Transcript
Cyn Shrader Hill: Thank you.
Lee Hatfield: Hello everybody and welcome to the latest episode of the Paranormal Prism. Mark's not aware of this, but I've had a bit of a rebrand since we spoke last time.
Lee Hatfield: But today I'm delighted to have, I don't think this is going to be a good show, I'm just going to get it out there, Sin Schrader-Hill, who is trouble. She's a self-published author, editor and, what else do you do?
Lee Hatfield: You're just a nuisance maker.
Cyn Shrader Hill: Mark and I are are our publishing team together.
Lee Hatfield: I haven't got that, haven't got to Mark yet, shush. And then I've got Mark Elliott Fultz, who's a psychic medium, metaphysical physician, channeler, author, and SYN's work partner.
Lee Hatfield: There we go, there we go. Mark, SYN, welcome both.
Mark Elliott Fults: Hello.
Cyn Shrader Hill: Thanks for having us.
Mark Elliott Fults: Thank you.
Lee Hatfield: Let's see. And Mark, you probably don't know, but Me, Sin, and Tommy have been arguing over the last few weeks about who's the best. And she's... Sin is so flaky, she keeps changing her mind
Cyn Shrader Hill: Never. i have never.
Lee Hatfield: all the time.
Cyn Shrader Hill: Never.
Lee Hatfield: never Never changed her mind.
Cyn Shrader Hill: no i have not because you are my favorite British Canadian.
Lee Hatfield: Number one.
Cyn Shrader Hill: Tip top. Yep.
Lee Hatfield: And Tommy is...
Cyn Shrader Hill: Tommy. Tommy is my favorite ginger over there. And Bridget, yeah.
Lee Hatfield: You said second favorite, Ginger.
Cyn Shrader Hill: Well, second favorite, but you know, after Jamie Fraser on Outlander.
Lee Hatfield: So I'm number one and Tommy is number two. Let's just get it out there.
Lee Hatfield: So i I'm hoping, Mark, that you're on a different level because you're her work partner.
Mark Elliott Fults: I don't know if you got a level that I'm on at the moment.
Cyn Shrader Hill: 2013 the old hospital
Lee Hatfield: You're not even.
Mark Elliott Fults: I'm kind of like, you know.
Lee Hatfield: Okay, guys, so we are here because you've got some some things to tell us.
Mark Elliott Fults: Go ahead.
Lee Hatfield: But before we go into all that, how long have you guys known each other and how did you first meet?
Mark Elliott Fults: Sure.
Cyn Shrader Hill: twenty thirteen the old hospital
Mark Elliott Fults: 2013, I was working my last event for a ghost hunting group that the leader I wanted to push into a wood chipper.
Lee Hatfield: Thank you.
Mark Elliott Fults: And because was real special. And then Sim was there investigating otherwise. And she wanted to meet me. And she met me just as I was getting ready. you know i mean, that was my last investigation period with that group. So it was a meant thing. you know We met and then we became very good friends. And now we're partners in crime.
Mark Elliott Fults: She started helping me book editing. And then I kind of pushed her into getting into her own books. And because she had it in her, she just didn't know at the time.
Mark Elliott Fults: And then, you know, then we've just been getting into trouble ever since.
Lee Hatfield: Yeah, so how many books do you release a year, Sin? About 100 or something? like you don't You don't do anything else apart from write books. oh That's what it seems like.
Cyn Shrader Hill: I'm on mission.
Lee Hatfield: Okay, so the one we're going to talk about in a few minutes, what number book is that that you've released this year?
Cyn Shrader Hill: I'm on a mission.
Cyn Shrader Hill: The one I just released is nine eight and nine.
Lee Hatfield: so So, Mark, with that bear bearing in mind, sort of like she must go, right, I want you to do this for this book, and I want you to do this for this book, and i want you to do this for this book. Is that is that basically how it works between you two?
Mark Elliott Fults: Yeah. Yeah.
Lee Hatfield: and shit
Mark Elliott Fults: She says she'll tell me. what she needs what she's doing and then i'll come up with a art concept for the cover and any illustration she needs uh we just do it and then you know uh we i actually have done that with with other people with doing artwork for their books and things like that but we together i mean she edits my books and i illustrate and
Lee Hatfield: So,
Mark Elliott Fults: help her with her books and so we work very well together i think we're turning lot of books
Lee Hatfield: so
Lee Hatfield: If I want to create somebody that looks like a princess in AI, I will basically have a picture of Sin and like change this lady into a princess, and then it does it. So apart from you being Sin's version of AI, how does she give you the ideas? Or does she say, I want something that looks like this, and then you give her the ideas? How does that work between you two?
Mark Elliott Fults: Well, I'm 64, so I've been an artist all my life. And i long ago, I used to do illustrations for a friend who had a kind of like a a pulp magazine. And so I'm pretty used to, i do a lot of ink work.
Mark Elliott Fults: I love black and white ink work. So she'll just tell me, you know, we'll go through the stories or she'll just go, this is what I i would like an illustration for, you know, this story.
Lee Hatfield: Thank
Mark Elliott Fults: You know, we don't, I mean, it but but but she'll make me a list. and then we'll roll around i'll she'll tell me the title and then i'll roll around the ideas until it falls out my head and then onto my paper and then i sketch it out and then i send her pictures if she approves that then i turn it into a full color picture and painting and then we just go from here we're actually really laid back on that kind of stuff you know we We know life gets in the way and you know we're real flexible.
Mark Elliott Fults: And I trust her work. She trusts mine. So we don't have any problems. you know She just, you know, she'll just go, hey, can I, you know, and we usually get, she gives me, you know, I mean, it's not like, you know, I got to have this next week, you know, kind of thing.
Lee Hatfield: Thank
Mark Elliott Fults: It's we, we, when we're working at the beginning of stuff we'll know you know a month or two and then you know but usually i get i'm once i've got the idea and i let it sit for a minute then it just uh happens and i get it to her and so far we haven't had anything it looks too horrendous and uh we just have fun That's about it.
