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Episode 037.4 - Reviews for 5 August 2024
33 Plays2 months ago
This week we’re looking at Vera Drew’s The People’s Joker, Mike Cheslik’s Hundreds of Beavers and Michael Sarnoski’s A Quiet Place: Day One
Opening music: https://pixabay.com/id/sound-effects/dramatic-reveal-21469/
Closing music: Jean Kayak and His Acme Applejack (From "Hundreds of Beavers") · Wayne Tews & The Seafield Monster Sextet, ℗ 2024 Landlock Audio
Recommended
Transcript
Introduction to Film Reviews
00:00:00
Speaker
Incoming transmission. um
00:00:07
Speaker
Two oceans.
00:00:12
Speaker
This week, we're looking at Vera Drew's The People's Joker, Mike Cheslick's Hundreds of Beavers, and Michael Cernosky's A Quiet Place Day One. And spoilers, I enjoyed all of them. Spoilers abound. Yes, I enjoyed all of them and ways unique to each one of them. Yeah. Yeah, exactly. I think they're all to be watched in different ways as well. Yes. Yes. One, they at least two of them, if not all three, but definitely the the first two you mentioned, should also be, if you can, seen with multiple, multiple partners, you know, an audience of some size would be, you know, you can watch it on your own, you'll still have a kit, you'll have fun with it, but I think watching them with a, with an audience would be most optimal.
The People's Joker: Themes and Analysis
00:00:57
Speaker
First up, we've got Vera Drew's The People's Joker, which uses Batman mythology to tell a coming-of-age story, really, of discovering oneself, self-acceptance, finding one's voice. Now, ive I've seen online that there are quite a few really nasty reviews for this on YouTube, and the first one that I clicked on this evening, they admitted upfront that they'd only watched half of it. oh Yeah. And I think that's the first thing. You need to be patient with this movie early on, particularly with the added content that they they put up front. It's a little bit chaotic. Yes. But there is a payoff. Oh, such a payoff. It's the best. I mean, they use, yeah you know, the and the thing that got it most note, apart from making the festival circuit and being well done, is the
00:01:47
Speaker
notoriety it received by using the more recent movie Joker as its kind of premise or or structure sure to tell the story. And so, yeah, the People's Joker, you know, even taking the name there and themes that they tried to explore, or introduce in that other, the mainstream movie and Warner Brothers threatened to sue him into the Stone Age and they didn't because you know as they point out in this, yeah there's there's a thing called parody and it's protected and it's okay and you'll survive. So yeah, that's like, ah or is it someone else I read that you know it's like it's like you know that story of the Joker but good this time in the People's Joker.
00:02:31
Speaker
but which in terms of, you know, because that was, you know, to talk about that one, you know, that one, what they saw in and I think, you know, it seems like anyway, was the story of transformation, right? How you become this new identity that becomes something else, something maybe even bigger than yourself in some ways, but it's something, you know, about this personal journey and this transformation, which is handled so ham-fistedly in the one movie. And in this one, it's really transparent, really earnest, sincere, honest, even to the point of brutal. It's like the best. I haven't seen a ton of trans transformation trans movies like that, but you know I've seen some stories or things like that, read a few things, but this one to me was like the best version of that I i think I've seen.
00:03:17
Speaker
It was just so well done, like it's so, you know, stripped free of pretension, stripped free of melodrama. It doesn't bash you over the head. It becomes it just comes out very honestly. by its It earns its merits honestly. and that You can rarely say that for a movie. You get a great payoff. Exactly. you get such a payoff at the end and it shows that all the elements that were put in before, which feel chaotic at the start because yes you're trying to kind of adjust, you know, recalibrate yourself for, for this kind of movie, but it all ties together at the end. You know, I was, it agreed. And, you know, I was thinking about especially the start and the added thing too, and how you know troubling, awkward, unsettling it is, which it's kind of meant to be, but it's that whole thing of like, uh,
00:04:07
Speaker
you know, those movies where you're you're supposed to get hypnotized along with the protagonist at the beginning of the film or something. You know, this is how you're going to buy in because this is what the dialogue, the monologue inside their head is like, you know, or you you get that kind of feeling, right? It's like this level of chaos is what we're trying to come out of. and to tell the story through. you know Do you remember when when we were younger and we used to have Spencer's gifts, right and they used to have that room with all the black light stuff? It kind of feels like going into that room, this movie. It's it's really kind of disorientating, but you you sort of adapt to it pretty quickly. I'd say it is the most inventive of all the superhero films that we've seen so far. It makes better use of its IP than the big budget studio productions do. So anything Zack Snyder could ever do? Yeah. That hack couldn't even hope to. Absolutely. The only film that I can think that even comes close is Alejandro Gonzalez in Aritu's Birdman, but People's Joker is still far, far braver in its approach. Yeah.
