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Odc. 63 – Ten o Sorze, zmianie percepcji i narracjach dookoła AI

Wycinki z Przyszłości
Wycinki z Przyszłości

362 plays · Apr 17, 2026

Wychodzimy od zamknięcie Sory przez OpenAI i tego, co ta decyzja mówi o kierunku rozwoju AI. Koszty obliczeniowe okazały się nieadekwatne do outputu, a produkt, krótko mówiąc, działa jako rozporaszac dla firmy Sama Altmana. Przywołujemy m.in. tekst New Yorkera o Altmanie, czy raport Luminate pokazujące rosnący negatywny sentyment wobec muzyki AI-owej u wszystkich pokoleń. Czy to efekt masowej edukacji prowadzonej przez artystów, regulatorów i memetykę? Czy to rzeczywista zmiana, czy algorytmicznie wzmocniona fala.  Zapraszamy do przesłuchania reszty, a notatki do odcinka znajdziecie tutaj [https://wycinkizprzyszlosci.pl/2026/04/15/%f0%9f%93%9a-odc-63-ten-o-sorze-zmianie-percepcji-i-narracjach-dookola-ai/].

Transcript

Monika Borycka: Hello, welcome to podcast of the future. Welcome to the Joanna Fruta-Kurkowska and...

Monika real: Monika Borycka, czyli TrendRadar.

Monika Borycka: Today are in the biegu, but and

Monika Borycka: I'll show you a video, but I'll show you a little bit.

Monika real: I think it will be nice to be able to do it.

Monika Borycka: and

Monika Borycka: just I think everything is fine. We were in the last week on FOCE, which is a

Monika real: I have two words about this in our show, the show, in FOCE, which is Forum Kultur in Katowice, in the UN.

Monika Borycka: No, ale co?

Monika real: I think that it was very interesting meeting,

Monika real: mr suno do does as viai prisoner odo vianni chiri i mue does not ah does it po mission a tech technology business solve after to table water conference as tovis chaposhenson ah vusja me te wea as mana in of to and to

Monika Borycka: Tak.

Monika real: acaia ah echotaca itna of the business, the of Art of Art of Art. And the role Academy to ta staishra vaneard and scottage movement means in the middle of the vogo ah povetopeno silvi trokovsky vince nobiotto butto bardo chiicavi da chat tenia e ruto mom ah peunisium stop norota yeah your mom of contact chat theos system op become convertor so to a

Monika real: of these two different perspectives of business or academic album and of technology academy, there are really interesting conversations.

Monika Borycka: I think that was a great thing we didn't have 20 minutes on scene, but 15 minutes.

Monika Borycka: business is different. We try to work with it as a X. Now, with Politechnik Warschau or other people, um teras tuovva is polite nio vaas country the hidden the me

Monika Borycka: to and content, which is not in an idea of AI slope, but yeah choose no ai sloppy ta dalet ta dalet allla i mean in the context of what is happening in the music industry or in the video. This is interesting.

Monika real: Thank

Monika Borycka: that a large part of to

Monika Borycka: I think it's to to sign that there is a slop talk yes yesterdayter e steam chago luko and the platform support mr washuka First impression.

Monika real: first impression is at the but was a to if for both of both in the and

Monika real: it it did mos the test ta the qua yeah name mihla sa be

Monika Borycka: Mocnych test, nie?

Monika real: but jamito mojama o tute a jacobpevian signalulurrofute allennite stories that it a

Monika real: <unk>rovach not na a kimoz no diptaov projectach between and robotics, which is growing in a blystack-like way, in other words, in other words, in other words. And, actually, physical which allows people to solve physical tasks,

Monika real: ah i post volume lu ja ro ver such western visit naadana yesak kta kim vish colonleum ofvo um even toniov viant and allenop have no the justam botragan i just very interested business of just don stani obbraski too high z zanet apropo where collena goodniav simulai yet no similarity of pushidish me ala stani but ah of scott in the album runcraft of azatesky ge luianos transpeian the head set is a

Monika Borycka: Mm-hmm.

Monika real: They allow each of to the

Monika Borycka: But I just need to stop it, because it's not dystopia in Hindus or in India.

Monika real: the

Monika Borycka: There is a about Bones Studio?

Monika real: No, it's interesting.