Mark Elliott Fults: That's, I mean, you know, we don't fight or anything over anything.
Lee Hatfield: sounds up
Lee Hatfield: sounds like the perfect relationship so sin if you've got an idea in your head and then you want to tell mark how to draw it how much detail do you really have to provide or does mark kind of know what you're thinking from the get-go
Cyn Shrader Hill: He actually takes my words and then makes them better. So I told him... I asked him first if it was okay if I named this book Chill to the Bone because he has a trilogy, Chattanooga Chills, so I didn't want him to think I was...
Cyn Shrader Hill: taking his title and I wanted to make sure that was okay with him and it was fine with him and then I told him i love he knows I love the skeleton from the very first book and he's used her two or three times and she's my favorite skeleton she's beautiful And I told her, told him that I want, it's got to be, she's got to be cold.
Cyn Shrader Hill: And he said, oh, I've got a picture that I took in the snow of this beautiful cemetery. It's a mausoleum. And maybe that could, I said, that sounds great.
Cyn Shrader Hill: So we just, we just worked together to bring it up.
Mark Elliott Fults: yeah dad
Lee Hatfield: Yeah. And you mentioned, like, she's got to be cold, but that could be taken one of two ways. It could be taken that it's winter outside or that she's kind of Yeah, dead as well, or non-emotional.
Lee Hatfield: So how does that kind of come across?
Cyn Shrader Hill: No, I want her.
Mark Elliott Fults: yes
Cyn Shrader Hill: I want her.
Lee Hatfield: as yeah How do you decipher exactly what you need to to tell Mark and vice versa?
Cyn Shrader Hill: Yeah. that's That's when he said, I've got the snow scene. and I went, oh that would be perfect.
Cyn Shrader Hill: I love that. I love that. So we just we just work together to bring up things.
Mark Elliott Fults: Yeah.
Cyn Shrader Hill: I'll have an idea. Like one of the... One of the tales I asked him to, and this has been a while back, it was Llorona.
Cyn Shrader Hill: And this guy had a near death, death experience, my friend Jess. He thought Llorona was pulling him under the water. He was drowning.
Cyn Shrader Hill: And so Mark drew Llorona as a skeleton underneath the water holding this foot. So,
Lee Hatfield: that's the That's the Mexican cryptid or spirit.
Cyn Shrader Hill: Yeah.
Mark Elliott Fults: Yeah.
Cyn Shrader Hill: Yeah. Mm-hmm. Mm-hmm. So it's just, you know, i pick, like, I'll have two or three stories that just hit me.
Cyn Shrader Hill: They kind of resonate with me. And Llorona was one of them. So i had to, I wanted that one illustrated. And a friend of mine had twins, but the wife,
Cyn Shrader Hill: lost one of the girls before birth and they didn't know that they thought they thought when she lost the baby that was it for them and when she went back to the hospital for to see if she needed the dnc or whatever they found another heartbeat So she was actually pregnant with twins and this twin actually showed up around two years old when the when the other baby was two years old. And they started seeing this little girl walking around and I asked Mark to draw her.
Cyn Shrader Hill: And so that was one. So he's just, he's fabulous. He's fabulous.
Mark Elliott Fults: I'm special.
Lee Hatfield: Mark, have you noticed how she's sucking up now? So she must want something else. After tonight's recording, she's going to be going, oh Mark, by the way, i need this by Friday.
Lee Hatfield: Yeah.
Cyn Shrader Hill: No. Yeah.
Mark Elliott Fults: Oh, well, that would be fun. I would do it. You know, I mean, we've been doing stuff lately. it wear it up and she's been doing She did a book for me for my lyrics, for my songs. And so she's had to be, at you know, just...
Mark Elliott Fults: And it's been a tsunami of songs and lyrics and stuff. And we just throw everything at each other. And then, you know, what lance lands lands. It works.
Mark Elliott Fults: You know, so...
Cyn Shrader Hill: Yeah.
Lee Hatfield: So can you remember the first project you worked on together?
Cyn Shrader Hill: Goodness.
Lee Hatfield: I know what i knew I'd catch you out on something tonight.
Cyn Shrader Hill: Yeah. i Well, the first project I think would have had to be
Lee Hatfield: The answer, no.
Cyn Shrader Hill: just us, just the two of us.
Lee Hatfield: Well, yeah, because you say that yeah that you write and then Mark does the illustrations. So what would be the first book, so to so so to speak, that you're working on together?
Cyn Shrader Hill: It was probably your Chattanooga chills too, right?
Mark Elliott Fults: Oh.
Mark Elliott Fults: My Chattanooga Chills. I'd already had the first one. And she started on the second and third one with me. And then we started working on collaborations.
Lee Hatfield: Bye.
Cyn Shrader Hill: Mm-hmm.
Mark Elliott Fults: And so, but she came in on about the second... A Bunch of Nuka Chills. And then from there, we've I mean, she's she's done about eight, nine books so far of her own.
Mark Elliott Fults: She's done... i have several other books that I'm still... that i put together but i'm going to redo them uh because of you know i've learned a lot since those books were made so i've got to put go at them in a different angle so uh for me i have like six books but you know four of them are online the the cookbook we did the cookbook which took a solid Solid, solid year.
Mark Elliott Fults: It was about 700 pages, had what, 1600 recipes that I've been saving and finding and researching and...
Cyn Shrader Hill: seventeen hundred and eighty eight
Mark Elliott Fults: Yes.
Lee Hatfield: That's the my my mean old grandma's good old cookbook.
Cyn Shrader Hill: yes
Lee Hatfield: See?
Mark Elliott Fults: Yes.
Lee Hatfield: See? I've got it I've got it up hereia i've got it up here.