00:05:15
Speaker
Yeah, because it's not just an origin story. It's you know sort of how they come to be, which you know really understanding the character, right? And explaining it in a way that's, again, doesn't feel cheap or Hallmark Channel or or like, you know, the most of them, they mostly, other you know, cause that's a problem with a lot of superheroes, right? They leave it in the realm of, you know, they they this disposable realm of like, well, it's just, you know, it's just comic books, which as we know, you know, that's very limiting and they haven't been just comic books in a long time, but there's a certain simplicity or or something like that. It's like, well, you don't have to strive to be more. You don't have to push the bar. You don't have to raise higher. You can have,
00:05:56
Speaker
big, ah you know, not that you can't mine emotion or things like that, but it's, you know, action set pieces and things like that. And fan service versus this, which is extremely mature. And I think one of the things that we have in creators from our generation is that just we saw the transition from where comic books were just for kids. to them being something a lot more respected and adult, right? And I think you've got people like Snyder who see that as, okay, we could do R-rated stuff in here, right? And that makes it adult. And it's like, it's so dark.
00:06:36
Speaker
No, it doesn't. A lot of the stories that that were adult at the time happened to be dark, but they had a reason for them. They weren't dark for the sake of being dark. But I'm just going to open up the gates to the spoilers on this one. What I found interesting is while Vera struggles to find herself in the movie, we see the public figures in that universe who seem to have everything kind of wrapped up, but they're not what they seem like, especially Batman, who is like Alan Moore's take on the character. He's complete fascist and a pedophile as well. qua yeah Exactly. and And I mean, it's also worth mentioning Simmons Kek's Dreams of the Bat, which is a graphic novel which I got my hands on recently, which had a similar kind of pastiche on Batman and has a similar tone to the People's Joker as well. So just kind of point that one out. But then the the relationships that Vera has as well are great and are more well-developed than most films, like the relationship that she has with the Joker, right?
00:07:44
Speaker
And, you know, we'll we'll get onto that in a moment in terms of how they handled that. we' We've already spoken about how great that was. The relationship with the Penguin and then with Vera's mother as well. They're all terrific and a lot more. They've got an arc over the course of the movie that, you know, is really satisfying. Yes, absolutely. And yeah, it's and again the going with the, oh, we're exploring villains, so it's going to be dark. It's like, well, no, not necessarily. There'll be some dark points they get to. you know, cause they'll talk about very honestly though, you know, things of suicidal ideation and you know, the familial struggles and the societal struggles with coming out as trans as well. You know, it's just fraught with those, but, but again, treats them very, you know, again, cause since it's their story, they're able to treat them, you know, to to address them very honestly. And they're like, don't hold anything back, but, but also, you know, don't overplay your hand sort of thing, you know, which again, a lot of comic book movies do.
00:08:42
Speaker
And then we have the use of the Carrie Kelly character. And for those who don't know, that's from ah Frank Miller's The Dark Knight, Carrie Kelly. burns Yeah, yeah eat the ah exactly. And it's essentially the the replacement Robin for that story. But in The People's Joker, the Carrie Kelly character ah transitions to Jason Todd and then on to the The Joker. The Jared Leto style Joker. Exactly. I mean, I think if the one thing to take away from the film is and, you know, I talked about this when we did the queer episode is for these kind of movies. I always kind of look for that kind of universal message in there.
00:09:28
Speaker
And on this one, I think it's the point that we are all a work in progress. And this is something that I find frustrating, particularly among people of our age, is this delusion that we're ever, as people, done. Complete. You know, like, we're complete, 100%, ding, we're finished, you know. But in The People's Joker, you know, Vera's mother is open to change. And it's a really beautiful thing to see in the movie. I mean, she's really making an effort. and It's really difficult for Vera to connect, but she wants that connection with her mother. and I think it's handled so, so well. Yeah, exactly. It's just yeah it's very very well done. yeah Just across the board, it's is an an exceptional transformation story, you know voice for that.
