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Odc. 66 – Ten o kasowych strachach z internetu

Wycinki z Przyszłości
Wycinki z Przyszłości

253 plays · Jun 3, 2026

Dwa horrory z youtubowym DNA właśnie wywracają Hollywood do góry nogami. Backrooms – oparty na creepypaście z 4chana, wyreżyserowany przez 19-letniego Kane'a Parsonsa dla A24 – w weekend otwarcia zarobił 81 mln dolarów, a Obsesja Currego Bakera, nakręcona za 700 tys. dolarów, przekroczyła już 155 mln, stając się trzecim filmem w historii amerykańskiego kina, który przy budżecie poniżej miliona zarobił ponad 100. Rozkładamy dziś ten fenomen na części: od kultury creepypast i 4chanowego folkloru grozy, przez YouTube jako nowy Sundance dla pokolenia Z, po pytanie, dlaczego horror oparty na liminal spaces i lękach generacji, której nie stać na mieszkanie, trafia dziś do Gen Z i Alpha bardziej niż studia z budżetami liczonymi w setkach milionów. Więcje materiałów tutaj. [https://wycinkizprzyszlosci.pl/2026/06/03/%f0%9f%93%9a-odc-66-ten-o-kasowych-strachach-z-internetu/]

Transcript

Monika Borycka: Hello, welcome to the podcast of the future, welcome to Joanna Frota-Kurkowska.

Monika real: Monika Boryska, czyli Trend Radar.

Monika Borycka: We have technology and trends, which are already dead, but still alive, with nerd-like scourging. I horrorist who bi know

Monika real: Yes, it's a difficult episode for me today, but benjata novod chiniohorahi had and nagraish man zanaov vo but she don say pudruge onmi crophono yeah an nerota krkovski allevraammi guammato pop pona ro um um prajaa now butuch she butuchha ajawi butusha zajawi vi ke vielquera che suhaja i yale che ah and nily check the So,

Monika Borycka: No, dobra.

Monika Borycka: Nie, słuchaj, to już więcej.

Monika Borycka: Guys, why are recording this video? Because I didn't sleep in newspaam weekend, because I read Box Office. Box Office bar of vane ah nakurrem ah itoes volata chica tohiir rasvich filmed basovane na a creepy patch just for chana that is the

Monika real: Okay, stop, stop, stop,

Monika Borycka: ta

Monika Borycka: Welcome to the a anoiovvi vin mama mamaan message board,

Monika real: a la butke buta yeah used to to call out of for taia to deardden novel four toy toyist But internet,

Monika Borycka: on answer to that yes soap iristen viovvan for chaag dish a kan for taakbe meam ter nashat He I a internet is a little bit a result of 4chan, doing very strange things.

Monika real: I know it's a service that I know from my career media, because there are many controversy over the years. There was a lot of creepy place in a moment, in which a weird content is published.

Monika Borycka: Oytem oytem.

Monika real: no But it's one of of

Monika real: o The first time, like the anime channel, it was like the year 2003.

Monika real: lock

Monika Borycka: in

Monika Borycka: I also have a member of so it's hard to say.

Monika real: No, Taki.

Monika Borycka: checo kouka

Monika real: It's hard, but it's hard to the

Monika Borycka: But, but not, but need to add, what this is creepypasta.

Monika real: Yes, exactly.

Monika Borycka: Because it is, listen...

Monika Borycka: Jesus. Jesus, sorry. I'm sorry. I'm sorry.

Monika real: The antenna is on the antenna, but...

Monika Borycka: I'm sorry. Tak, zakłócenia gardłowe na na historię creepypasta, to są albo

Monika real: i'll

Monika real: But it's also a narrative, but it's also a past is also attached to the same form in different places.

Monika Borycka: oh nabardi nana creep people echi niri pi pasta alaama pastato is snapovnos nana vilu suha com isuhato misa is fanatic invent carsak torado do docawa drto poloqueranni ai buto buto dare it is hibatakanii barja um <unk>na nae kutuza k creepy past a vel pastamea veria vani creeppi yes The but a a

Monika Borycka: slenderman naovno de soa ke likeishsh fatuov guvia is nachki bo os Slender Man the and but So,

Monika Borycka: from this whole gamification, have Slenderman, Ben Drowned, known which is called Russian Sleep Experiment. It's a new copy.

