Speaker
And he was born in 1902 in Germany. And he was, as I said, he was a writer. But in 1937, the Nazis were coming to power and he got out of Germany, i went to elsewhere in Europe for a little bit and eventually headed to Hollywood, where he started writing motion pictures. And he wrote some Invisible Man movie. And then he wrote The Wolfman. And I've never actually seen The Full Wolfman. don't know you guys have ever seen it, but I've seen bits of it here and there. um But there's a couple of things that he brought to that movie that have sort of become part of ah werewolf lore. The concept of a full moon, a full moon turning you to a werewolf that comes from the movie The Wolfman. This is a movie that stars, was it Bela Lugosi, Lon Chaney, the concept of the pentagram, the sign of the wolf, the pentagram. and also the concept of the silver bullet. and There's a little bit of a connection to Judaism also with the silver bullet, silver meaning something like pure um in Judaism, and the silver also being used to create a lot of Judaica, like, you know, the stuff that you would might buy in a Judaica store, things that you might want. So there's there's a connection of silver there. So I never saw The Wolfman, but I feel a little bit familiar with it because one of my favorite movies of all time is American Werewolf in London, which I know you guys have have seen. Yeah, watched it with you. you i think I want to say in college, you're like, hey, let's watch it. It was great. Yeah, I watched i watched it many, many times. um The reason I watch it so many times, just real quick, this is a tidbit aside. When I was a little kid growing up in England, my grandmother owned one movie on VHS tape, and that was an American werewolf in London. it the television I've seen it millions of times because it was like all we had ever put on it. And that is the most Jewish ah werewolf movie possible. and The characters are Jewish. David Kessler um and his friend Jack, they're from like Long Island. They're like Long Island kids in the 80s. I mean, they were in their early 20s at the time. They're wandering. They're wandering. They have no home. They're strangers in a strange land. They're out of their own community. However, they do fit in because you can't quite tell, um you know, the, the, This is some thematically with the werewolf that you don't actually sort of know who may be a werewolf or not, you know, and it's some so that's thematically connected to Judaism. But that movie, I don't know if you remember it that well, his Judaism comes into it quite specifically. They talk about it in various scenes. They talk about him being circumcised. They discuss kids back home. what Jack's got a crush on Debbie Klein. And more like less subtle is, i don't know if you recall, throughout the movie, he has a lot of ah like nightmares. Nightmarish like dreams of him becoming like a wolf. And one of them includes the only scene that takes place at his family life back in America. He's home with his ah brother and sister. the watching the Muppet show with his parents. And Nazis, wolf Nazis, burst into the house, house murder everybody, burn the house down. And what the subtext of the movie is really about is survivor guilt. Jonathan Landis is a Jewish American born in 1950 in the wake of the Holocaust. Survivor guilt would have been something and it is something that, you know, many Jewish people, Jewish Americans growing up in the late 20th century were dealing with. And in that movie, David's best friend is killed, Jack, um but he basically can't let go of the memory of him. He deals with the guilt of having survived him. And is also like other little things like such as in the beginning, they go to this, ah the slaughtered lamb like pub and they are thrown out by the villagers and the villagers say, we didn't want them. We didn't ask them to come. It's sort of this sort of subtext of like wandering people, these sort of refugees without a home.