00:10:16
Speaker
You're just in a very playful, very creative, very playful scenarios and and a model for a narrative. So yes, very well done. Very well done. But like you said, you got to be patient with it. I understand the beginning is meant to meant to be jarring. It's what pretty gonzo. It's very gonzo, yes. Even I was a little like, what did we pick? Yeah, me too. Then once it started getting into the main story, it started forming into something really quickly. And then at the very end, we had the tease that the people's nightmare is next. Freddy versus the Joker. so Yes. They can use another characters again, and famously sexually confused or confusing.
Hundreds of Beavers: A Slapstick Adventure
00:10:59
Speaker
ah the sexuality of a you talked about a nightmare in el street part two in episode thirty one at two oceans so was a career cinema picture show as well go back listen to that if you want to hear that anyhow Next up, we've got Mike Cheslick's Hundreds of Beavers, which is essentially a black and white, silent, slapstick film in the tradition of Chaplin and Keaton, with elements of Looney Tunes, video games, telling the story of Applejack salesman Gene Kayak in the 19th century American frontier.
00:11:32
Speaker
whose life is basically turned upside down by the first snowflake of winter. Yes, very early on. He has to face his alcoholism and surviving in the frontier. Let's put it that way. The challenges of wind, beavers, raccoons, rabbits, wolves, fire, spear sized icicles, the cold, hunger, gravity, beaver law, loneliness, beaver law. yeah social moors and traditions. Yeah, you name it. And I think you you mentioned this at the beginning. This is definitely a movie that is best enjoyed in a crowded cinema. Yeah, you got to see it in a cinema with an audience, right? I so lucky. So I got to see it at the last independent cinema in central London, the Prince Charles cinema. And the place stinks, it's old.
00:12:23
Speaker
But it has so much character and it was full on a weekday afternoon. And yeah, i I was so lucky to see it in a group like that. but Yeah, absolutely I would agree. Absolutely. Because i I watched it at home with the wife and I still had a ball with her, but I can only I'm just been proselytizing, and evangelizing on it ever since. Like, yeah, watch this, watch this with a group. be any size, just yeah not by yourself on a laptop or anything like that. You need to watch this with people and share in it because it's wonderfully ridiculous. I mean, it's you know the the it's another one too, like the previous movie we discussed where there's a little easing into it, right? You're like, okay, they're going this route. Are they going to be able to sustain this for 80 minutes?
00:13:09
Speaker
ah you know or whatever the runtime is, like it's about that. you know Is that going to work? like This seems kind of goofy. like It's, again, when you're trying, it it almost seems like it's, oh, they're they're trying to be clever, or they're trying to be a cult. One of those you like when they make the goofy throwback kind of horror movies or something like that, where it's like, OK, we get your premise. This would have been a good short film, but it doesn't it never lasts full narrative time. This one engages well, gets its concept, but then pushes it. uses it and pushes it in new directions or at least further down the line and and has just continues to have fun with it. And and there's there's arcs and things like that. There's character arcs actually for a silent movie, which is totally plausible as well, and some very creative and inventive ah use of what beavers are capable of if they put their minds to it.
00:14:01
Speaker
if they work together as a team, as a team, as a group. I mean, just to let you know, the the title, the first titles, the first titles don't appear until the 30-minute mark. And at that point, it says, a fur-trapping photo play. And then nearly an hour later, you actually get the title, which appears, hundreds of beavers, in the best way possible. It's yes it's it's so good. But yeah, I mean, in another thing ah about a movie like this, so I imagine that people when they first went to the cinema to go see a movie like Airplane, right, we're thinking, can they maintain this the whole time? And I think the key thing is just having the gags and I have never seen a movie so gag
00:14:45
Speaker
dense, right? It rate didn't slow down because they tend it tends to like run out of steam by the time it gets to the end of a movie, but they just kept coming up with a more and more gags all the way up into the last minute, which is yeah you know great. Yeah. Yeah. And yeah and yeah yeah, I haven't laughed that hard in a movie in a long, long time. Me too. And apparently, when they were first touring with this, Ryland Tews, who plays Jean Kayak, was going along to the screenings. And before the film played, that they would have a wrestling match between him as Jean Kayak and a couple of the Beavers, which I wish I wish i could have attended with. rest have ended Absolute riot.
