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Sinners (2025) Breakdown: Vampire Blues, Michael B. Jordan ×2 & That Runtime | Streamin' Demons
1 Playsin 2 days
This week on Streamin' Demons, Jo and Emile take on Sinners — Ryan Coogler's vampire-blues-period-piece starring Michael B. Jordan as both twins. The performances are genuinely great, the characters feel real, and Jordan pulling off two distinct people in the same frame is a real feat. The setting, costuming, and makeup are all top-tier. The problem is everything around them: the film welds a musician arc to a creature-feature and commits to neither, running 2h17 that feels like a Hobbit movie with two-and-a-half endings. A decent B-movie carried by a great cast — and an Oscar that's at least 40% gimmick.
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Key Moments
- The glazing first – Credit where it's due: Jordan plays both twins in the same frame, nobody acts badly, and you actually care about the brothers.
- Two movies in a trenchcoat – Emile's main beef: a musician movie with horror bolted on, committing to neither. Jo's verdict — 'Dusk Till Dawn as a musical.'
- The runtime that lies – Both clock it as way longer than 2h17 — a natural ending, then another, then another. Emile paused halfway and finished the next day.
- The Klan-fire history – Jo ties the non-vampire plot to real history and It: Welcome to Derry — plus a genuine "how did the fire start?" debate (listeners, 'call in').
- Racial tension done right – Layered overtones: white landowners, Black characters, and the Irish as a separate rung entirely. The non-horror story could've stood alone.
- How it should've ended – Both wanted it to close on the first ending; Jo runs through Inception, Shutter Island, and 12 Monkeys as the ambiguous-ending school this one chickened out of.
- The Oscar gimmick – Emile: the win is maybe 40% the twin trick. Great performance, not a Best Picture.
- Score vs. the guitar – The background music's so good neither remembers it; the 12-minute guitar solo is the Yngwie Malmsteen problem.
- Where it lands – Not bad, just too long. A solid B-movie tiered low-B/high-C, and one neither needed to see in a theater.
- Final verdict – Worth a watch for the cast and craft, but it's two movies fighting over one runtime. No plugs this week — just the usual "good day, y'all."
Recommended
Transcript
Introduction and Movie Setup
00:00:06
Jo
15 times a charm. Oh my god, look at that. Hey everyone, special streaming demons. We have none other than whoever you are, collapsible. Collapsible number 10 and then we have... the the Xena. Bam! Today we're doing Sin of Sin of Sins.
00:00:20
Jo
So Sinners, a movie I actually watched at the... I didn't watch it. Did you watch it in the theater? No, I watched it on my laptop. Yes, because we both rented it legally. Legally.
00:00:32
Jo
Legally. She downloaded it illegally. No.
Plot Summary and Critique
00:00:36
Jo
So, Sinners, if you watched the Oscars at all, you might have been disappointed because no one got slapped this year, but that's okay. We've got Michael B. Jordan in it. We've got Jack O'Connell, and going to read this up from IMDb.
00:00:48
Jo
And here we go. Here we go from IMDb. Trying to leave their troubled lives behind, twin brothers return to their hometown to start again. Only discover that an evil greater... Wait, shit me.
00:00:59
Jo
all in life Only discover that an even greater evil is waiting to welcome them back. That's this, I don't know. Doesn't really sell it for me, but apparently that's what they did. It's it's it's a movie.
00:01:12
Jo
It's a movie, I watched it a bit ago, and it's the one you want to talk
Michael B. Jordan's Performance Appreciation
00:01:15
Jo
about. You're like, i want to talk about Sinners. I got hot takes on this shit. So what's what's up, Sinners? I'll start with the cool part. I'll start with the glazing. Michael B. Jordan does an amazing job because he plays both twins at the same time. Wait, wait, wait. thought he had a twin.
00:01:27
Jo
He doesn't have a twin. He plays both the guys at the same time, and they both have different personalities, and they're both in the same frame. Which is you know a feat. No it is. We used do that with the whole mirror and the whole like body black. So you gotta respect that part of it. Absolutely.
00:01:44
Jo
But plot wise I felt like it was lacking. Okay so you're saying the acting by Michael B. Jordan is amazing which I agree. By everyone to be honest is amazing. Yeah true. don't think anyone acted badly in the movie.
00:01:56
Jo
True you actually care about the characters. yeah You do care about them. And you're like, you're rooting for them all the way through that. And since this is a movie that was out last year, an Oscar winner, we can spoil the shit out of this. Of course, of course. Everyone's seen it already.