Mark Elliott Fults: And that was enormous. And actually, I just ordered a whole bunch of them to take with me to GoblinCon. And they're like an old phone book, what an old phone book looked like.
Mark Elliott Fults: You know it's just huge.
Lee Hatfield: Thank
Mark Elliott Fults: and we would be doing it, and I thought I would... be finished and then, you know, it's like, you know, another bum would fall the closet, you know, more, I'd find more of the recipes I've been hiding or find something, looking for something in specific and then finding, you know, tons and tons more.
Lee Hatfield: so
Mark Elliott Fults: So she was very flexible. We got through that and i you know, it was a lot of fun. It was a hell of a lot of work, but it was a lot of fun and also very gross.
Mark Elliott Fults: Because I do pretty sister and ugly sister recipes. And the ugly sister of recipes, I would call her and can you believe this?
Mark Elliott Fults: And she would go, what? let's put it in you know and we would pick nasty stuff there's things like bloater's paste and uh which makes her go and you know i mean something about tripe from where i'm from because see i mean it's food people used to eat and it may actually be dela you know a delicacy somewhere else but to me like tripe
Cyn Shrader Hill: Hi. Yeah.
Lee Hatfield: yeah i remember i remember that from a kid he's like oh
Mark Elliott Fults: er but i have and it's like nasty stuff i couldn't touch if i tried and uh things to do with you know everything but the oink and we but we laughed our way through it i mean it was hysterical so we have fun we keep yeah well that's that's going
Cyn Shrader Hill: It was, tell you.
Lee Hatfield: There's the title of the next cookbook, Everything But The Oink.
Cyn Shrader Hill: Yeah.
Lee Hatfield: You could do it on pork.
Mark Elliott Fults: That would be good.
Lee Hatfield: Yeah.
Mark Elliott Fults: as I don't think she wants to touch the recipe book for a while, but when we do, we'll think about it.
Lee Hatfield: yeah
Mark Elliott Fults: Because we've got, you have no idea how many lists of books we want to do.
Lee Hatfield: Thank you.
Mark Elliott Fults: we've i mean, the ones that she's doing right now started off, you know, a number one.
Cyn Shrader Hill: That was
Mark Elliott Fults: I thought it was going to be a one-off book. i've been collecting these stories and i went you know why don't you you know you know but but and she started going into it she found tons of them anytime i turn around i find tons of stories all the time so and these are the story the i mean it started off as 60 stories and now it's over 700 i think you said at least
Cyn Shrader Hill: At least, yeah, yeah.
Lee Hatfield: Wow, that's crazy.
Mark Elliott Fults: And, and a lot of them, i mean, the ones that I'd found, there were stories I'd never heard before. And, uh, some of them were, you know, or like the lady in black. I love those stories.
Mark Elliott Fults: they were very, very common in the, in the Victorian era.
Lee Hatfield: Thank you.
Mark Elliott Fults: And, uh, but the, uh, the screaming boy or things like that, you know, i mean, the thing of,
Mark Elliott Fults: of where people would bury you know entomb children or entomb people in houses to keep the spirits and especially in europe you know or horses you know i mean you know or the thing of where people would they would pay poor people to give up their child for i want to say it's called emmuration or emmuration i can't think my brain is gone but it's
Cyn Shrader Hill: Mm-hmm.
Mark Elliott Fults: they was a specific type of sacrifice and then those spirits sometimes haunted the houses you know and things like that so i found all sorts of stories and then she found tons more so you know we work real well together on that you know we pass things back and forth and uh if i can't figure out what to do it i'll say here do something with this and uh you know because right now i'm working on the psychic worm stitch and that's
Lee Hatfield: Thank you.
Mark Elliott Fults: bananas i've got it all written gotta figure out how to make it where someone can understand what i'm talking about how it all works from a psychic from my this psychics viewpoint And so, but we pass things back and forth all the time. I mean, or she'll find something and we'll go, oh, let's do this or, oh, let's do that. Or if I hand her an art piece and I say, it now, if you don't like something, you just tell me, you know, and she will.
Mark Elliott Fults: And if I don't like something, I'll tell her, you know, or if it's not, but we have very rare of that because I think we're pretty attuned to each other.
Cyn Shrader Hill: Oh.
Lee Hatfield: Thank you.
Mark Elliott Fults: The only thing we have had, it which was very funny, when we do a cold case show, the very first showcase that we did, i told both of i told her and Shaw, this other individual, you know, read your stories. Don't tell me anything, but read your stories. And then I don't know any information, but then I pick out the details of the stories they picked.
Mark Elliott Fults: And she was so scared.
Lee Hatfield: Yeah.
Mark Elliott Fults: for me during the first show, she was about to have a nervous breakdown and it was pretty funny. So now she's getting to where she understands, you know, I i like to jump into the pot and swim.
Mark Elliott Fults: And so, but since I do a lot of psychic stuff, you know, but it it makes, it but it used to really make her nervous when we would do those.
Cyn Shrader Hill: Yeah.
Mark Elliott Fults: She was scared for me.
Cyn Shrader Hill: And two, I found out.
Lee Hatfield: Yeah, dinner summit, Mark. oh sorry. Just one second, Sin, because I've never known Sin to be this quiet.
Cyn Shrader Hill: No, no. Oh, yeah, yeah, yeah.
Mark Elliott Fults: Oh yeah, well, now you can talk to her.
Lee Hatfield: OK, Sin. but
Mark Elliott Fults: Go ahead, Sam.
Mark Elliott Fults: Oh, she can't talk with this big mouth going.
Lee Hatfield: in
Cyn Shrader Hill: Well, we also learned on that first crime, true crime podcast that I did not read all of the clippings that I had sent to Shaw.
Cyn Shrader Hill: So that's how his spirit guides can tell him kind of what is going on and how he can relate to
Mark Elliott Fults: What is it?