00:15:27
Speaker
I don't know that there's too much that we can spoil on this one. I know that Tew's based his movements in the film on Jackie Chan, and you can definitely kind of see that. It's got a lot of that. It does. I mean, there's a sequence that pastiches the speeder bike chase and Return of the Jedi, which is which is pretty terrific. But but it's it's it's all fairly kind of low key. It doesn't it doesn't kind of wear these kind of little Easter eggs on the sleeve. They just kind of fit naturally into the story. Funniest thing overall is Gene Kayak is a kind of Sisyphus type character. yes And it's just hilarious seeing the boulder at the end of every attempt roll back over him. and i I think there's a story of perseverance in there too. But he gets it. Like the thing is he he learn he learns to adapt to them rather than making the world adapt to him. He adapts to the world, you know, he adapts to his environment. it's When he realizes, you know, there's opportunities here, he, you know, he sticks with it. It's that, you know, again, it's a very Midwest, you know, work hard at it. You'll get there just, you get you know, you might look ridiculous and you're going to fall down a lot, but just keep getting back up.
00:16:33
Speaker
you you yeah You'll make it through. of Just put in the work, right? Put in the work. And which he does at everything there, even when it's like clearly, but you could see him like figure things out. So at the end, it becomes comic. You're like, oh, that's how they're going to use that. Oh, that's how they're going to use that. Oh, the knocking. You know, the woodpecker is going to come if he does this, and then that's going to cue this, and then that's going to cue that. And then, you know, there's there's the building the Rube Goldberg device narrative as a narrative device. but not the sole narrative device, works really well. And the love interest in it is hilarious and really heartfelt. And and it's just hysterical, especially when she's just, you know, happily disemboweling carcasses while trying to make eyes at him. And he's like... you know he had to He has to go from this like peaceful, happy, drunk existence of being an applejack grower and brewer and seller and such to now he's like literally freezing to death and has no food. And then the yeah the like the video game system of get enough of ah you know of these collect enough of these and you can turn them in for X reward. He even gets the map, doesn't he? And as he explores, it completes the map as well. yeah
00:17:39
Speaker
I mean, I'm smiling, and just remembering all this right now. It's one I want to share with other people. Oh, me too. Like, it's it's got that kind of thing. Like, you've got to come see this. And I don't want to oversell it and do that sort of thing. Like, oh my god, that's the funniest movie ever. like I think you'd really enjoy this. This is more fun than it deserves to be. I was going to say, I think that there was a particular type of movie that back in my twenties, that whenever we came back from a round of drinking at the pub at the end of the night, that there'd be particular movies that you'd put on. This would have been an amazing movie over yeah after a session like that.
00:18:17
Speaker
totally And before I forget, I did remember one reference in the movie that is pretty obvious, which is the dam the beavers have is modeled off of the massive architecture from Metropolis. that that That makes sense, thinking about that now. Yeah, I can see that. Well, and the the focus, right? And the trudging back and forth and sort of thing to it. Yeah. But yes, it's it's just, it's highly creative, highly inventive, fun, fun for the whole family. Cause there's not really anything bad, you know, in it there's some, the violence in it, even while comedic is still violence, right? You know, I think the wolf bit is a little bit scary, but not yeah beyond what you would see in a Disney movie and and the pole dancing bit. There's no nudity or anything. And it's not lewd, anything like that. it's It's meant to be as goofy and out of place as it is and as well. just Honestly, that gave me one of the best laughs I have had in a long time.
00:19:19
Speaker
along. They were consistent laughs to it. So we recommend the first two and they're two independent movies as well. So yeah, and they they deserve all the support that they can get. Very independent. Yes, very independent.
A Quiet Place Day One: Character Journeys
00:19:35
Speaker
Finally, we have Michael Cernosky's A Quiet Place Day One, where Lupita Nyong'o is a terminally ill woman trapped in Manhattan during the invasion of the aliens from the previous Quiet Place films. Though this acts as kind of a sideways prequel sequel of sorts and also mention that Michael Cernosky did well, he did his first feature length movie a couple of years back with the absolutely amazing Pig with Nicolas Cage.
