We’re joined on Breaking Screen by writer Melissa Lee Speyer, who talks about what her time as both a lawyer and development executive taught her about writing, how to interpret notes, her writing process, why her career path hasn’t been a linear one, and much more.

Melissa's credits include episodes of television series The Heights for Matchbox Pictures and season two of Random and Whacky and forREAL! for Ambience Entertainment. Her theatre credits include 2018's Ticktickboomwhich won the 2015 Silver Gull Play Award, as well as plays A Christmas Carol and Trade. As well as being a writer, Mel spent four years as a development executive, working at Screen Australia and within a production company. She is a graduate of both NIDA's Playwriting course, and AFTRS Master of Arts in Screenwriting and was the 2017 recipient of the Foxtel Diversity Scholarship.

Melissa Lee Speyer: writing takeaways for screen and stage

We’re joined on Breaking Screen by Sam Meikle, a writer and creator with hundreds of hours of produced credits that range from television comedies, dramas, animation, and web series. Sam was a co-creator, head writer, and Executive Producer of the 2022 ABC/Netflix series MaveriX and the previous year he was a writer, executive producer and co-showrunner of the series Wakefield for the ABC, BBC Studios and Showtime. Sam was also selected in 2023 to take part in The Creators, the inaugural showrunning program from Screen Australia and the Australian Writers’ Guild.

Throughout the episode, Sam talks to everything from the importance of knowing your writing strengths, his advice of taking ideas to markets, why Australian writers are like Swiss Army Knives and what some of the challenges and opportunities are for local screenwriters in 2025.

Sam Meikle: the challenges and opportunities for Australian screenwriters in 2025

This episode of Breaking Screen features Maria Lewis, a best-selling author, screenwriter, and film curator who has an Encyclopaedic knowledge of pop culture and genre specifically. After starting out as a journalist, Maria has gone on to write eleven books (including novels for Marvel and Assassin’s Creed), win an AWGIE for her podcast The Phantom Never Dies which was produced by Nova Entertainment, write and direct the short film The House That Hungers and is now in development writing her feature The Black Talons.

Maria talks to everything from making the shift into screenwriting, submitting 101 applications, writing genre films, being strategic about social media, and much more.

Writing genre with screenwriter, author and film curator Maria Lewis

The first episode of Breaking Screen features Yingna Lu of Spaceboy Studios, a creative producer who discusses everything from festival strategies for short films, to her advice when it comes to applying for grants and initiatives, and different takeaways from producing online series, short films, television and features.

Yingna has worked across a variety of formats - on online projects including the Instagram and Tik Tok series Love Bug, short films such as Voice Activated which premiered at Tribeca, television series including the second season of ABC’s The PM’s Daughter and films like the currently-in-development feature Keep Walking, which is supported by Screen NSW’s Short to Feature Fast Track initiative.

Yingna and Steve Anthopoulos co-founded Spaceboy Studios, which was a recipient of Screen Australia Enterprise funding in 2023.

Producer Yingna Lu on festival strategies, applying for grants and building a slate

Get up-to-date on Australian screen industry news and hear from local writers, producers, directors and more. Created and hosted by journalist and screenwriter Caris Bizzaca.

Caris Bizzaca

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