Cyn Shrader Hill: the cold cases and i had i had skit skimmed it but one of the newspaper articles i hadn't even read it was just like oh that one goes with it i'm going to send that to her too so when he was naming all this stuff he asked me am i getting clothes and i'm like don't
Lee Hatfield: That's cool.
Cyn Shrader Hill: I don't think so. And Shaw was grinning and she said, yeah, he's getting It it was that clipping you just sent me. and I went, oh, I didn't read that one yet.
Cyn Shrader Hill: So there we go.
Mark Elliott Fults: Yeah.
Lee Hatfield: Yeah.
Mark Elliott Fults: Yeah.
Lee Hatfield: So I know both of you have mentioned things that we plan on talking about tonight. So I just want to go a little bit back. And if we can kind of start with Chilled to the Bone, how that came about. And then you've already kind of mentioned about one particular piece of art that Mark created for the book. But what's Chilled to the Bone all about, Sim?
Cyn Shrader Hill: It's some of the spookier stories. So I'm going to bring it out around Halloween. It's some of the weirder stories. things i i've had some people send me some spooky investigation stories in i've got some spooky investigation mark's got some spooky investigations we've got spooky investigations together you know things like that that are going into that book and it's like the last one i brought out like that was realm of shadows
Cyn Shrader Hill: Whispers in the Dark was my first. so So what I wanted is the senses. So Whispers in the Dark, you could hear, right?
Cyn Shrader Hill: Realm of Shadows, you could see. Chill to the Bone, you feel. So that's that's how they're all related. And they've got the same skeleton that's on there.
Cyn Shrader Hill: And I love her.
Lee Hatfield: So how many pieces of art or drawings do you have per book for Mark to get his teeth into?
Cyn Shrader Hill: the cover and then he does three illustrations for each one except for these the last two this new series and that i'm using newspaper clippings things like that he he did the cover of uh the second part two was black bonnet so i made sure to put that one in with black bonnet as well on a gray scale so they know who that is but for the most part it's three per book that i've got
Mark Elliott Fults: Yeah.
Lee Hatfield: And I believe you've got the... Did you put the books up before we before we started recording or afterwards? I can't remember. so stick the books up.
Cyn Shrader Hill: so this is part one andqu and these are edit editor copies so that's why it's got the bar across it there's the headless ghost and colorful spirits part one part two is black bonnet on the cover for headless ghosts and colorful spirits part two look
Lee Hatfield: So i'm just I'm just curious now. So the bar across it means what? Because I've never seen that. What does that mean to me?
Cyn Shrader Hill: it's It's an editor copy, so I can go back and make sure it's like I want it to be in print.
Lee Hatfield: Right, right.
Cyn Shrader Hill: Or do I have?
Mark Elliott Fults: It's not for sale. Yeah.
Cyn Shrader Hill: Yeah, yeah, these aren't for sale.
Mark Elliott Fults: It's just for viewing.
Cyn Shrader Hill: Yeah.
Lee Hatfield: Oh, OK, OK, OK.
Cyn Shrader Hill: Not for resale.
Lee Hatfield: See? See? You could have just said that in one sentence rather than like,
Cyn Shrader Hill: I wanted to elaborate.
Lee Hatfield: OK.
Cyn Shrader Hill: It's all word count. Remember, it's all word count.
Lee Hatfield: Yeah. And apparently, what what was it? 170 stories is too long or something. Is that what you told me that recently?
Cyn Shrader Hill: I did not say that. I just said, wow, that's a lot of words.
Lee Hatfield: Same thing. Same thing. So as we're talking about books and stories, Mark, let's talk about psychic worm stitch.
Mark Elliott Fults: Well,
Mark Elliott Fults: actually, we just passed the anniversary, but in 1992, was attacked and in a random act of violence and murdered.
Lee Hatfield: Thank you.
Mark Elliott Fults: And came back. Or excuse me. Unalived. I don't know how they do it there. But in America you're supposed to say unalived. So unalived. I was unalived.
Mark Elliott Fults: And came back. And after that experience. I'd been psychic before. i've been psychic my whole life. But it made my. Experience much deeper.
Mark Elliott Fults: And. So the psychic worm stitch. Came about. After, when I was going through the first death experience, that where i started to go and didn't go all the way, i saw all of these images and things like that. And when I got home later on, you know I started drawing down what I saw.
Mark Elliott Fults: And then i started going, what is that?
Lee Hatfield: Thank
Mark Elliott Fults: You know, I mean, some of it was very surrealistic and interesting and bizarre. But then when I started looking at it and going, oh, well, that's a neuron. That's this, that's that, you know. And I started understanding the death process for me, you know, from my my from what it meant to me and how I processed it.
Lee Hatfield: so
Mark Elliott Fults: And so I'm also, besides a psychic, I'm a channeler. And so I channel information, which is, i mean, everyone has the mechanisms for it.
Mark Elliott Fults: What the worm stitch shows is how it all works. You know, we all have a third eye. We have a pineal gland. And it has a lot of magnetite in it.
Mark Elliott Fults: And out of that magnetite, because of the blood flowing through, which the blood has iron in it, it kind of causes a charge.
Lee Hatfield: so
Mark Elliott Fults: and that creates your aura. And everything kind of revolves around your third eye and your aura, which is your CAT scan. And so the worm stitch is going to be...
Mark Elliott Fults: my concept of how it works how what is the spirit delivery system? how does How is it that the energy of the spirit and the soul get into the body? you know how does it get out of the body you know when you die? and And DNA reincarnation, because we have all of the DNA from thousands and thousands and thousands of people from over those centuries who put into our gene pools. Well, we have... their eye color and their hair color but we also have their DNA memory in the little curls of our brain.
Mark Elliott Fults: and so you have if you don't believe in reincarnation you have dna reincarnation i look just like a relative of mine you know i have my cousin and i we don't i mean uh we're first cousins but we're both artists we're both psychic we have so somebody before us you know put into the gene pool that you know And we got a lot of those people's abilities. And sometimes you'll inherit music.