00:02:08
Jo
Yeah, if you haven't. Shit's not new this point. Spoilers. you haven't watched Sinners yet, join her. All right. And yes, we're doing the light thing on purpose just to piss everyone else off at home.
00:02:20
Jo
I'm doing two doing one. Okay. So you're saying the plot sucked?
Plot and Myth Critique
00:02:25
Jo
I am. I'm saying they tried to mix two movie, two plot archetypes into into one, and it didn't really land on either.
00:02:32
Jo
The young musician to old musician archetype with the horror archetype. Right. And it kind of landed more on the musician side, but not enough to make it a musician movie. Yeah. some shitty horror elements in it.
00:02:44
Jo
Okay. That's where I don't like it. Okay. This is probably because you were watching it closer than I did then. I was watching it I wasn't going to watch it. It goes on. The whole reason that the vampires are attacking is because there's this old myth, African myth probably, yeah where if they play music good enough they can get in touch with the dead, and the dead can join. So he's playing his guitar for the little kid there. What's his name?
00:03:09
Jo
You know talking about. Yeah, the cousin of the twins. Yeah. He's playing the guitar so well. He's singing the blues. He's played by... What's his name? He's played by someone. Anyways. Is it Jebediah?
00:03:20
Jo
Is it... Miles Patton? No, a young kid. Anyways, he's playing his his guitar and singing the blues so well that these vampires start attacking him. And then there's a whole horror sequence where people start going outside and losing. They can't come in unless they get invited in. Right, it's a monster in the house. by saying Yeah, it's trapped in. And then the Asian lady's wife or husband, Bo, gets a vampire fight and she gets mad and invites them all in And then there's whole scene where they're fighting.
00:03:48
Jo
And then it cuts... After the whole horror, like shitty horror CGI part, Years to the Future, where he's an old man playing in a bar, and he gets visited by two vampires. Of course he does, right? yeah I see what you mean now. Honestly, I blacked that part.
00:04:02
Jo
I just blanked right out my mind. Because i was watching Welcome to Derry, the It one, yeah where it had the same fucking thing. Yeah. It has like an all black bar with kid musician. And of course, bad things happen because the goddamn clown. Of course. And so it's like, yeah, I think I i was concomitating the boat together.
00:04:25
Jo
But I agree. a got this. sound real I didn't give a shit about the kid. Agreed. didn't give a shit about anything. It was like, I like the characters. I like the brothers. I like them trying to go legit.
00:04:39
Jo
And I like that their relationships were real, they felt real. 100%. hundred percent But like the music angle is just a fucking shoehorn. I agree. Agreed. yeah like They could have done pure music, but no one goes to shit.
00:04:54
Jo
And then they could it should have done pure horror. 100% should have been had so much potential for a horror movie. man But it was like, it felt like one third of the movie was just shitty musical filler. no It was like if Dust to Dawn became a musical.
00:05:09
Jo
100% agree. Like, that makes no sense. That makes no sense. It's like, oh, this is a great vampire flick. It's like Disney dusted on. Oh, yeah. oh Touch wood with that one. Touch wood with that one. Okay, so beyond the
Dialogue, Setting, and Acting Analysis
00:05:22
Jo
plot. Okay, was the writing well, though?
00:05:24
Jo
Was the dialogue believable? Yeah. I mean, the the dialogue, I feel, was trying to reflect, um like, bubonics back then, which I'm not super familiar with. But to me, they did it well.
00:05:36
Jo
Okay. You know, I'm not an expert on the subject, but... But it's still believable to the time, all of it, and air everything kind of fits in. yeah And the scenery, the seating and the setting is fantastic. Yeah, 100%. The costuming is great. The makeup job is are amazing. 100%. The special effects are...
00:05:54
Jo
At some point, there's a fire and all the vampires are burning and it's really badly done. I was going to say, the special effects are good except for the fire. Except for the fire. Except for the fire. It's not just bad. It's bad enough that that's the only thing you see in that scene.
00:06:11
Jo
you know what i mean? It detracts from white, yes. It's the Game of Thrones when it all went dark. Like, what the actual fuck's happening? No one's understanding. We've turned it off already. So you you have this aspect of it and...
00:06:24
Jo
When you were watching this, were you watching by yourself? Yeah. I had it on, I wasn't quite paying attention, but you were focused on the shit, right? Kind of. watched it two sessions to be able to see, focus the whole thing.
