Trump Has Finally Lost the Plot: Jonathan Rauch & Peter Wehner on the Autumn of the American Patriarch

“His intent is getting worse, but his capacity is diminishing. The next two years will be some kind of mad race to figure out which of these two things will prevail.” — Jonathan Rauch

 

As the nights get shorter, we are drifting into the autumn of the patriarch. That, at least, is the view of two old friends of the show, Jonathan Rauch and Peter Wehner, who argued in The New York Times that Trump has finally lost the plot. So will this really go down as the fall that Trump failed?

 

Rauch and Wehner note what’s failed and what hasn’t. MAGA’s revolutionary project — the regime change, the campaign against the universities, the idea that America had become Flight 93 — was an attempt to rout liberals from the commanding heights of American culture. At first this conservative Leninism succeeded, with universities and law firms folding in the face of a bullying state. But then civil society reorganized, fought back on the streets and in the courts, and district judges mostly held the line. But while the atmosphere of fear has evaporated, Rauch notes, what Trump has won is the transformation of the American state into a patrimonial form of government. With the complicity of Congress, it’s hard to untangle the state as personal property and as a family business.

 

Wehner’s ethical diagnosis is starker. Coining it as the autumn of the sociopath, he observes sociopathy fused with visible cognitive decline, an old fool with enormous power and fewer people willing to check him. Rather than Trump losing the plot, the plot has lost the doddering patriarch. Forget Venezuela and Cuba. The concluding series in this North American version of The Autumn of the Patriarch will be aired live from La Casa Blanca.

 

Five Takeaways

 

•       Losing the Plot. The New York Times piece is, Rauch says, consistent with his earlier Atlantic essay on fascism rather than a retreat from it: that piece argued Trump was a fascist type of leader who would probably fail, and this one says the failure has happened. The plot in question is the revolutionary one — the attempt by the people around Trump to rewire American culture from the White House. Wehner’s account of the man is bleaker than the politics. There were guardrails in the first term, Kelly and Mattis among them, and there are far fewer now; what has changed is a fusion of sociopathic tendencies that were always there with a cognitive decline that is obvious to anyone watching. He would update García Márquez’s title to the autumn of the sociopath. And the image that lands: a doddering old fool wandering out of meetings to opine about the ballroom and the White House grass — except that he is a doddering old fool with a tremendous amount of power, surrounded by advisers who in some cases want to go further than he does.

•       The Part He Won. Rauch is careful not to declare victory: the article spends its first third on what succeeded, and the most important of those elements to Trump personally is patrimonialism — the organization of government in which the state is the personal property and family business of the leader. That is how he runs the presidency, the Justice Department, trade policy, the Pentagon and the architecture of Washington, with a great deal of complicity from Congress. Why did the Republicans fold? Three reasons, in Rauch’s account: members who defied him were primaried and often beaten; they swim in a media and political environment where ninety per cent of the people they meet judge them by their fidelity to Trump; and they are physically afraid — death threats follow a social-media finge