Mark Elliott Fults: you know, singing, art, uh, carpentry skills, you know, so you, ran you, you, but you also have their memories up to the point they put into the gene pool.
Lee Hatfield: Thank
Mark Elliott Fults: So the worm stitch is going to be about how I think it works, how it works for me and techniques and things to access access your Akashic library, which,
Mark Elliott Fults: The really old information is stored in basically the this about the the base of your skull in the cerebellum. And that's where all the old stuff is and blah, blah, blah, you know, from everything.
Lee Hatfield: Thank
Mark Elliott Fults: And how you can act go inside and access your own, your brain records 3 million hours. in your lifetime but it has millions and millions of hours of information recorded from other brains you know that's in your dna so how you can access that go in and research inside your own system and then if you are psychic how you can go from this to the consciousness, uh, around you and access information.
Mark Elliott Fults: So like when we do cold cases, you know, I don't let anyone tell me anything beforehand and I will pick out the information and I will, you know, details, mileage, whatever, you know, but up but and, uh, murderer, you know, who, who did what and what did who.
Lee Hatfield: you
Mark Elliott Fults: And I've proven I can do these kind of things. And the not two years ago, I actually a person was looking for a missing cemetery and i found the missing cemetery which then they found 250 graves so i was able to draw the map draw the place without ever knowing the place didn't know the name of the place didn't know where he was looking drew the buildings drew the map and they showed me in with pitch uh and soon though she's seen it uh the graves were found and things like that and you know so i mean i have some things to start backing up what i do so the worm stitch is going to be a thing for people if they're interested in doing their own
Mark Elliott Fults: developing their own skills, they can. If not, they can just kind of maybe get an understanding of how some of it works. But it was the death process that got me into that. So that I've been working on the worm stitch for 34 years, and it should be out next year.
Mark Elliott Fults: Maybe this year. Yeah.
Lee Hatfield: Let's do the fingers crossing.
Mark Elliott Fults: I mean, I've got all the information now. I've just got to make it where... it makes sense to the average person because it's very complicated, weird stuff and it where it's understandable, which I can do that.
Lee Hatfield: Yeah.
Mark Elliott Fults: And so it's just going to take time.
Cyn Shrader Hill: with with our conversations he'll he'll say he'll start talking about something from the psychic worm sitch and it's very intense and after about i don't know an hour hour and a half i'm like okay mark i'm gonna have to go and and just let this sit for a while because i can't i can't think of anything else right now it's it's pretty heavy stuff
Mark Elliott Fults: Now,
Mark Elliott Fults: yeah
Mark Elliott Fults: Yeah.
Mark Elliott Fults: It's weird.
Lee Hatfield: Well, that just was, and I'm thinking like, okay, wow.
Cyn Shrader Hill: Right?
Lee Hatfield: Yeah. So, and this, don't take this the wrong way, Mark, but
Mark Elliott Fults: I'll take it any way I can.
Lee Hatfield: hey
Lee Hatfield: yeah do you think that it will be a heavy book or do you want it to be easy to understand for the layperson
Mark Elliott Fults: easy to understand because and i'll do illustrations with it that will make it understandable because when you're talking about the spirit and the soul and axon terminals and things like that then they go what you know but that's the cord you know and things like that when i do illustrations i think people will get it
Lee Hatfield: you
Mark Elliott Fults: you know it and i think it'll be really kind of one of the first of its kind because there are people, there's plenty of stories of people in their near-death experiences.
Cyn Shrader Hill: Yeah.
Mark Elliott Fults: There's nobody going... the the process and the the chemical things that are happening and the things you're going into and what's happening and how it's done, you know, what you're seeing is you you go, because when you're doing the death process and you start seeing the dead people and you start seeing the lights and you start seeing the things downloading, well, it looks like they're downloading on glass. What they are is your brain recorded all this stuff.
Mark Elliott Fults: And it's downloading on plasma because we have an electromagnetic plasma field and we're made out of plasma.
Lee Hatfield: Thank
Mark Elliott Fults: And so it's on plasma and it's all downloading before you die to get out into the consciousness, get it out of the system. And so then everything that's you, all the stuff that's recorded, you know, it all gets pulled out, pulled to a certain place. And it becomes part of the consciousness. It adds to the library.
Mark Elliott Fults: So, which we call the Akashic Library. You know, we're connecting to, we have our personal Akashic Library. but then there's a consciousness that you can connect to that it's a bigger Akashic library.
Lee Hatfield: Thank you.
Mark Elliott Fults: So it becomes another cell of information in the consciousness. So I'm going to make it where people can understand it. It's just going to take time.
Mark Elliott Fults: I don't
Lee Hatfield: Yeah, for sure. Yeah, because if you get a picture of the brain and then you get the nervous system, no no skeleton, no muscles, nothing, you get the brain and then the nervous system, like with all those little, yeah that's the same kind of thing.
Mark Elliott Fults: know.
Mark Elliott Fults: Yes.
Lee Hatfield: yeah i believe Yeah, but you can physically see the nervous system where this is something, unless you've got or using your abilities, it's not something that you can see pick up and touch and handle kind of thing
Mark Elliott Fults: no but everyone has the ability to see it but we have to see it differently because your aura and your third eye process everything everything that's around you ever everyone that's around you it's a cat scan so you know it's everyone has it we just have been taught to be so far away from it that we don't know what's happening but in the old days they did you know because they weren't scared of the human experiment you know the human experience and we've become afraid of death and we've become afraid of life and we've become afraid of illness and we've become you know death sometimes is not i mean death after i went through death death is not my
Lee Hatfield: Yep, for sure.