00:20:06
Speaker
right yeah And yeah this one was John Krasinski got out of the way and he said he just wanted to see if there was somebody that could find some new angle, some fresh take, yeah some story that would be worth telling sort of thing in this universe that they built. And boy does he nail it. I mean, I enjoyed i enjoyed the previous two films, like the first one I thought was good, second one I thought was better, this one I think is the best of the three. Like they just keep improving somehow. It's the plan of the apes thing, right? Each movie is better than the one that came before it. And the others are good, but yeah. I've read some other reviews that don't have that attitude, which surprises me. I think i think one of the reviews was in Sight and Sound where they said this had no message. And from my perspective, I don't know about you, but but you've got the central character of Sam played by Nyong'o who's just so good in the performance as well. And she doesn't want to face her death. I mean, she basically doesn't want to hear. She she sticks her ear pods in her ears and her headphones and blanks out the rest of the world. and This whole series has been about sound and hearing right at its at its core. and When you know the shit hits the fan, she just wants to go get a pizza. you know She's doing the same thing that she's done before, which is ignoring it as much as she can and trying to go about her normal life.
00:21:29
Speaker
Yes. and and And shutting everyone and everything out because right that way is just too troubling. It's too much. It's too much pain. And through this journey, she it's a healing journey of feeling better, you for you know, of self-improvement, even though when she's kind of just like, well, there's no point in improving myself. And it takes, you know, versus what she learns, and especially when she meets up teams up with Joseph Quinn's character, it becomes this like, you know, more than just her and her cat. you know Exactly. I mean, there was a strange I mean, in variety lately has not been has been getting under my skin, because I complained about variety last week.
00:22:08
Speaker
But for this film as well, they criticized the film as, quotes, tiptoeing through a mostly offscreen apocalypse, which is weird because the whole series has been about showing the human level consequences of an invasion. It isn't meant to be an independence day, thank you. the fates that it's not, you know? yeah And I thought the scale on this one was even greater than the others because the others, they're out in the country. You see a couple monsters. This one, you see dozens and dozens and dozens of them all. There's a stampede of them for crying out loud, you know? It's like, because they're in a big city and there's just going to be a lot more. So the danger is even somehow even worse.
00:22:49
Speaker
And it's it's like Cloverfield in terms of yeah the perspective. It doesn't cut away to so you know showing everything else. you It leaves everything a little bit mysterious. like When they first arrive in the city and and things really haven't kicked off yet, you see jets flying over the sky. Well, right obviously, the Air Force knows something something. Something has already happened. Yeah, like the dogs in the second movie. They're right already freaking out before everything. you know i And that was another criticism in the Sight and Sound, which was saying that that you know they're depending on the cat Frodo to kind of react to so some of the stuff and as a criticism. But I can think of so many great movies where cats are reacting to things. I mean, you think of Alien, right? Yeah, or or not reacting to things, right?
00:23:40
Speaker
there's There's a tying it into the natural balance and and things, of you know, resorting from the trappings of, you know, modern life and and sort of thing, you know, that that that's gone through this whole series as well. and Let the right one in as well. I mean, it's it's it I mean, it it felt like a cheap, a cheap ah dig, to be honest. with you But I'll just signal the spoilers. But it kind of going off what we were just talking about, Nyong'o's journey, it's not until the last second of the movie where she actually turns and pivots, and it's great. you know she where Where she takes the headphones out. Yeah, she she demonstrates the pivot she's that she's gotten to. I think she pivots before that.
00:24:25
Speaker
especially when she, despite her condition and everything else, when she says, you know, make that run for the boat, take my cat right and make that run, you know, all of a sudden she's doing something for someone else selflessly. Like yeah she doesn't, they don't owe anything to each other. It's just like, no, this is the way the world should be. You know, that's what the, and and that's what the series, you know, and any good alien invasion, you know, on the human, the humanity side is humanity becoming what they want to be, or maybe what they should be, or maybe what's better for that character. You know, I'm thinking of ah no one will save you. And the spoilers, the ending for that is her idealized version of the world she gets now but for the main character, where she's free of judgment, she's free ah from the sins of her past. And yeah, it's not ideal, it's pretty messed up. But the idea is that there's this transformation that that that the aliens knock you out of the normal, right?
