hazards to Elsewhere.
00:20:35
Speaker
The collisions can further damage what is already so badly broken. But we make do here. Elsewhere exists on its own and does fairly well, all things considered.
00:20:51
Speaker
That is where you are now. That is what I do. And... That is how the universe works. And he puts that CD, like he snaps his fingers and it dissipates in his in his fingers.
00:21:03
Speaker
He says, that wasn't a real one. These ones are. Please don't touch those. Those are very precious to me. She raises her hand a little bit. I'm sure you have plenty of questions. Yes. What's a laser?
00:21:15
Speaker
but
00:21:18
Speaker
He says, ah well, ah a laser is a ah very focused beam of light. um Depending on the wavelength, it can produce heat. It can be totally invisible. um Usually the lasers you see are at a wavelength you your eyes can see. um And he actually looks up and he takes one of those robotic arms from the big column that's above you. And ah he presses a button on and he shines a beam across the room.
00:21:45
Speaker
He's like, that's laser. um so how a CD works. A laser reads the CD and it reads the displacement of the light that bounces back into...
00:21:58
Speaker
i um I'm going to do Lost in how CDs work, but... Essentially, the planes are very similar to a CD. The code is stored the same way.
00:22:12
Speaker
ah But the reality you see projected around you is essentially what you would see if you ran a CD in a computer, the reality from the screen. So you're not really seeing the plane itself. You're seeing everything that is projected by the reality that the universe is reading.
00:22:29
Speaker
If that makes sense. I know it's it's a lot. Okay. Um...
00:22:35
Speaker
The hardest thing about understanding what you just said
00:22:43
Speaker
is trying to figure out why you keep using all these words that I've never heard of before and expected me to understand. Yes, I apologize for that, but... I think that I've... think I think I get what you're trying to convey here, like...
00:23:04
Speaker
You could also put it as almost, say, a recipe for things. ah For instance, everything, especially like, ah what's a good example? Water. It's a formation, it's ah it's a combination of hydrogen and oxygen molecules. And the way those atoms interact with each other in those molecules is written in the background code for every reality, every plane that water exists in.
00:23:34
Speaker
I'm sorry I lost you again, haven't I? Do you have like a book of vocabulary and definitions? Because I'm going to need one you're going to continue like this.
00:23:47
Speaker
He gets excited. He's like, I have a library. would you Do you want to see the library? She actually takes a minute and she like holds her head for a second. Okay. um i know you probably don't call them libraries where you're from, but... books Oh, so you do.
00:24:07
Speaker
I mean, you must forgive me. i Every plane, every world I visit is different, so... We'll work on the forgiveness part.
00:24:18
Speaker
So, okay.
00:24:27
Speaker
Your job or function, I guess, since you're a Not a person? My function, yes.
00:24:39
Speaker
That's appropriate.
00:24:43
Speaker
There's a whole existential aspect to that that I will have to think about later. Yes, uh, remember what I said about if I explain everything to you it might literally blow your mind. I wasn't- I wasn't exactly sure what would happen if I explained how the universe works to Um... Give me a little bit more credit than that.
00:25:01
Speaker
Um... So your function is to fix tears before they rip the whole world apart?
00:25:20
Speaker
ah The correct term is fractures. Yes. They're basically the equivalent of scratches on a compact disc. And it's when the code is... Again, man, you're going to have to like... I apologize. I really do. I told you, it's going to be hard to explain to anyone how the universe works. When I know how all of this works and trying to break it down, that's why I like CDs so much. This is a perfect analog for how the universe works. It's not 100%
00:25:49
Speaker
perfect analog, but it's a good representation. Okay. Well, let's pretend that I've never heard of a CD before. You know, just as a thought experiment, how does any of this happen?
00:26:07
Speaker
Well, it's usually due to stresses. And similar to a... I hate to go back to this... a compact desk or a book, dog-earing the pages might cause a crease, and along that crease, a tear might form.
00:26:22
Speaker
So the more stress you cause to the pages of the book, or even the binding of the book, by opening it too much, or keeping too many bookmarks in it, you can cause damage. And...
00:26:35
Speaker
At a certain point, that damage can be irreversible and there's no saving it. But you could take that same book and lay it down completely flat and put heavier books on top of it to fix any creases to make them completely flat again.
00:26:53
Speaker
There might still be some residual damage, but that's one way to save a book that's been dog-eared. I'm not ready for this. Oh, um, so, uh, do you have water?
00:27:05
Speaker
i have water. I think I need some water. Okay. Um, yes. And he, he's almost confused at first, because, like, he doesn't fucking drink water, so he's like, I know I can get water somewhere on this.
00:27:18
Speaker
He's like, uh, follow me. Uh, it's a ways. And he walks down those stair steps and to the far side of the room where there was those man doors. Are you are you following him?
00:27:33
Speaker
Or are you just staying there? it would be kind of funny if she didn't.
00:27:42
Speaker
Odie's gone for 10 fucking minutes. He tries to find a source of water. She gets up and follows him.
00:27:48
Speaker
Yeah, he's like halfway across the room, like he's almost, he's like by the planar door. and he starts to turn around. He's like, I just realized it was a mistake to leave you alone with the control council. So I'm glad he made the decision to follow me.
00:27:59
Speaker
Again, I'm not a child. Yes, but you were touching an awful lot of things when you first came in here. She's touching something now. What are touching? Are you touching a planar door? That's like the closest thing you're closest to. Probably, yeah. um He says, please don't.