Mark Elliott Fults: enemy death is is it sometimes it can be an old friend you know and it's it's an inevitable thing we all have to deal with but the modern person goes i can't handle i can't handle dying i can't i can't think about dying i can't well tell that to the trillions of people who died but that doesn't mean it's over i don't think it's over in any way form or fashion
Lee Hatfield: for sure
Lee Hatfield: Yeah.
Mark Elliott Fults: And I think I have a way to prove it.
Lee Hatfield: yeah i think think what it is Yeah. I think what it is, it's like, yeah, the dying part you can cope with. it's like what am i gonna do with all my stuff
Mark Elliott Fults: Yeah.
Cyn Shrader Hill: Yes, yes.
Mark Elliott Fults: Well, my thing is I don't want to suffer, you know, cause I mean, I just went through a car wreck where someone ran me off the road, flipped me three times and you know, I landed and thought, you know, it was smoking and I thought, oh, you know, we're going to be like popcorn here in a minute.
Lee Hatfield: yeah
Mark Elliott Fults: And i thought, I don't want to go through that. I don't mind dying. i just don't want to suffer. That's the thing I think a lot of people, but they think it's all over.
Lee Hatfield: Yeah.
Mark Elliott Fults: But when you start to die, it's fantastic. It's the best. Well, in my experience, it was the best I've ever felt. It was wonderful, welcoming.
Mark Elliott Fults: extraordinary and it wasn't anything to be afraid of and it changes the way that you chemically deal with it you know because when that now when i'm faced with you know death i'm not afraid of dying i'm just i just don't want to be burnt or you know so you know hurt in the process you know i would rather like a lot of people just die and go in your sleep but that's not normal
Lee Hatfield: yeah
Mark Elliott Fults: For most people. So, you know, I mean, so you just, you know, however you get there, once you get to the point, it's great. So it's not, we're not about death.
Mark Elliott Fults: We're about life. Get it done. Get things going. You know, get on with it.
Lee Hatfield: Exactly. Sin, what's your theories on that? yeah You do a lot of research. So what's your opinion on what Mark's just said?
Cyn Shrader Hill: You know, that does store stuff has a lot of the near-death experiences and most of them had where they saw a light.
Cyn Shrader Hill: They felt love. Even if they didn't see loved ones, they felt this unconditional love, this amazing, and they didn't want to go back.
Mark Elliott Fults: Mm-mm.
Cyn Shrader Hill: You know, a lot of them remember being told you can't stay.
Lee Hatfield: Thank
Cyn Shrader Hill: You've got to go back. And they didn't want to and there's There was two or three stories that actually saw the other side first and went to a dark place and they weren't happy there.
Cyn Shrader Hill: And when they were brought back by paddles or whatever, and they decided to change their lives and be better people. and help others and you know just just not be such bad people anymore
Lee Hatfield: yeah because one of your previous books was on near-death experiences which one was that again oh but you just said duh yeah
Cyn Shrader Hill: death's doorstep yeah yeah it's okay
Lee Hatfield: you guys have joining forces in a couple of weeks' time, and you're going to terrorize a con... I mean, you're going to go to a convention.
Lee Hatfield: You're not going to terrorize that everybody at all.
Cyn Shrader Hill: Oh, we might. We might.
Lee Hatfield: Yeah.
Mark Elliott Fults: Yeah, we are.
Lee Hatfield: Okay.
Mark Elliott Fults: We're going to tear up.
Lee Hatfield: Okay, you are going to... I know a voice actor that when he goes to conventions, you know these googly eyes? He puts them on other people's posters over their eyes, and he gets he goes around and does it.
Mark Elliott Fults: Yeah.
Lee Hatfield: So we talked about GoblinCon. August 22nd to 23rd.
Cyn Shrader Hill: Yes.
Lee Hatfield: What's going to be happening there then?
Cyn Shrader Hill: Well, i get I just found out I get to speak. So I'm going to be talking about headless ghosts and colorful spirits. And I'm so excited about that. So I'm i'm their latest speaker.
Cyn Shrader Hill: Mark is going to be doing readings. I can't wait for those to happen. And he's going to have some of his music.
Lee Hatfield: which we'll get onto in a second. But tell me, so where is it?
Cyn Shrader Hill: But we're going to have such a good time.
Cyn Shrader Hill: Hopkinsville, Kentucky.
Lee Hatfield: And it's two-day event. So what any idea what else is going to be there apart from you two causing havoc?
Lee Hatfield: Thank you.
Cyn Shrader Hill: of course books are going to be there and speakers and there's going to be puppet show and there's going to be, they've got some, Oh, I can't remember exactly what they're calling it, but some actual, like a little mini museum that you can go into and see all these cool things.
Lee Hatfield: Thank you.
Cyn Shrader Hill: of course there's going to be a lot of cryptid people there. So some of the speakers are speaking those cryptids, Bigfoot included and others included.
Cyn Shrader Hill: There's lots of ghost hunters there, some teams. Shaw Wooten, our buddy, will be there with her couple of teammates. And they're probably going to be doing a few lives. Eric.
Cyn Shrader Hill: Freeman Sims is the event coordinator. He's also the owner of the night house. Mark and I are staying at the night house.
Lee Hatfield: oh that'll get
Cyn Shrader Hill: well Yeah. Yeah.
Mark Elliott Fults: Yeah.
Cyn Shrader Hill: So we're super excited. It's just, there's a lot, food vendors, music, all of us there. What more can you ask for? Just come out and see us. And it's like $10 to get in the door.
Cyn Shrader Hill: What? $10. Come on.
Lee Hatfield: So if you send me the $10, send me the $10, then you can also send me the, oh, plane ticket. And then you can also send me...
Cyn Shrader Hill: If you can't make it, you can actually pay, i think there might be $10. You've got to look at goblinconkentucky.com. Go to goblinconky.com and look at all of the tickets and stuff available. There's going to be an online experience that you can listen to all the speakers and know what's going on from the comfort of your own home.