Monika Borycka: And now I'm in the podziemium

Monika real: very, very, very, very creative art. It's a

Monika Borycka: and what happened to you in the weekend. then it comes to YouTube. And YouTube will be here the key. We have this creepypasta. it's a youtube banji to takeruova to i mama on creepy creepppy pasta

Monika real: the form ah <unk> one

Monika Borycka: Audio-wizual, Audio-wizual, just visual.

Monika real: hello

Monika Borycka: It's a little bit of drive to you understand what it is. I don't want to say that it was always, when we look at it... ah javi talk so

Monika real: When did the past start to come out? I understand that it's a internet phenomenon for horror and creepypast.

Monika Borycka: thear eictamo vegetableavha ali exabi shape she zoom ah

Monika real: um us an turkish internet of a phenomenonlamiosshniku forraru i could be passed

Monika Borycka: oh

Monika Borycka: Yes, but YouTube It's a the creepy pasta land of our now to be a rockuccinipo nottomous mista a new

Monika real: Mm-hmm.

Monika Borycka: um so ponte

Monika Borycka: So everything is kind of cultural. Now,

Monika real: not ta itra dojago itracsec stago stago mariajo for tana griy pass thejechina though

Monika Borycka: Bye.

Monika real: these new things that are a of a distribution and production and what we call today as a film business or even Hollywood. Kane Parsons, from whom you called, to phenomenon.

Monika real: Frota, maybe a short-up story story of creepypasty Backrooms, where was going to go and how everything started.

Monika Borycka: hanna vas de My on May 12th of

Monika Borycka: op takego opustonnago centralru han lavago I to jest tak zwany ground zero, oczywiście ten post jest zachowany, czy w formie screenshotów, czy archiwalnych linków i

Monika Borycka: There is but

Monika Borycka: I don't know how to muchna poke poski the tofimomi best v chat backrooms to the exhibitla oh yes o strana tu muchan yeah ah natomas tartan post rospala ah nati vo bra ca parsons to gra jetco inter na tobo theatre will be the the the

Monika real: So, like were connected to the

Monika Borycka: and see

Monika Borycka: ah ta ion but producer touch so lachago la la <unk> bartos rosumid sattan shiv govi pojaosto sistertona grammy portal e harf life har life fanpa nu says ni am butist salamka ah baro barza fine na outu teter mo no prascha And

Monika Borycka: ah Portal is a game that is not a spoiler, like this one, it is complicated and very much works on the imagination.

Monika Borycka: We have this YouTube channel for 8 years, we have this Half-Life portals. I have read it in way I have written it, I have said that there was that.

Monika Borycka: ah nights on i ah

Monika real: yeah to to call ya amazon sta takota dam ta caretaswars ah vokotesta abraska

Monika Borycka: ponivaak

Monika real: but but fuwa the satta ca kurra obraska the the the guvial u ta ab to muovve jaas but vawahi tacaul tora inpirazzi voo the end ta shaistta kiifro the staringan just chai li minal nena to

Monika Borycka: Like liminal spaces.

Monika real: ta ta keep standing to the vava domo concept suchum song dr he just genami pommien ze ta portalla mike in asia to vachchi and che So, a

Monika Borycka: duug

Monika Borycka: But it's also worth adding, that it's not like Backrooms was only author of Parsons. we are going to be in the world, we are going to be in the world of God's cial.

Monika real: nextag

Monika Borycka: content backrooms' is a mass, but what is also interesting, Parsons also looked and lurked on the internet, but he was not very satisfied with the quality of the quality.

Monika Borycka: And he was using every child connected to internet, he opened Blender, after effects and began to grow, which is the effect of The first episode of the book of Backrooms was released in the February of 2002. It's a short one.

Monika Borycka: ba stitch noation atru gegoru gego er roco a tritaki short chi givinno

Monika real: Film of the

Monika Borycka: ta top days ago

Monika Borycka: ah brasca or she black but tashni spoil ruins on onton female court i'm giving you giving to me not is super yakbi ete turbo tobo fan compaa a meoc to podas why we um gra The with

Monika real: <unk>braska

Monika real: just then a little talent was a little, like a talent?

Monika Borycka: No, no, no, no,

Monika real: as i

Monika Borycka: So it's a film currents on the way, which is a first person perspective, perspective as a traditional film.