Monika Borycka: A to, you know, I don't know, I just recently told my colleague to be company that a company that is exactly monitoring fiak toraza muese the quadia the coordinatdnie moittoro vanium ah

Monika Borycka: the basis of such things, like walking down the stairs, building some kind of floors, to be able to

Monika Borycka: things on the table. There is mutual choreographie, so there is a of I like they have a lot of LinkedIn, powering physical AI.

Monika Borycka: That's exactly what you said.

Monika real: Mm-hmm.

Monika Borycka: But I look at list of clients and it's not a small list. We're going go to left. Nvidia, Samsung, Unity, Google Meta.

Monika Borycka: I think that's all happening in Poland. So I think that Poland is a kind We are in the and firm, but there is also a lot of interesting things in our own. chi chicagovo staan and na guji beinco talk

Monika real: paulki tell next to the song she got you on on of a technology and they are in this kind solution.

Monika Borycka: Mm-hmm.

Monika real: Sometimes business, I remember that it was a very good decision, I don't know the the you when it's a sudden, that a big company

Monika real: OpenAI, Nvidia, or other people decide now that's do she vas abtrazeylo poskego manishiago business overa rabi mogoja min nichago all la ta v spis ofvana goan and no how he is barza po shane aro momentia nicola niroov strata gi metaki take

Monika Borycka: A maybe because of the

Monika real: Exactly, so we don't worry about these companies. And it seems that it is a kind of anito yes akita quiolleina bitchmoja violleov vizistic to the shaos greva is there some some open a of ah burash usually tell him nava jozami caaa but tell them yes concentratrana in prata

Monika Borycka: So, rezygnacja, fact, it's a little bit, not to be a result of the rezygnation of the... from the... nare yabutakego ah de zi met dego shihi nagopo de chero vi sevana vi' not not nitoreticia casco to the bodovanianka both of the rosania the the ruba kishman duwani prai tre baro chiicava of brete na ratzi vasni ay guva benja dopala thepala rosrivka democracy thatset for tra chiac dale now also so toio ka zuepo po shaba cuppea po shabata kigo yesnegoze

Monika Borycka: I would add another thing, that OpenAI, at least at least, when looking at the company's ruch, they were very much diversified, but in a good way. There is a lot of things.

Monika real: Mm-hmm.

Monika Borycka: You have a sort of plan, and there is still a model, but it is not very developed. You have a music model, you have a chat, you have a whole of the agentic AI, you have a GPT-s, So,

Monika real: buttoistten moments to them onib ben don testtova testsavva testsavva is pra dutch trohanno ugan niir so jawa oni jawa bitch mo sora viiao prado riov bia kim kimshmomentia ocean ta um ko so in initiative chatvo alet um move ma che to char music togo soni product People who are creating these different slopes and just a also about it.

Monika Borycka: Mm-mm.

Monika Borycka: ah that misshna sa betajeve chaba beros vaage taisttanaru took the bitu the bit senna tanna computer ru processor of mozz so mozz viave waserrova toni betodali suummival nebo ah

Monika Borycka: It was a way to the to

Monika Borycka: in the the the but Cloud Code, which is now one of the most best tools to

Monika Borycka: to że masz to

Monika Borycka: I don't want to say that on a product, but maybe it's a package of Microsoft Office 20-30 years ago. Okay? pakete bureauroim allla microsoft oficisti lostamo

Monika real: yeahtago tani to tarea shia boitit tarola eositsia anthropropicayia couc premium to is de deovanedo

Monika Borycka: okay

Monika real: barge sha mehusutovnikov taxhi positionion nui out poantco concorency start and depty version

Monika Borycka: A remind me that he has a great cap with the title of thinking, thinking.

Monika real: The thing that is our main motive, which we often say is that are showing intellectual power, not for everyone, which is the main purpose of the chat GPT. Everyone can create video of his product. You can chat, you can talk to him, you can create a some video-sor, generalnie mamy wszystko dla każdego i demokratyzujemy, tak? Natomiast Cloud i Antropik w ogóle od początku prowadził taką, mam wrażenie, politykę nastawiania się na ten wyższy intelektualny poziom. Zresztą i te ostatnie działania związane chociażby z...

Monika real: with the

Monika Borycka: Mm-hmm.

Monika real: and vi brane mugrano chataufi um oras staruullaatorum

Monika real: bank, people from cyber security, who are interested in this from other side, will analyze the risks that can be found. I think that this way it rather a bit a problem. Remember that in this whole episode, I still haven't said meta.