Mark Elliott Fults: Yeah.
Lee Hatfield: Perfect.
Cyn Shrader Hill: See? see
Lee Hatfield: So, Mark, you're going to be doing readings at Goblin Con.
Mark Elliott Fults: Yes.
Lee Hatfield: To have an event like that and to do read readings, how how does it kind of affect you as an individual kind of during and afterwards? Does it does it make you tired or, yeah, especially doing like doing a public event?
Mark Elliott Fults: Well, what I've been doing in the last couple of years is before I go to these things, I channel, I start my my energy work a month before.
Lee Hatfield: Thank you.
Mark Elliott Fults: So actually, because of all the things I've been going through in the last few months, I haven't stopped, you know, channeling. So by the time I get there, to me, when I do things like that, it's very fulfilling.
Mark Elliott Fults: it I get tired with all the physical stuff going on, but energy-wise, it's wonderful.
Cyn Shrader Hill: Thank
Mark Elliott Fults: It's great. It's fun. it's And too, a lot of the work I do, people come to me to talk to their departed ones. So it can be very sad a lot but I have to say, out of all the work I've done, you know i I've been able to comfort a lot of people.
Mark Elliott Fults: And so that makes me feel good. you know and And I'm gonna be sharing you know art and music and and my talent and just, so you know it's very it's very exciting.
Mark Elliott Fults: To do it now things going on ghost hunting I get worn out after it's over because I expend a lot of energy. Doing the cold cases I will get tired you know from after it's over.
Mark Elliott Fults: But until it's over, you know, it's high energy. And then once, you know, once I start turning that down, then that's when, you know, you start to feel it. So I'll be doing good. I mean, it'll be good. You know, when I come home, then I'll i'll stay in bed a day or two and then recharge and get back to it.
Lee Hatfield: So I'm assuming that you guys are not investigating when you stay at Eric's house then?
Cyn Shrader Hill: I mean, we might.
Lee Hatfield: Yeah, just just for the record, you guys are not getting any younger, so you do need to be in bed by a certain time of night. 3 4 the morning.
Mark Elliott Fults: three or four in the morning, yes.
Cyn Shrader Hill: Yeah. Right.
Mark Elliott Fults: Yeah.
Cyn Shrader Hill: Which is normally our bedtime.
Lee Hatfield: move three or four in the morning
Mark Elliott Fults: And the spirits there to me all the time anyway. They like me. So I've done a lot of investigating and talking to his spirits way before I ever went to his house. So, you know, I mean, e I like the spirits there. So we we have a good time.
Lee Hatfield: So one thing that I also wanted to talk to you about, Mark, is you mentioned it a couple of times, but we'll go into a little bit more detail now, your music.
Mark Elliott Fults: Yes. Yes. Well, and to sink and back this up.
Mark Elliott Fults: Cause May 19th.
Lee Hatfield: Thank
Mark Elliott Fults: When I was coming home from. of The Thomas house. In Kentucky. And, or Tennessee, Tennessee.
Cyn Shrader Hill: No, it's intense. Yeah.
Mark Elliott Fults: And I was coming home and a drunk ran me off the road. My car flipped three times. Like Nadia coming each.
Lee Hatfield: Thank
Mark Elliott Fults: And i landed. i mean, my car was totally, totally totaled. And I got out. I i lived. I got out of the car. You know, I got out.
Mark Elliott Fults: And, but I told my cousin when she came to get me, I said, something that's going to come out of this. I just feel different. And what happened is because of it flipping me over, the thing with your third eye is it has a lot of magnetite, a lot the, I mean, so if you get kicked in the head or hitting the head, that's what alters, it alters the, the iron shifts and your perception changes.
Lee Hatfield: Thank
Mark Elliott Fults: And so I had flipped three times. And so I'm 64 and not in great shape. So that was, you know, it should it was like a snow globe effect.
Mark Elliott Fults: But within, i would say, two to three weeks, because I've always been a lyric, I always have written lyrics and things like that.
Lee Hatfield: Thank
Mark Elliott Fults: And for 45 years, I've collected lyrics and never been able to get them put to music. And I just started writing songs, writing songs, writing songs.
Mark Elliott Fults: so
Lee Hatfield: Thank you.
Mark Elliott Fults: So I started shooting them out to and I found a way to get them on put to music. And I did about 70 songs put together within three weeks.
Mark Elliott Fults: And, I mean, it was a constant, constant, constant flow. And then I was sending, sending the songs every night. And besides the old songs I had, I was writing new songs, which some of the really new ones are shocking to me. They're really, uh, because since I'm a channeler, you channel it and you let it come. So,
Mark Elliott Fults: Within three days of starting to put the words to music, a friend of mine, her grandniece was dying.
Lee Hatfield: Thank
Mark Elliott Fults: And she had... She... The Make-A-Wish in America that that does things for dying children. They were going... She wanted to go to Disney World while she was dying. She couldn't go. And she had wanted to be a Disney princess. And...
Mark Elliott Fults: So within finding out that she was dying and what was happening, i wrote a song for her within 10 minutes. Sent it to them. They all cried. They played it for her. It was a song including her name, making her a little princess.
Mark Elliott Fults: And they loved it. And the next week they contacted me and wanted a good copy of it so they could play it at her funeral. And then I felt moved, channeling-wise, to write another song, and I wrote Little Angel for her. And they played that at the funeral. And all the Make-A-Wish people and all that were, you know, they were all devastated.
Mark Elliott Fults: And so...
Lee Hatfield: Thank you.
Cyn Shrader Hill: Thank you.
Mark Elliott Fults: gone through going through DistroKid, which will get everything on Spotify.
Lee Hatfield: so
Mark Elliott Fults: And so then I have 10 songs that will be on Spotify. online and then uh i'm about to do 20 more i think in the next few days to put on there because i have like 60 70 songs that i feel like are you know are viable but i'm copywriting them first putting them on after i copyright them bu up up so so But it came out of the experience of the wreck. She knows something. You can ask her. Let her tell you what this experience has been like.
