Speaker
And don't know, I guess I just think it's like really accessible and interesting and like mature. And I think a lot of the love songs, I think still funnily enough, like a lot of my favorite songs on the album are the ones that are the love songs. They're just fun, first of all. But I thought about them in the context of summer. They're like summer songs that can still be like a little twinge of sad. Again, like have this really interesting tension. I think that the song Stupid Song, second one on the album, is just like fantastic. There's something that's so like frenzied and kind of like how she sings the lyrics everything the delivery you're just like this is exactly how it feels to be like feeling a little bit crazy and like upset about it that's the thing this goes to like my main thing where I'm like I think that it is a great representation for those of us who are anti-crush right okay which i famously very much am this is what i'm gonna say not literally but very literally because my thing you hate a crush yeah yeah i kind of do hate a crush i don't like feeling crazy don't like feeling crazy i love a crush because i love yeah i like it's control issues of course but like i love being anti-crush and of course i'm bored right now and i would love to have a crush yeah so think it's boring but on principle yeah i have to stay And I think there's like a lot of her like love songs as like the central idea of the album. I just like how even like the lead single like Drop Dead, you know, that's like a first meeting first date. But I just love the language and like the idea of like keeping the start of being like, I like this so much. It's gonna kill me. It's gonna kill me. And I feel out of control. And I feel wrong. And I feel crazy. And I feel sick in the head. just think that's like perfectly accurate, actually. Like it is like well, well observed, but so well carried through the like the other side being like all these things that I feel wrong and that keep me up at night. And it's a little bit you, but it's also little bit me. And you are also a person who couldn't quite be what I needed and we did not work out. And I like that it's like so concise as well. It really made me think about, again, not that I'm like a true student of like pop music criticism, but It made me think about how dominating women in pop are being. And I think a large part of that, sign of that, et cetera, et cetera, is how much they're just killing these albums. And they're so precisely constructed in great music. It reminded lot of Hit Me Hard and Soft, Billie Eilish, which is also a great album. You just go straight through it, and it's so coherent. And the stories, the connecting symbolism that's being weaved throughout also reminded me a bit of Claro's album, Charm. in a similar sense okay I feel like that one maybe less like exactly like trying to get across but sonically it's just so easy to listen to and like appreciate the like artistry there and then the last thing that I was thinking about it I really appreciate her as an artist who is very like referential and I like talked about this a lot in the podcast interview so again kind of like pulling from that I also think like automatically she like Varys explicitly doing some of that, like the song The Cure. In the first song, she references Just Like Heaven by The Cure. She has the lead singer of The Cure on another song, which is so good. And, you know, it's been, I think it's been part of her story also, whether it was for like misery business and how she had to retroactively give credit here and then like Joseph to it all, whatever. yeah but just to say that like this thing of her having very clear reference points for her music I think is really interesting and this album she's done in the past I think she was a lot of like a student of like pop rock kind of like pop punk stuff along with her like nice piano bells stuff yeah but I think when she's in her rock bag which I love that she's like truly like a rock a rock star like I think that's so sick But this one, she kind like took a step back literally in time wise and is so clearly referencing kind of this like 80s, maybe like 70s to 80s to early 90s bands like The Cure and like new wave-y stuff, which I'm kind of like picking up from what read and watched and a little bit of what I thought. I think she's just so deliberately like using these sounds and these like textures of sounds I really recommend listen to because you'll know what I mean like there's things that like sound a little bit like the Sundays and there's things that sound a little bit like don't know what to say like almost like dream pop kind of like I just think it's great I think it just adds like a whole other level to the feelings of the album I think it just it made me think a lot about this like general preoccupation that I definitely have for whatever reason and maybe also because of the soup that we're