00:25:22
Speaker
And here it's not a, ah you know, a fantasization of, well, let's return to this agrarian, simple life or something like that. It's just, you know, humans are going to adapt and we're going to survive and we're going to fight back in our own ways. And we're going to learn how to, so you know, make this. And and it's the human, in this one, I like the, it's the humanity that learns. It's like, no, here's our, here's what we are at our core. And here's why you can't wipe us out kind of thing is that we will do things like this for each other, even despite the odds, even despite anything else. I'm going out on my own terms. I'm taking this on as a challenge. We're not rolling over that kind of thing. Yeah. In act one, she kind of fucks it up because we've got Alex Wolf as Ruben in the hospice care ward. Alex Wolf, we've not seen him since he got taken over by Paimon in Hereditary. He was in Pig. Oh, what? Yeah, he was a mirror. He was the boy in Pig.
00:26:15
Speaker
Oh, and well, wow. I mean, I didn't even recognize him right in this. Yeah. Until I was like, wait a minute, is that the same guy? Yeah. Right. but But yeah, she kind of pushed. I mean, in the hurt on his face when she gets in the bus after saying, oh, man, my friend, and it's wordless and it's it's so good. And, you know, the fact that I think they they handled the death so well because they survive one challenge, which is that that first room that they're in. Yeah. And, you know, she's holding onto the cat and one comes very close to Reuben. And then it turns out to be the, you know, the the generators that that get him in the end. But yeah, I thought that was is really, really well done. So as a fan of New York style pizza, I can understand her obsession with going to a favorite pizza joint. I mean, granted there's more emotionally tied into it as it becomes in the story, but I'm like, that one that's a woman committed to pizza at the end of the world. I i get it. I understand it. I am there. i would That would be me. I'm like, I'm getting one less yeah i'm one less pizza in here. I'm not making it out of this. yeah But I'm going to get one more slice. Yeah. Exactly.
00:27:20
Speaker
And then Frodo the Cat actually had more bearing in the story as well than that sort of criticism I talked about before. Because in some ways Frodo is almost like Sam's legacy that she passes on to, you know, Quinn's Eric. You know, they they swim to the ferry. And when Quinn first escapes the flooded subway station, Frodo appears almost like a beacon of hope, right? Yeah, and just staring at him. and staring at him and go home. But then later he rescues Frodo as well you know while fetching the the the painkillers for Sam. Yeah. Much more you know fraught with danger and also some exposition that nicely tied in. you know It's like, hey, we can just pack in a little more story here while also you know having him traverse this dangerous scenario, which I thought was a really nice touch too. you know just Yeah.
00:28:13
Speaker
And i like that that's Sam and Frodo making this journey. You know, her name is Sam and she saves Frodo by the end as well. appreciate I appreciated that reference. It was good. It was good. And and but and and they didn't, they didn't over-ham it as well.
Overall Film Review Reflections
00:28:27
Speaker
Like you said before, sticking the landing, oh my God, the final shot, the final edit, final cut is just, yes, well done. Perfect. There's no no ambiguity. yeah also And you're also just like, yeah, good for you. you know' there's There's just a lot of a lot of closure brought and brought very positively without feeling rushed or just like, oh, isn't that funny or or to shock or you know something like that. It's like, oh, no, OK. Yeah, good.
00:28:58
Speaker
you know you You just feel like you feel it feels right. and That's the other thing about it. All three of the movies are very efficient for time. They're way below the average length of yeah of most movies. but Yeah, right. Under 90 minutes. All of them. Yeah. Yeah, and they they just keep it tight, but it but it's and there's no wasted there's no wasted space. Another thing that I've i've been trying to think about is again the significance of the puppet show at the front. because i mean This is one of the things, things when I went into this review, I know that Michael Cernosky knows his stuff and that he's not putting so shit in there for for no reason. and and've I've really been kind of sort of thinking about the puppet show. and
00:29:43
Speaker
There are various moments where like Eric does a card trick to try to cheer up Sam at one point you know when she's not feeling well. and this This whole kind of artifice and kind of distracting people I don't know. I haven't quite worked it out. I might mention it in a later episode. But yeah, I think that that sort of brings us to the end of this review episode.
What's Next in Film Reviews
00:30:08
Speaker
In our next review episode, we'll be looking at Fetty Alvarez's Alien Romulus, Juan Husain's Sky Pearls, and Chris Nash in A Violent Nature. And remember to like and subscribe. Support by joining our Instagram and Facebook pages.
00:30:24
Speaker
and we'll see you in a couple weeks
00:30:48
Speaker
And we'll see you in a couple weeks time. two oceans