Monika Borycka: is possiblebu cortan tra they ne fume So I just do that, that's a very difficult format, because half of the hour watching something like that can be really scary and really scary.

Monika real: Exactly.

Monika Borycka: At home we are here at home with great people and can really look at the mass of Schrotha. And this kind of crafty version found footage is really small. So, the boy who has 16 years old, he has done this, he has done it in the middle of the year.

Monika Borycka: program do tworzenia filmów i grafiki jeszcze na tak wysokim poziomie, to jest naprawdę straszne. Jak sobie jakby, ja Monika nie podejrzewam Ciebie, że to sobie zobaczysz, natomiast dla tych, którzy oglądają, naprawdę ja mam dalej, może już widziałam to z 20 razy, dalej mam jakoś tam ciarki i ten cały taki strach jest spowodowany, pomijając oczywiście oczywistym jakimś tam potworem, który jest, haha, spoiler alert, tą całą przestrzenią.

Monika real: ta no mistoyes va im needs at the the gufao man noe nachaan I the the It's a

Monika Borycka: Yes, there is imba, there is a backrooms backrooms, there are still backrooms, there are also some additional backrooms.

Monika real: dulaia

Monika real: ta ala manra gentaerriataerria personson sanao pugojiahiky and tehiki she don't him for closure on other to che the buwataque global ne uznanyia ah nave da kiurist of to exchangeia But barooms those areha in tayam new to sviat andak

Monika Borycka: You know, there at chinky ah the goserial on this is a a

Monika Borycka: He is in a convention with some kind of footage, some kind of talk about the talk. and what he does is hard to do, because the watch must be very much doubted.

Monika Borycka: So it's not like we are doing like... And all the Netflix series, which are now streaming, which are the three times, what happens to watch it on the computer and on.

Monika Borycka: Backrooms and other amazing found footage or creepypastas, like my local 58, the interpretation is... First, it's a mass and there are all...

Monika Borycka: terabyte danych na YouTube w formie filmów my take on, a z drugiej masz taką

Monika Borycka: narrative that makes you feel like a force. So it,

Monika Borycka: ah form, very well-made creepypasta or found footage, which means that the film is a hit. I have to say this quote.

Monika real: a lapuka near you move of movie statuss of fulfill me about ta pucola doesn memberser na urubia no ittaasmatan pua shaa maniaak nabo nalatosh vertafa chimo no But I that says or

Monika Borycka: ah no

Monika Borycka: So it's not a decision, I the

Monika Borycka: ah vanachi toluk toalne to have a daoshichi coverva she cover the the shani shaair raishchato ramishia tola vince yatote u suvatobomo venta tone shepina shedoy ne do ne history crush the o crus ju to benja super promise e put pialivebarto bo de vatica aosshia dugo pop premi da go ta go short tap but pialis person some and at the moment of no, wiesz, that he was a it

Monika real: just in the second side.

Monika real: think I that that so

Monika Borycka: really scary.

Monika real: na and also to think about success. Because we will talk about the product of this product.

Monika Borycka: but also about the second success in is a of iterreorda ah vato tesnamin of u take so exit pola quinoveto yeah made on according to the backrooms

Monika Borycka: mapovvise triisttagopiontagocuita ah vince

Monika real: or the rest of the room, but it's not that we can do it.

Monika Borycka: talk tawata up with exhibitbito trace vo new and yeah ni yeah and ni niaov vitan yeah um obsess yeah Yes, a a comedy duo, that's a bad idea, i just on a of the super shme the sketch of inter internet and He's a great guy with his wife,

Monika Borycka: There are two movies, but the the Baker is here a couple years ago, he has released Milk and Serial for 700$, he has released it for free on YouTube.

Monika Borycka: It was a hit the convention found footage, so you can see here

Monika real: I'm going to take a phenomenon.

Monika Borycka: Monia, going to do horror.

Monika Borycka: No właśnie, to jak napisać, to jest prosta teenage drama, to myślałam, że cię uduszę przez internet, bo opis jest bardzo prosty, natomiast wszyscy, którzy wychodzą mówią, Boże, jaki jest straszny film.

Monika Borycka: I tak się w ogóle wkręciłam, więc...

Monika real: In every case, you invest energy in the energy, because a very strong budget, about 750 000 dollars, which is a giga-skromed budget,

Monika real: no not of the gi gas chromenimbbuzeman

Monika Borycka: So it's not to be done. It's not be done. It's not to be done. It's not to be done.