Monika Borycka: Okay. aye

Monika real: rat ratta griwa ni a pomina mate je and salon vi chigo oatminossovan a danni pavaja meta which was a few days ago, she was a model ai itos sp model tore roos fa neesz ah ah of taosaru nina bua gocha faka AI.

Monika real: the that

Monika Borycka: Always the best, the best, the best, the best, the best, the best, it's just

Monika real: i

Monika Borycka: bullra ofvo raiadana

Monika real: in the way, from the beginning the

Monika real: gen foon si sheparra dig ma notton naere cota no mission attach trike and naraia vocco open ai traditional poa vio Umówmy się, Altman od kilku dni nie ma łatwo. New Yorker opublikował potężny tekst po właściwie półtorarocznym śledztwie. To Ronana Farrowa

Monika real: I think that's what think about the the

Monika real: ahersto acaian a successful rhythm spanalic toism citizen

Monika Borycka: Mm-hmm.

Monika real: kika kicaa grandeu orton vanta of dawa notteshge is be near maria with zi shaski steamo text them te te podaion rotontonia e tacaa abovevo to cherochesa and ita vicha some alman and non niman mawa vi drsto poyavierru taivvez about the end of the technomagnat, because Altman was an attack.

Monika Borycka: There are two times someone's home. Okay, we go, go.

Monika real: Yes, in the noc a cocktail mołotows, then even a use of brones, which I know, so bit of control.

Monika real: ta the batta shirokaimm knewaspotroling What for me a in naboham is inron ah the progressive

Monika Borycka: okay visual

Monika Borycka: Mm-hmm.

Monika real: solutionistyczne, in which part the on the

Monika Borycka: Mm-hmm. Mm-hmm.

Monika real: ah vina of the narazi you know but that these attacks are some of real elements a kind of a bunt against technomagnat.

Monika Borycka: the

Monika Borycka: utimo's vistteov vi shabueprikanoagnato yama suhai inraport in nodao throw chicava part thegoniamu vi takiraport ah

Monika Borycka: They made report Generative AI in the Movie, Film and Music.

Monika real: Mm-hmm.

Monika Borycka: I have done an analysis of this report

Monika Borycka: I I o then then the rapport vogura vogo otfia tacachikava daa tura because we are oa sovania consumant of poolniori vi nanaha uluianana maniica group to the gnaraia alpha a gannaraiaam that milen she then then exit a dale e ah butanabuo provazson of mayio ah ah ah ahmaado do listopada No i

Monika Borycka: ah itisters laia lanizsche covers pomi motago ah various me justta movie with ote slo pa zava ah yes so nadan out she san dannivato povidic in camareka skigo allla miss of aurra people will but poddoia alboytra ah yesta goza And la la ai oh yess totas chica reacto yato shesmania vidai mis shetoy sucha moyataza in chicava faini josto affect yesto affect touchsh aducai viter emi to mishi vi janagua luices manil use ferilli zekulta e benjamawa mukizaa it

Monika Borycka: of

Monika Borycka: I have a sense that this is centers, is

Monika Borycka: ah moya yakasham obervasia ztohibaisto zana peum sania teras proentovwa pitanio trivis che aktoan jimmyovish puvna technofauldaism chena oan e ta dali to sanass a gitamatic to the pa kish muslim ah parus port perus And yeah vi the total

Monika real: there still no chaim rubitak beoversenhiakim barup um do a bit of the volumes that ahteros mo or the nikyaoschi ah producto genderra ne shabi on she do soent nago uov nika alama pra on ab shabia on sheovvni do shado mego usutovnika as soon as the star ukota takiha so a I didn't

Monika Borycka: So.

Monika real: I'm going to go to the end of this, too long, didn't do it. it's just like d pitania spinza ete totonnis viash colena taka and mo da fallla to thousandtanip shemen sha be alone a I I to the and to is

Monika Borycka: Mm-hmm.

Monika real: ah ala praka eosiakresh oup nemado temple ah the vies and avi autum to the

Monika real: toist theags dot kto butzhait and vi

Monika Borycka: Mm-hmm.

Monika real: tawa sawa mannata gu para da gumato da ko grono io to business of browns it attacktale and about commissionza she justruo ingan So,

Monika real: The business of this is the marketing market market bo some adjustment movie with all autumns ji sha

Monika real: in the społecznościowych to the audience, because they just go away from the point of view, or they are not engaged in the information.