00:06:37
Jo
Really? okay Because the movie is Okay, I'm going to look at the run time right now, and that's the deceiving thing about this movie. It feels longer than the run time. Because that is exactly it.
00:06:51
Jo
I want to say this is longer than the run time. This is weird because I'm on i'm on the portable version of IMDB. Two hours and 17, okay, never mind, it does go down. It feels like a goddamn Hobbit movie.
00:07:03
Jo
Yeah, I agree. It feels like extended Lord of the Rings 3. Yeah, because there's a natural ending, and then it keeps going. And there's another ending, and then it keeps going. And it keeps going. it keeps going.
00:07:16
Jo
Yeah, I... that's That's kind of where my interest goes. So sometimes I'll just get them walked away from the movie and I'll come back to it. That's why paused it. I paused it halfway through. was like, I can't pay attention anymore. And I came back the next day because we had to do this. We had to do this. must do this. We kind of give the listeners they want. That's right.
00:07:33
Jo
See? We're getting tortured for you guys. Don't forget that shit. So yeah, Michael B. Jordan, who was amazingly fantastic. I've seen him as a teen actor in a amazing little TV show. the way growing up now, getting his...
00:07:46
Jo
His award, did he deserve the award? Because you it good acting, but it deserved the award. But I think the gimmick made 40% of the award. The gimmick of the twins there was 40% of the award.
00:07:59
Jo
Yeah, Oscars do like that. Like, oh, you're playing something. Like, oh, it's just hard acting. It's hard to understand, like, very nuanced, gentle acting. yeah When there's something that's as in your face as the guy's literally on screen twice at the same time. yeah You're reacting to yourself. And also, the the general public is able to appreciate it more than yeah someone who knows good plot and knows good dialogue and knows good acting.
00:08:20
Jo
Yeah, we like we kind of do go go for gimmicks. If you have a really decent gimmick, like, oh my God, that's just amazing, man. You remember that. the first The first touchscreen was a gimmick, and look at us now.
00:08:33
Jo
Ta-da! I know. We used to see this in Star Trek. folding touchscreen. You got gimmicks on gimmicks. Trust me, i won't get the folding one again. um The hinges are nice. They're not. So we have all this. Okay, we talked about the music, the actual playing the music.
00:08:48
Jo
Was the background music okay? Yeah. Everything else, the background music was so good that it never, well, for me, background music, I never want to pay attention to it.
00:09:00
Jo
It should always just be an emotion that's in the back of the scene that I'm feeling. I agree. I never, it never stood out to me as like out of place or good. Doesn't detract. So I think it was right on the spot.
00:09:11
Jo
Yeah. Like on the mark. I absolutely agree. It should not be the feature of the film. when we're looking for good things to say about a film, we should not mention only a background. Like, oh the background music is good. The rest is horseshit.
00:09:23
Jo
Exactly. But it was one of those things where I don't even remember. is ah It's about as a positive comment. I don't remember it being there. that's That's the point of the background track. Absolutely. i agree. It's the kind of motion to the scene, right?
00:09:35
Jo
Which is shitty because I remember now the musician. Who made the background? It wasn't Hans Zimmer, was it? Hans Zimmer, we do what the day is.
00:09:46
Jo
No, but it's a matter of, look, there's also, okay, I understand for everyone who's going, what about Star Wars? Yeah, I get the Imperial Mars, Vader, he gives a shtick.
00:09:57
Jo
I get theme songs like that. But if you're talking about the Amiens music and stuff like that, and Joe about to me a fucking word for I can't remember what it is right now. But the music it is playing throughout, like,
00:10:10
Jo
And I can appreciate the guitar playing from that, you know, whoever played the fucking guitar for the kid or maybe it was a kid. I can appreciate it. God damn it, it was just a distraction.
00:10:22
Jo
I couldn't like it. I can appreciate the the skill level, but like it's like a 12-minute. If you've ever been to a Ying Wei Mousething fucking concert and he does like 20-minute guitar solo, you're like, no, I want to hear Sebastian from the bar.
00:10:36
Jo
Yeah, you the bar. Like, okay, we're the bathroom, the bar, parking lot, be back. Exactly, exactly. I want this one. Yeah, I mean, that's, but that's exactly it. Like, that's the whole, and not to detract from the actual skill, because, in know, my example of Yung-Wai, like, he's a fucking amazing guitarist, but no one wants that shit. But it's it's that one scene you're talking about when he starts playing in the bar, and then everyone from the future and the past kind of starts appearing.