Monika real: So, this film was just a film.

Monika Borycka: 155 million.

Monika Borycka: yan yeah stoping the short page you just stop his page min olu

Monika Borycka: I must just add, that it is all over the The

Monika real: na

Monika real: like novasche movie is a ta becauseuka the

Monika real: Yes, and which name of Blair Witch Project and Panaro Activity.

Monika Borycka: Paranormal active Activity.

Monika real: t part

Monika Borycka: The worst Roy history of the cinema is

Monika real: But there is another interesting story about the of

Monika Borycka: fuck

Monika real: to be able to watch it in cinema. Which is a pretty interesting signalling for me, when I think about the media. Because we've observed the same thing and the only thing to do to do, to be able to get the film on the screen, to be able to get the streaming platform. Horror absolutely absolutely box office.

Monika Borycka: I can't imagine this discussion, because it was yesterday's story, saw them and they said, they said, they don't have any options, we'll do it. I really want to go on the obsession.

Monika real: So,

Monika Borycka: It's a very important thing to watch, I really want to watch it again, because I know what it is. I don't know what I'm able to do in the hours, which I'm going to pass.

Monika Borycka: Our colleague, our colleague, podcast, Jarek Tokarski, who yesterday, came from the cinema, said that it was a fun day. He said that it was a fun day. You know, it's a fun day. You know, you have to have a puch.

Monika real: No i właśnie kto to kino, w poniedziałek był Dzień Dziecka, więc to też mogło być, wiesz...

Monika Borycka: Obsessor, wspaniały film.

Monika real: But who was in cinema?

Monika Borycka: Super, so super day, dziecko, akurat.

Monika real: They were in the film, the last-laters, for which was the cult of the film, like my time, Blair Witch Project, which everyone watched and the them.

Monika real: in bit of thesh then in naiia to fish national art oak obbukte obsessy je poyavaha barooms toreno toos tta cast

Monika Borycka: yeah on sheni cappaiuo suha onish sheikani baisu on tes vlaia covers like muhique badanana yuria took toro tu them ta nima canni baisaitov and se on she ya butrulinas shavo ah ozuppo u uu uzu po naion ya vi ma is's where go suha horarovago ah barbichaimera

Monika real: ta

Monika Borycka: alabeskani potan ne kanibalisati miaov vita ya nearpamientam tokgosta kego

Monika real: Yes, yes, yes. Tell us about the results of Buckroom's, which was in the beginning of the year. Yes, yes.

Monika Borycka: in Polish, in China, where the of the the jest...

Monika real: that new

Monika Borycka: It's four days after the a of I really wanted to see the backrooms in Vancouver, Canada.

Monika real: where they were built? I think that's where the backrooms were built. I think that's where the tour is going be.

Monika Borycka: I totally wanted to find out, but Weekend

Monika Borycka: but po you show

Monika real: In the sense, the weekend is open, because it is important that Hollywood and the box office are the main thing that is open, which is when film comes to the cinema.

Monika Borycka: backroom stack ta ah um e masia ta

Monika real: And it is always like, that it is the most important thing to do. In case of Obsession, we will see in the case. In the case of Backrooms, we will see it, because we have next weekend. But what was the estimate of what finally happened?

Monika Borycka: just add that I don't know that I'm a fan of the box office, especially from two-day long-term streaming, but as you said, it's the Now that 40 to max is 81 million.

Monika real: Thank

Monika Borycka: not straje to stackby marks oim de tian milonu ah vi no proserpi fa grubo ah viage vi voretatobochiicave yeah to tam So, beakic commentage of viternache to just the prehita keyat and my biner is like grany say but this is notation o shukaip as a black premiiere ah ni nata goilmo vocula chi interest ofam interests ofamnatome mujaak waga mis bishopman posley bo on oslat oland da took the bakroomivvi ternache albo uvaga but daughter shepoavvio botonniag egu parsons is zarabuo is just tabbu to samos soviet ah bill is massa nego content to it a in the content, cosmos.

Monika real: phenomenon.

