What Albert Camus Teaches Us About America: David Masciotra on a Country of Strangers,

“We’ve learned how to tolerate acts of violence, acts of widespread death, disease — that other developed nations simply don’t tolerate. And that tolerance manifesting in myriad political failures — all of which go back to our refusal to maturely deal with mortality and issues of grief.” — David Masciotra

Earlier this week, we talked to Ece Temelkuran about her book Nation of Strangers, a manifesto about strangers finding one another. But for the cultural critic David Masciotra, strangerdom is the problem rather than the solution. Contemporary America, he argues in his new essay A Country of Strangers, has become a place of death, despair and indifference.

Masciotra takes his cue from Albert Camus’ 1942 novella The Stranger. Camus’ Meursault — the narrator of The Stranger — is a man completely detached from meaning. He attends his own mother’s funeral without feeling anything. He murders an Arab man on a beach without motive. He faces his execution with a shrug. Masciotra’s argument is that the United States has become Meursault writ large. America’s failure is existential rather than political. It is a failure to mourn — a sustained refusal to engage with death, grief, and the weight of history that produces a society of strangers who cannot connect with one another across race, class, or geography.

So is Masciotra right? Are we all Meursault now? What can Albert Camus teach us about America?

Five Takeaways

•       Meursault and America: The Same Detachment: Camus’ The Stranger is narrated by Meursault — a man who attends his mother’s memorial without feeling, murders an Arab man on a beach without motive, and faces execution with indifference. The novel, Camus said, was his attempt to detail “man’s confrontation with absurdity in its nakedness.” Masciotra’s argument: this is America now. A country that has adopted Meursault’s emotional posture toward mass death. Columbine stopped the nation in 1999. Mass shootings now barely register. That is not political failure. It is existential failure.

•       A Failure to Mourn: Masciotra’s central thesis: America’s deepest problem is its refusal to mourn. Not guilt — he is careful to distinguish mourning from guilt. You can have a national memory that reckons with both what you celebrate and what you grieve. If the Founding Fathers are worth preserving in active memory, so are the people they enslaved. Never properly dealing with the Civil War allowed the resurgence of white supremacist movements. Never properly mourning mass shootings allows them to accelerate. The failure to grieve is not sentimental. It is political.

•       Is Meursault Autistic? The Spectrum Reading: Some contemporary critics read Meursault as someone on the autism spectrum — a man whose emotional detachment reflects neurodivergence rather than moral failure. Masciotra is skeptical. His reading: Camus’ portrait is one of moral refusal, not neurological condition. The distinction matters for the American parallel: if America’s indifference is a structural feature rather than a disease, the remedy is not therapy but political and cultural change. You can’t medicate a country into empathy.

•       The Colonial Murder and the Racial Hierarchy: Meursault murders an Arab man in French Algeria and feels nothing. Some critics fault Camus for not making colonialism more explicit. Masciotra defends Camus: Meursault doesn’t care about anything, including his own mother’s death. His indifference to his Arab victim’s humanity is the