00:10:58
Jo
know, that
Cultural Tensions and Theme Analysis
00:10:59
Jo
scene I'm talking about? Yeah. That scene was a bit too long for me. Yeah, and that's the thing. Like, the two hours and 17 minutes, it really feels two hours and 30 minutes. But it feels too long. It feels like two separate movies at the end of the day because the start, there's like no horror at all. It's just him meeting the cousins. They drive around. They're at the bar. yeah That could have been a completely different movie. yeah And then sinners could have just started with them in the bar with the vampires knocking is what is my take. Right.
00:11:25
Jo
And I'll make the allusion back to fucking Dawn of the Dead. If Dawn of the Dead had spent like 12 more hours in the goddamn RV... Yeah. That's what Citrus was like. Yeah, we'll spend more time in the RV because that's where the action is.
00:11:38
Jo
The road trip. No, the fucking bar that everyone's dying, that's a fucking action, man. Yeah, yeah, yeah. I do like the setup of the vampire. I think they play that the the like the Irish gypsy, well your quotation marks because I know the different things.
00:11:53
Jo
I like the Irish traveler as a vampire. Yeah, was really good. And, yeah, just, bam, and all of sudden they start collecting people start building this army up. did They did a really good job of of of representing the uneasiness you feel when there's something humanoid but not very human. yeah You know when they're all dancing in the circle, chanting? That did make you uneasy.
00:12:15
Jo
Yeah, it's one of the better portrayals of a vampire in movies since Blade, the original. Wesley's Night, the only. yeah One rave. But now I'm seeing everyone else in head.
00:12:27
Jo
I think that it did racial overtones well. like there There was some tensions between the like the white landowners. like You didn't want to sell a real black movie. I think they did that really well.
00:12:43
Jo
And that even plays into Irish because Irish really weren't popular. So was like you're thinking like well, it's white and black like no no no it's white and Irish, it's black and Irish, that's two different things now. Like people did not like the Irish back then and and it was just, you know, there's not I know it's not in England but even England had like no blacks, no Irish on their fucking like this during the time, right? Didn't they allowed the blacks before they allowed the Irish? Yes! Yes! It's just crazy. Yes and they kept the Irish and dogs together, yes. dogs And so you see that racial tension, but not from the Irish and the people inside the bar, but it's very palpable.
00:13:21
Jo
Like the Irish guy wouldn't even get along with the other guy, he might. No, you ran something at the end. Yeah, absolutely, yeah. Which I thought that... The whole saga of non-horror twins buying a a venue, having a party, and then turns out the clan just sold them for them to slaughter them. Yeah. would have Could have been a complete movie without vampires.
00:13:42
Jo
Okay, that's the fucked up thing now. You don't want to know why? That's the same goddamn plot they have for it buried. Really? Swear to God. Yeah, yeah.
00:13:53
Jo
That's why I got the two confused. But it's not the clan selling it. It's like they the clan knows where they are. And like the army says this is your, you know, it was basically ah soldiers who could not be the regular unit because they were blind. They're like, here's your space. And it's like this shitty little fucking nowhere, but they built it up to a nice little bar or something like that.
00:14:11
Jo
Yeah, yeah, yeah. And then the Klan find out and they just like, you know, they're locked door fire. So that like that's historically real. That's why I confuse it too, because you have like the kid playing the goddamn drums that one and the kid playing the guitar in this one.
00:14:25
Jo
And everyone's being locked into room for the fire by the Klan. At some point, I understand the Klan being there, understand all this historically where they need it.
00:14:37
Jo
Should they I mean they're the boogeyman that doesn't have the vampire vampire just being a vampire the clients being an asshole are they needed? I mean my question yeah Was it the vampires you said fire to the bar in the first place by accident or they do it on purpose?
00:14:55
Jo
See this is why i'm getting like very and this one confused. How did the fire start?
00:15:01
Jo
I forgot if you know how the fire started let us know yeah absolutely give us a call Because I feel like it should have been the clan that started the fire. It should be. It would have been really cool if the clan showed up to start the fire and then they all became vampires.
00:15:17
Jo
And then we had some huge fight. That would be... Now who would you let win?
00:15:25
Jo
That's tough. Some people have to die on the inside. like One of the B-Doors have to die. I think that is the correct way of doing it because they're twins and the book who survived is like, what the fuck? I agree.