Monika Borycka: ah brandin gova

Monika real: I think that to ju je now you drew a puu um uri visock ya kohi content toos some creepppy past the triakishsh in a and of pi me of of a in

Monika Borycka: itinakim pipeline yeah yeah ma than pipe pipeline vsh pinchou ko rubbi mafimon postin is a pinchlat atoaiyake but And success from the beginning of the year, which we talked about Iron Lang, ho pakatas ztu ba to the pa pro studioio caa ah copypu pravados fa okkohannna gre io register of our israuta shakiis samov via obrote iter has been have disturbbuy streaming ofva yuhubayas na butna now utopia ivogla omino tensawi pipeline start a to on

Monika real: ah

Monika Borycka: notov vika jes troha chesach zeistist che transruist on the okauis issues at shaat as huge toia yavo munikaia weekend can to executives jakimiś tam researcherami, scouterami, oglądają te YouTuby, które naprawdę jakbyś zobaczyła to tam...

Monika real: No, I think so is.

Monika Borycka: can see, see, can see, can see, I

Monika real: Every epoch has a the

Monika Borycka: I give off-kino. I give off-kino. Yes, yes, yes.

Monika Borycka: but ta tack tu ta

Monika real: It's a very similar phenomenon of our era, of our zeitgeist. This platform was not a film festival, not a music channel. The platform ah could your content visu and and nashfeche ah torani do ah pomaga jacob a puov and ma material alto yuta za pavnavnagoro zaionna genjada vash and na zivana sp prasis marka mi kigosh cut can promote you in the can of comuns if install it could be some ah some much in apppeza

Monika real: It was a kind of sundance. Kiedy Sundance was a platform, where everyone said, who will be there? Now it's just something,

Monika Borycka: No i jeździło.

Monika real: maybe not up, but it's a Hollywood

Monika Borycka: I think I'm a little bit here. I wanted to make a stop. But first, it's time for But YouTube itself is very interesting. As a platform that is relevant to culture, and as a distribution platform, and as streaming platform, I would have done a little bit about it. Because...

Monika real: Of course, I just want say, why it was possible, why it was possible and how they look at the relationship between Hollywood and YouTube, because of that time they didn't look like very obfuscant, but at the moment

Monika Borycka: Okay, but I'm not sure, because the last few years showed that Talk to Me, Bring Her Back, I Saw the TV Glow, all of them are YouTube channel.

Monika Borycka: Okay, I'm fine, I'm fine, I'm

Monika real: I think I agree, but with Book Room and And is

Monika Borycka: fine.

Monika Borycka: Słuchaj, każdy marzy. Każdy marzy o takich wynikach w ogóle.

Monika real: that it works in to

Monika real: ah

Monika Borycka: <unk> the stream moov nice shahahi put tra a mo like turn the vikinas some ways I a the

Monika real: for the ZALW, in sum

Monika Borycka: YouTube place in na octra and agrama and agramma soa ki kaleo chi boni magachikava attomies moa ah part of vazna taking to

Monika Borycka: Ty mówiłaś też o tych liminal spaces i bardzo taka ciekawa teza, która mi się obija po głowie i też nie spoilując ani backroom,

Monika Borycka: and There is no fear that you have to say that you have a home invasion movie, which is so a story, which is a horror-based property, is not to exist. is thing.

Monika real: It's interesting that Obsession is about romance and love. Well, well, well. I think that two of the kultury are very easy to talk about.

Monika Borycka: and pushsh nihta yes thats monia muhi muha she da says him muhi sheish moshi yeah after there that a lot yeah eat that muha if she movie is in the those sp colors ands muha that she love is blind one one obsessive ands okay and mo at the stack i let them mo use eachboam mr bohamton we're still in horror vacies chiav the thmpton horror ri But

Monika real: quane ask callia so to mr test val text theul to but just be to it question

Monika Borycka: very much of a this topic. I don't want to spoil it.

Monika Borycka: ah yagin attos as a country timeeout more

Monika real: the but often dotego do tago pi dotego pi mrs says

Monika Borycka: yes to spoil our watch

Monika real: yeah but vaff me zago podarova nasro yeah but mo pozuppeia put shadow metta thatstroctory some yesterday opinionian nevi dotna and not eat te character resume

Monika Borycka: yeah

Monika Borycka: for the it.

Monika real: And with my pleasure and with my pleasure. think that's not a good thing. I think that's a good thing. I think that's good thing.

