
“If criticism isn’t going to be written by one human mind, what else is it for? Criticism done by AI means nothing.” — Bethanne Patrick
Is London really falling? Perhaps. This week on Keen On America, everything seems to be falling. There are young men falling from riverside apartments. Girlhood is falling to the commodification of appearance. Book reviewing is falling to AI. Mary Todd Lincoln fell through history as a shrill and inconvenient widow. And just three days ago, Yale historian Ian Shapiro argued that democracy itself has fallen — from the euphoric heights of 1989 to today’s nadir of illiberal populism.
One person who never falls is our unfailingly literate friend Bethanne Patrick — book critic at the Los Angeles Times, founder of #FridayReads, and the best-read lady in America. And her May list of recommended reads is full of books about falling. Take, for example, the New York Times bestselling London Falling by Patrick Radden Keefe — a true crime whodunnit about Zac Brettler, a nineteen-year-old who reinvented himself as the son of a Kazakh oligarch and fell to his death from a Thames-side luxury apartment. Then there’s Girls by Freya India on Gen Z and the commodification of girlhood; Make Believe by Mac Barnett, the Children’s Laureate, on storytelling as an art of raising kids; I Am Not a Robot by Joanna Stern on AI as useful tool, not a civilizational menace; and An Inconvenient Widow by Lois Romano which rehabilitates the already fallen Mary Todd Lincoln.
And then there’s the fall of book reviewing itself. Where have all the critics gone? New York Times book critic Dwight Garner wrote its obituary this week. But Bethanne Patrick hasn’t fallen. And, last I checked, London is still standing.
Five Takeaways
• London Falling: The Oligarchs Were the Problem: Patrick Radden Keefe’s new New York Times bestseller is about Zac Brettler, a nineteen-year-old London boy who reinvented himself as the son of a Kazakh oligarch and fell to his death from a Thames-side luxury apartment. Bethanne’s reading: the most interesting element is not the Brettler family’s grief — sympathetic as they are — but the portrait of a London transformed by money from overseas. Twenty years ago, the worry was economic immigrants. The people who really changed London were the oligarchs. Andrew is sceptical of the neoliberalism-as-villain thesis. Janan Ganesh: London has always been defined by capitalism.
• Girls: The Commodification of Girlhood: by Freya India (born 1999) argues that Gen Z girls have always been girls — but technology has made the existing anxieties about appearance, body, and social status thousands of times worse. Face-tuning, influencers, targeted advertising, social media bullying. Bethanne’s daughter — summa cum laude in economics — relaxes by watching reality shows about the commodification of female appearance. The book’s parallel with London Falling: both are about young people who cannot escape the mirror of other people’s wealth and image.
• Make Believ