00:15:36
Jo
But one has to die. But yeah, I kind of like... I like the first ending. Yeah, but when he's bleeding out and he kills all the clan members he just lies there, I think that's where it should have ended. think they were too emotional and they they had to show us that one of them was still alive and the kid was still alive. and Yeah, I didn't want that.
00:15:54
Jo
I like an open ending more than a closure. I wonder if they did a test audience and said, we want a closure. Like, no, think you're right. That's the whole point not having closure is it leaves you with that wanting. It's the inception.
00:16:06
Jo
Does it wobble or does it go? Exactly. It's the Shutter Island. Is a oh shut he is he still insane or is he just pretending? is he one for pretending yeah Or if you're my generation, if it's like one flew over the cookbook's desk and Nicholson really does get it. Spoilers. Oh, sorry. I mean, no, no, no. Don't worry. The movie's only 50 years old.
00:16:28
Jo
No, but it's all good. So, actually, Nicholson lives. Okay, I'm going to watch that. Definitely lives. Yeah, it's he plays a crazy man. he plays a sane man pretending to be crazy, but then he can't get out of it.
00:16:43
Jo
Is he in this island? or Yeah, but he's there because can't remember the setup because he's going to jail, he's playing in the whatever it's going to be. I think, and then he has to pretend he's crazy.
00:16:55
Jo
But as he was pretending to be crazy. He loses himself in it. Yeah, he loses himself in a row. And he can't pull that. It feels a bit like 12 monkeys. A bit. Is that as Brad Pitt? Is that as Bruce Willis?
00:17:09
Jo
Bro, Brad Pitt is the insane guy. Okay, and Bruce is like Bruce. Bruce is like, I'm from the future. I'm going to save you, and everyone's like, you're fucking retarded. They're gaslighting, man. Exactly, they send him to the same asylum as Brad Pitt.
00:17:22
Jo
And then that's what causes the whole reason Brad Pitt gets sent there in the first place. And it's circular logic. Exactly. And see, what we're talking about is like movies that let it open, you're kind of like, what the fuck is going to happen then?
00:17:34
Jo
This one could, I agree. could 100% have been ended. Ended at the death. I mean, I can watch clan people get killed all day long. asyog i like that committed the That could be the next movie. Just fucking clan people dying.
00:17:45
Jo
I'm like, cool. It's like Nazis dying. Firing squad. Put me on one of the guns. Yeah. Actress? Like, yeah, we're extras. Like, hold on. No. ah This could definitely have been just that.
Endings and Comparisons Discussion
00:17:57
Jo
Left it out there. The other two endings are especially like, oh, I'm so alive. I can't get this yet. What's the, well, there's the one ending where he's bleeding out and he kills the clan. Yeah. Then there's the guitarist and the twin comes back with the white girl and they're like, we promise to leave you alone. Yeah. And what's the third ending? And I think that the, the, the,
00:18:15
Jo
the one where we kind of guess that he's going to there's something else happening. So there's like a two and a half endings. Yeah, yeah, two and a half endings. Like in between those two gaps right there. Which, honestly, again, boom, you're done. And i because the movie does not feel like it should be about the kid, I'll let this start with the kid.
00:18:34
Jo
It doesn't feel like it should be about him. feels like should be about twins. Yeah, but fucking, there's like the main reactctor it's three main characters, but they're like, yeah you know, i don't know. That's a family movie. we I don't think it was Oscar worthy. I think the only reason it got an Oscar is because Michael B. Jordan.
00:18:52
Jo
I agree. I think it deserves it for the acting. I don't think it deserves anything. don't think it deserves best movie. Did it win best movie? Not even sure, I don't think it deserves it. What was it up against? I know like ah director was oh the guy who did the Thomas Pynchon movie.
00:19:07
Jo
And then like we had some fucking really heavy best movies and just... I did not know. But as we look this up, all I know... old Jamie, pull that up.
00:19:18
Jo
Yeah. All remember for the Oscars, I lost money. Because got some shit wrong. Like, god damn. Not a lot of money, but enough to make me upset. Now, when we're looking at this compared to other recent horror movies, I think this is arguably one of the better horror movies. Weapons What you about Weapons?
00:19:41
Jo
I like the structure of the storytelling. a I was just about to say that. It's an exercise in storytelling, but the plot sucks. It's not really a horror for me. When they start going into the house, it's a little bit scary. It starts to get into it, but it takes a long time to stop reading.
00:19:58
Jo
I agree. And the school teacher pisses me off. Yeah, no. Just alcoholic, getting back with her ex who's married. Yeah, just like it's like a fucking trope at this point. Yeah, exactly.