Monika Borycka: the spoiler

Monika real: totonz be um mislatoz ruov vister context pop toque wea naleki we havea naha pragnya paraoru possibleop ipocaza not key sentimentive type the guys champion mehmatois barza is taught natonovto blatatroagga itip just che I

Monika real: Uh,

Monika Borycka: also in the sentimental spaces, you probably remember, the vapor wave, mid-2000s, it

Monika Borycka: I'm not sure that Hollywood will take a of the Which is not the point.

Monika real: I think that will be And he has strong feeling, right?

Monika Borycka: which is not the point ah

Monika real: not only noip punishia on sortma nu clients ka of da and so

Monika Borycka: Because... want say, I that

Monika real: Thank you.

Monika Borycka: idol, is of something like mu carraiv no of a sketch on YouTube.

Monika Borycka: The style is the same. There is no compromise. I am a great impression that everyone has to

Monika Borycka: I think they are looking at SCP Foundation.

Monika Borycka: ah ittoes taia taka tai unni verson pushvinsona vi tainchala boratoria ufoki And the

Monika real: Our era.

Monika Borycka: attanbousmer eippi

Monika real: Oh, that's interesting.

Monika Borycka: itbo lamitac here oh a book Evangelion, merch from PlayStation in lastariluji mama cpi you our she means that theardni pininta means a of k craften aya accomplish in know in know ta com akiish visual novelamic toreta as aharava poddo natama itors mu damita kiigna okay yes nahireov allevvi a che ti to go inventors i usna maktosh to cuppuya and SCP.

Monika Borycka: because fani are all the it a

Monika real: Oh,

Monika Borycka: you have the noraam para ah paraaki ah mar Local 58, which is The Man in the Tower, which is a bit more creepy

Monika real: So you can see something to But to of

Monika Borycka: How to be called in English? Severance, ok.

Monika real: Yes, just got there very so it's a bit of a heavy weight.

Monika Borycka: If I lived in Krokow,

Monika Borycka: you were in Gdyni, we would have been to the kina and we would have to hold you for the whole sequence. And the last name, which I will also have to be it on tape Ogburn Opus, which think has a very interesting topic for something more. but it's also great movie. It's amazing that there are budgeted to be a banana and 5 zł, but I don't often watch this at home. I'm talking about Skin Amaring, who has a lot of youtube, is based on the film Hack,

Monika Borycka: which is also for free on YouTube, you can see it. I think I'm from Kinamaring for Home Alone piela yeahny yeah havevi jump and film de farrazibu niceru ni so one niceru ni sounds like you mova kiam vio yestolaia filmak in that

Monika Borycka: je's gobuishes sam some of termminum do

Monika real: No, I'm not going to start.

Monika Borycka: I to

Monika real: Listen, this Obsession and other films.

Monika Borycka: Więc...

Monika real: The other way of horror, which is built middle of

Monika Borycka: I can already finish this video.

Monika real: mainstream.

Monika Borycka: nihazazia he should not me

Monika real: a

Monika real: and is a place where maybe it may be more than a little bit of joy, to the

Monika real: which was going to the of the of is venco ta go tojago sch le fast po ma she discor the the Machine,

Monika Borycka: The entire internet is always on the internet.

Monika real: Exactly. And it was not.

Monika Borycka: But

Monika Borycka: it will always be with us in the internet and in our hearts.

Monika real: but it is not the cinema.

Monika Borycka: If they're afraid, then go with someone else.

Monika real: toak purue pamentaie oamm jakash the karsan phenomenontoia kashhistoria ivato subponia duqueka theam ro viqua To

Monika real: very interesting things, which sometimes not appear like they are. I remember when I was a video about brain rot internet. And that's also a real thing that can be found as a very good thing, but there is a whole mass of context.

Monika real: And in this case...

Monika Borycka: Life is under the bottom.

Monika real: Exactly. And in this case exactly the same. remember to do research or listen to someone who does research for you. It was a bit of a thought to me as someone who was able to do our presentation on InfoSharer. that it's worth listening to people who are doing researches for us. Today nothing is not a unique and all culture is a little like a liminal space, in which the next step of the context is. So, there a little open door.

Monika real: ah like that voted the the och not hu

Monika Borycka: wielowymiarowe i Good to be a choice, Monika.

Monika real: I'm going to to much And And you

Monika Borycka: yeah yet oh yeah

Monika Borycka: But nothing is a bit

Monika real: claud knew

Monika Borycka: Ty Monia, you do kina. And what? We'll probably hear it.

Monika real: Do usłyszenia!

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