Monika Borycka: Thank you.

Monika real: The conversation is very slowly. The optimization of the cost of the price is a very important topic. It is a very important topic, which is even a very important effect, which even a very important effect.

Monika real: no to a little, a little, a little, a little, a little,

Monika Borycka: Mm-hmm.

Monika real: mean, here not happening in And

Monika real: personal narrative are still in business, because there is a lot of people in my actually

Monika Borycka: but butishacdo a tami picor yeah

Monika real: Because these narratives are just from the And And

Monika Borycka: question you know what is the sayif stillla yeah those

Monika Borycka: workslo it so opera rave pocolega no

Monika real: Yes, exactly. There are lot of things that I have a feeling about the development of the jaźni. There are also some kind of narratives, as well as a result of the political history, which, in the time, always comes out of the mind, which is,

Monika Borycka: Mm-hmm.

Monika real: We need to do this. It's like a knife. We need to need to do this.

Monika Borycka: I can't do that. I can't do that. I can't do that. I can't do that. I can't that.

Monika real: I think that we can't do anything else to

Monika Borycka: I can't do

Monika Borycka: that. I can't do that. I can't do that.

Monika Borycka: para monia uvak or madex a bitto the roski mjaza but sobiza function in this narrative, because the whole thing is super. For example, the narrative of AI agents, everyone who is doing agents, but when a portal technology young ta dalet He doesn't know what it is. Maybe he can tell you that a you. But there is no way of getting into with a huge use case. have a feeling that everything goes into a product product.

Monika Borycka: That means that you need to spend a weekend with something to build.

Monika real: you

Monika Borycka: a not everyone has time, money and possibilities. Some people have to say that they have to stop. I think it is also one problem. The second problem is that

Monika Borycka: so yes yeah and problem dr you drug in problema mr taia You said about the this. I that AI-ing is called everything. I recently came to me, what is AI? algorithm

Monika Borycka: or a a problem of this narrative.

Monika Borycka: ah well a AI be called everything, I the and pu them a na gos poara topoliica ah pu them ah that forgot a ki pu AI AI

Monika real: I think that's a technology is a way of being.

Monika real: Because when we were talking about internet, we were talking about it and we were talking about it.

Monika Borycka: you know Information Superhighway, going to say

Monika real: Exactly. And how to it's also a platform where we could develop different technologies, and and the team steam bit doda ki sona mama the upunjaer novashir

Monika real: just laag ah but fajanis narai voosa eusariga and sign vou international nibiloish iha ta duroque kid on pop stavo on to shabu aki science fiction c shaski dr johnson iim land be za of the adults in my books,

Monika real: a sort of the

Monika Borycka: Mm-hmm.

Monika real: We are also talking about the same thing that

Monika real: yes ta tawi obvirasami re aki e in nita maalto discoing yeah vicent no tvvis che don't ta me i wish muslim but wounds its this contuish men ah non naratic or to name The of the and

Monika Borycka: But it's good.

Monika Borycka: Yes, it is the AI on a

Monika Borycka: to is important in

Monika real: I have a conclusion that I will not

Monika real: I just kind of threw this one, that the people are getting better, and the people are getting better. That the skills culture and technological skills that allow them to be in way of understanding or to turn the narrative.

Monika Borycka: Mm-hmm.

Monika real: That they are very, very, very, you know, so you but on on time he but but parts of the yeah starts on at the competence yeah I also I see lot of risk, even though from music.

Monika real: but the like we said, that most of the people of will be able to and to AI.

Monika real: <unk>pizania ittoist itous milatoj so ittutata dukasia but

Monika Borycka: I just wanted to to say that I think that's what I think about it.

Monika real: Well, she bit... ah

Monika Borycka: It's also a of

Monika Borycka: But I'll try to get a have a little bit of a story about it.

Monika real: It's a scandal, scandal. pa pro too

Monika Borycka: so ni de ni u lapo quiet neonnato mr zeman de mian ne noncavo historiania When I come back, I will come back if will come back, I will be piloting robot. so I will be one of my biggest dreams.

Monika real: You can at least to height attack the the see

Monika Borycka: ah

Monika Borycka: ah i or

Monika Borycka: dobratoyus a

Monika real: ah your ah

Monika real: back to the single per chago

Monika real: I will be a lot of narrations AI, So,

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