00:20:09
Jo
So who won the... ah I couldn't find it, but it was nominated at the same time as The Brutalist and Wicked. I think The Brutalist won that year. The Brutalist. Oh, isn't that like... No, no, no, not The Brutalist. Now to look up the winners. Hold on.
00:20:23
Jo
Was it not The Brutalist? The four-hour-long movie about the architectural style? No, isn't that like the... Wasn't the... bru Wait, what was the one of The Rock?
00:20:34
Jo
The one with The Rock. Wasn't that like the the guy was like, I am this. That's Black Adam. No, no, no, no, no. All right.
00:20:45
Jo
We're going say highlights, nominees. God, you're right. It's really hard to find winners. of its okay Winners. Michael B. Jordan, we got that one. Supporting Rose, Sean Penn, one battle of another. actress was Hamnet. Oh, it was against one battle after another. yeah Dog shit movie. I don't even tell how it was nominated. Really? didn't watch it.
00:21:03
Jo
I did not watch it, but I heard like really good things about the actual movie. It was Marty Supreme as well. I cannot talk about Marty Supreme. No, but that's exactly it. It's a matter of... Oh, God. I don't even know it's an actual best movie. It doesn't matter.
00:21:21
Jo
If you know the best movies, you know better than us. Okay, hold on. Send us an email. Yeah, send us an email at brablabla.com. So overall, though, if I could get Best Picture Hero, let's see what it is.
00:21:34
Jo
It was One Battle of Another. It'd be Begonia, F1, Frankenstein, Hamnet, Marty Supreme, Secure Agents, Sentimental, and Sinners. And Train Dreams, yeah. And Frankenstein? Yeah, pretty good I think Frankenstein, too. Yeah, I saw the costume of maybe for Frankenstein. It looks so cool.
00:21:53
Jo
And that's the thing.
Overall Assessment and Conclusion
00:21:56
Jo
This movie Sinners isn't bad. It's decent movie. Just too fucking long. It's like as good as B-movie, is what I'd say.
00:22:04
Jo
Yeah. Like it's it's a horror movie you'd show to your 13-year-old kid. Yeah, because there's nothing overly... It's not like a Blair Witch type thing where can't show that to them. Yeah, they're not going to have nightmares. Except they think they music.
00:22:16
Jo
Exactly. If you hate fucking Jasmine, you go, oh my god, Jasmine. I'm not going to put Jasmine's music. Jasmine's music. No, no. So that's it. what Okay. We both saw it on a screener.
00:22:27
Jo
Would you have watched it? Would you want and watch this in a theater?
00:22:33
Jo
In hindsight, no. Me neither. I'm kind of glad I missed it. Yeah, me too. Yeah, cause there's nothing that I can need i see in the theater. like, oh, this, you know, the scenery is fine, but I think it works better. and I think theater movies work better when there's like a sense of larger than life. Frankenstein because of the ice. Exactly.
00:22:54
Jo
Interstellar. When you see the black hole. and it go No. God damn it. Okay. Like that's that's a theater experience. You know what I mean When you see the huge wave coming. Guess who missed Interstellar in the theater? Guess who watched it when I was 11?
00:23:07
Jo
but I'm like, give me a thumbs up for the thing, and we don't know. We can't see from this angle.
00:23:12
Jo
That was one movie, like, ah my friend's like, dude, you have to see this at IMAX. This is the reason why IMAX 3D exists. like, all right. And I got sicker. You missed it. Fucking missed it. Fucking missed it. I'm like, oh, on my phone, watch, you're like, what do you mean, Duncan? I can't see shit.
00:23:27
Jo
But you ended up watching it though. Yeah, yeah, I know. It was like, was so pissed when I watched it. I was like, oh my god, this is like the best movie of the decade. would have been fucking amazing in the theater.
00:23:39
Jo
But Sinner's here right. I agree. I didn't need to watch it in the theater. I'm so glad I didn't save my money. For example, if Interstellar is S tier, Sinner is like low B, high C. I agree.
00:23:52
Jo
I agree. I agree. absolutely agree. I mean... I would watch Creed in a theater more than would watch Sinners because least you get the boxing fucking violence of it. The action of it.
00:24:02
Jo
All right. Well, shit, man. Do you want to plug anything? No, I'm good. You're all good? Okay. they If they have a meal myself, we'll bid you. Good day. And this motherfucker up there, what is this? Bye, y'all.