Lee Hatfield: Sin, what has its experience been like?
Cyn Shrader Hill: and
Cyn Shrader Hill: When he calls me, it's like this. And we're where we're all excited about everything. And I am exhausted when the phone calls are over.
Cyn Shrader Hill: I'm exhausted because he's still channeling. he
Mark Elliott Fults: I'm still channeling.
Cyn Shrader Hill: Before the wreck, I guess it was, was it last year or year and a half ago where you fell and hit your head?
Mark Elliott Fults: That was over going on two and a half years ago.
Cyn Shrader Hill: two and a half years and then his his abilities just snowballed.
Mark Elliott Fults: I
Cyn Shrader Hill: So after the wreck, it really snowballed. So every time he gets hurt, his experience opens up.
Mark Elliott Fults: mean, And the universe does it to me to make, they go here, this is what you need to make this happen. You know, but go ahead.
Lee Hatfield: Yeah, I'd push you downstairs or something.
Cyn Shrader Hill: Yes.
Mark Elliott Fults: Yes.
Cyn Shrader Hill: Woo.
Mark Elliott Fults: Go ahead, Jen. Go ahead, Jen.
Lee Hatfield: Yeah. Guys, unfortunately, we are coming to the end. So apart from the stuff that you've already mentioned, Chill to the Bone, Psychic Worm Stitch, Your Songs, and Goblet Con, if your life's lives are not busy enough, what else have you got going on for the rest of the year?
Cyn Shrader Hill: for the rest of the year, and I'm going to,
Mark Elliott Fults: You, Sam?
Cyn Shrader Hill: help Eric at, I think it's the Fairview Nature Fest in October. And there's going to be a haunted hayride, I believe, and a little ghost investigation. So that's going to be fun.
Cyn Shrader Hill: And then I believe I'm at Rosemont, which is a haunted location in Gallatin, Tennessee. Eric's going to be a speaker And I know he's asked me to come sell my books. I don't know if I'm speaking or just selling, but I'll be walking no matter what. So if you come, I'll talk to you.
Lee Hatfield: Oh, thanks. Sort of like, oh, there's sin. Yeah, i'll I'll go to her table last because I'm not goingnna never going to get away.
Cyn Shrader Hill: Yes.
Cyn Shrader Hill: No, ever.
Lee Hatfield: Mark, what about you?
Mark Elliott Fults: Well, uh, I'm still writing songs right now as we've been, been working on that to, uh, today. So I'm probably, I'm going to keep writing songs as they come along.
Lee Hatfield: you
Mark Elliott Fults: I got to do a my fat psychic cooking show, but it's not happened yet. So I don't think it's right time, but it's getting there. It's getting close. I think they, the universe wanted me to do the music first, get that going.
Mark Elliott Fults: Then this will just kind of happen. It's one day I'll just be doing it.
Lee Hatfield: Thank
Mark Elliott Fults: which I'll be cooking out of the Mamino Grandma's Good Old Kickbook and doing comedy. I've written songs for the show that are just a scream.
Mark Elliott Fults: And I'm just, i' you know, I'm planning on having fun, you know, because it's been a terrible two years, really. There's been a lot of stuff going on.
Mark Elliott Fults: And I'm just like, I'm just going to have fun and enjoy it. And, at the end of it if i'm still alive i'm alive if i'm not a you know at least i've had a good time though uh the thing about the wreck you know if the wreck had killed me which it very well could have i wouldn't have had the songs out now i've gotten all of this stuff out so uh i kind of feel like at 64 i'm starting i'm starting to get somewhere
Lee Hatfield: Thanks.
Mark Elliott Fults: So this year is going to be about fun, creativity, music, art, entertainment, and just just finishing things.
Lee Hatfield: makes
Mark Elliott Fults: I want to finish a lot of things and get all that done. So that's what we're going to do.
Lee Hatfield: Sounds like a plan. Guys, it's been an absolute pleasure. And just before we go, Sin, who's who's number one again?
Cyn Shrader Hill: You are my favorite British Canadian.
Lee Hatfield: I'm number one. And Tommy's your second what again?
Cyn Shrader Hill: Tommy is my second favorite ginger after Jamie Fraser from Outlander.
Lee Hatfield: OK, so I'm still number one. OK, that's it.
Cyn Shrader Hill: but he's he's my
Lee Hatfield: No, stop stop talking. Stop talking.
Cyn Shrader Hill: He's my favorite Brit.
Lee Hatfield: Stop talking.
Cyn Shrader Hill: He's my favorite Brit. You're my favorite British Canadian.
Lee Hatfield: Yeah, but I was born first, so i was but I was a Brit before he was.
Cyn Shrader Hill: Yes, you were Yes, you are.
Lee Hatfield: Guys, it's been an absolute pleasure. Thank you for your time. Have fun at GobletCon.
Mark Elliott Fults: Thank you.
Lee Hatfield: I don't think I can make it because I think I'm washing my hair or...
Cyn Shrader Hill: the all-ex all-access pass is only ten dollars for streaming streaming streaming
Lee Hatfield: the
Lee Hatfield: For screaming. Okay, I shall remember that. Oh, streaming.
Mark Elliott Fults: Well, if the music goes well and I get some cash going, we'll come and see you.
Lee Hatfield: Guys.
Cyn Shrader Hill: yeah oh that made him nervous
Mark Elliott Fults: We'll make a trip.
Lee Hatfield: I will make sure that the borders are closed. Guys, thanks a lot.
Mark Elliott Fults: Will Carmander.
Lee Hatfield: You have a great rest of the evening. Thanks a lot. Take care.
Cyn Shrader Hill: Thank you.
Mark Elliott Fults: Bye-bye.
Lee Hatfield: a