00:28:16
Speaker
I mean, I guess it's inert for now, so... And she's like, didn't even realize that she's... It's like her hand was just, like, migrating over, like, shiny. Yeah, she didn't even know she was doing it. He's like, well, it is inert for now, so, like, you can touch the door, just don't touch the hatch part of it, the locking mechanism. Anyway, follow me.
00:28:34
Speaker
ah He goes through the ah right man door, and... Why's there be a man door? Because it's a man-sized door, that's what they call it. Not a woman-sized door? Not a woman door.
00:28:46
Speaker
They're unfortunately called women doors. They're man because we are humans. so don't I don't care for this. I know, but that's the technical

Discovering the Indoor Garden

00:28:56
Speaker
term. I'm sorry. Why can't you just call it a door?
00:28:58
Speaker
Well, I'm describing to the audience what a door is. A door can be many things. A door could be a garage door. it could be the hatch door. It's a man door. Or a person door. Or a person door. It's a person-sized door.
00:29:10
Speaker
So he he goes through that door and instantly it's humid. um Like this room is kind of dry. um Like, hey you go into like a really nice electronic store where it's dry because they don't want anything, you know, too humid inside an electronics store. It's humid in this room, and it's like oh it's like a hallway you walk into.
00:29:26
Speaker
And he walks through this hallway and then opens up a another person-sized door on the other side of this ah this hallway, and instantly it opens up into a lush garden.
00:29:39
Speaker
But you can tell that you're still in an aircraft. It's still like the general shape of an aircraft. But you look down and you're in the middle of this thing and you're like standing two floors above the ground level. You see the tops of trees. It is, the buzzard is a gigantic freight plane. It is just an enormous thing that would never fly here on Earth. It's just a fucking gigantic thing.
00:30:04
Speaker
All around this place is easily like 200 feet across. You have a forest inside your house? He says, oh, yes, I um i try to preserve and collect. ah I like it here.
00:30:15
Speaker
And he goes down these stairs. why Why not outside where things... I mean, there is an outside, but traveling around and elsewhere is very dangerous. I will get to that in a moment. He's just like, kind of murmuring to his house. He's like, water, water, water. He's like, where do i find water? Ha ha ha ha.
00:30:32
Speaker
You fall down these stairs and it's like you're in a jungle and nothing here is the same like how it is on your planet. All the plants are different. There's trees, but they don't have giant flowers on them. They just have big leafy. don't know what the fuck that Yeah, and there's like a lot of like shrubs with like interesting colored berries on them.
00:30:51
Speaker
You see some wildlife here, but it's nothing like you've recognized before like or seen before. You see birds that have four wings. You see small like furry creatures uh that are in here but they look like they look like nothing you've ever seen before they're kind of like big gerbil looking things and like they scamper away from um od as he walks through here but you see like these birds and animals like they kind of scamper away from od but then they freeze when they see you and they just watch you as you're walking through this place
00:31:23
Speaker
Finally, Odie comes upon this the center of the room where this big tree is growing up. It's like the tallest thing in this room. It reaches the ceiling. And in fact, you see some of its branches are intergrown around what looks like a giant crane block.
00:31:35
Speaker
Like there used to be some kind of crane mechanism in here to move giant pieces of luggage around. or Not luggage, but giant pieces of cargo. It's a big cargo ship. But it's all rusted and like intertwined with the branches of this big tree. It's almost like a big vine that's just kind of spreading around. In the middle where this tree's growing out of, it's like this big mound. But then surrounding this tree is like almost like a big moat. It's a like big deep pool of water.
00:31:59
Speaker
And it seems crystal clear, but you can't see the bottom of it, which shouldn't be possible considering you're on the bottom of this plane, which is covered in like dirt and stuff to support the wildlife that's in here, the all the plants.
00:32:12
Speaker
And he basically materializes a of glass from his lens and scoops it up. He says, water. Sorry, that took a while. How do I know you're not going to poison me? This I should explain, this is the cleanest water in all of elsewhere. this I tell you that with an absolute promise.
00:32:32
Speaker
And this is the water that you drink? I do not drink water. i do not need to. Because you are a machine. I prefer the term artificial being, but yes.
00:32:43
Speaker
She takes the glass. It is cold. Like this water is cold. And you look at it, it's a clear glass and it is pristine. Like don't know how clean the water was back in where you lived, but this is very clean, like bottled water. So you used your weird magic thingy to make stuff.
00:33:03
Speaker
Uh, yes. Um, so going for the terms in my programming, uh, essentially, uh, that's called a prop. Uh, I can manifest a very real thing from the energy within me. And she's like drinking it. and when you, and she just stops, it's no different than a normal glass. Um,
00:33:22
Speaker
Are you saying this is made from you? It's materialized from me, in a sense. um It's no different than a pla- like, it has the same coating as a normal glass container.
00:33:34
Speaker
It's made of you. I mean, yes, but it's- if I put my mouth on this, I'm putting my mouth on you. No, no, no. I guess, but not in... it's It's safe to drink from, if that's what your concern is.
00:33:51
Speaker
Do you have a straw? Yeah, let me materialize a straw. makes it any better.
00:34:02
Speaker
she just She just sits down. and like, she just sits down, and her, like, legs are like like, spread apart. she's She's just holding this glass, and she's just, like...
00:34:13
Speaker
I am going to need some time. That's perfectly understandable. um And she passes out.
00:34:24
Speaker
This has been a Glitter Fox Media production.
00:34:38
Speaker
this has been a gluter fox media production www.glitterfoxmania.com