Introduction to 'Unpacking the Eerie'
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And you're listening to Unpacking the Eerie.
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A podcast that explores the intersections of our dark and morbid curiosities through a social justice lens.
Introduction to Southeast Asian Legend
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So we are going back to Southeast Asia for this one, back to Malaysia.
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And I'm excited to do this one because it's a legend that I learned about when I was younger.
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I used to hear a lot of stories about it.
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So I was excited to dig into it, and I'm excited to share more.
The 1960s Singapore Encounter
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So it's the 60s, and there's a young man, and he's living in Singapore, and he has the reputation of getting into trouble because of how flirtatious and promiscuous he is.
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Take that as you will.
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He gets in trouble for it?
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He gets in trouble for it.
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That's refreshing.
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One night he goes out to a club and he gets kicked out for flirting with someone else's girlfriend.
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And he's walking home and it's late at night and it's a little gloomy.
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The moon's out and it's lighting his way home.
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And he's not typically the type to get scared.
The Mysterious Girl in the White Dress
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walking home and he doesn't typically meet anyone when he walks home and he does this pretty frequently as he's walking he catches a sweet and flowery scent um and he's not sure where it's coming from and it feels so out overpowering at first and then it just disappears and is replaced by the stench of rotting flesh oh no
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He then begins to hear something that sounds like birds squawking very loudly.
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And as he listens to it more closely, it sounds more like an aggressive, piercing, screeching noise.
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He has never heard anything like it before.
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And he tries to kind of look around to identify where the sound is coming from.
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And he sees that there's shadows moving through the trees and branches shaking.
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And then suddenly it stops.
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He looks at the base of the tree and there's a girl standing there smiling at him.
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She's dressed in an all white dress and she's pale and she has long black hair.
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She greets him with a friendly and warm tone.
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He sort of feels like he's under a spell because he didn't feel scared when he saw her, even though he knew what she was.
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She says, walk me home in a commanding way, not a request.
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And as they walk together, she asks him, do you find me pretty?
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And he said he found her very pretty.
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And it wasn't a lie.
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And it wasn't a pickup line like he usually uses.
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It was just him being honest.
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How old is this ghost supposed to be?
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They're both, I guess, around the same age.
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Like, I'm guessing young adult.
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Maybe like early 20s.
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So the girl told him that he was a charming boy and that he found that odd because they were the same age and that he was like referring to him as a boy.
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But she also says, but he has to be kind with that charm.
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She says she's been watching him.
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And she said she knew that he had a good heart.
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And she told him that her kind only killed those who deserved it.
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She then said, I hope we never meet again.
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I'm stealing this whole monologue one day.
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So Amanda approaches me.
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So then she says, I hope we never meet again.
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And then he realizes they've arrived at his house.
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And she keeps walking forward into the darkness, or more accurately, floating as he notices that she doesn't have feet below her dress.
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And the smell of the plumeria flower, which is also Ferungi pani flower, is still lingering in the air.
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So this is a story that I heard that's
Introducing the Pontianak
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And that's who I'm going to be telling the story about today is the Pantianak.
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I'll come back to this story at the end.
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But this story is based on a true experience of a man who came into contact with the Pantianak.
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And in Malayan Indonesian, she's known as a hantu, which is like a spirit, essentially.
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And like the legend is if you're a man walking around alone at night in Southeast Asia, you better beware of the Pantheonok.
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So that's kind of fun.
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She is a hantu, which is a spirit or a ghost.
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And hantus can be spirits of the dead, but they can also be demons.
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And in the traditional meaning, they can also be like the animistic nature of like objects that also have spirits in them or ancestral souls.
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And the Pontianic specifically is thought to be a ghost of a woman who either died during pregnancy or childbirth and aims to seek revenge on those who played a role in her death.
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I see why you said I would like it.
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She's thought to lure unsuspecting men to scare them and take revenge.
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Signs that she might be near are the sound of an infant crying, the smell of plumeria or furangipani flower, as well as the smell of rotten flesh or a decaying corpse.
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You might also hear shrieks or screams that sound almost like an animal.
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And you could even hear laughter.
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disembodied laughter.
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It's thought that the louder that the sounds are, the further away she is and the quieter they are, the closer she is because she likes to play tricks.
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She is said to look like a beautiful woman with pale skin, red eyes, long black hair, and a long white dress that's sometimes smeared with blood.
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Her features can also change as well as to look more vampiric and monstrous and scary.
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She kind of uses the beautiful woman look to lure people in and then she'll show the men like her true image, I guess.
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She's also said to have long nails and some descriptions of her says she also has fangs and has a similar aesthetic shared by Sadako in Ringu, who's actually based on Okiku.
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So connected back to... I was feeling this is very Okiku vibes.
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Also, there's like a Mexican... La Yorona?
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Yeah, I was thinking that La Yorona and I was also thinking about Okiku when I was researching about this legend.
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Oh, just you wait.
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Haunting men everywhere.
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Yes, as they should.
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So she's thought to appear when the moon is full and announces her presence through the sounds and smells that I mentioned earlier.
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She'll first seduce men.
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And once she has her victims caught, she transforms her features into her more monstrous form.
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before she kills them.
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It's thought she uses her long fingernails to remove their internal organs, eat them, and then suck their blood dry.
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The story that, the first ever story that I heard, that I honestly don't know if it's real or not, but it was like such a long story that this one person told a bunch of us about
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It, like, apparently they found this body of a man and all his blood had been drained and all his internal organs were gone.
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So I don't know if it was a real story.
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In some tellings, she said to eviscerate her victims with her hands, so with her long nails.
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Too bad they couldn't see what you just did there.
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Yeah, you can't see what I just did with my hands.
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In some other tellings, if the victims have their eyes open, she'll suck them out of their head.
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She'll suck their eyeballs out of their head.
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She's wild as fuck.
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And some superstitions state that she locates her prey by the scent of clean laundry.
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And because of this, some Malaysians refuse to leave any piece of clothing outside of their house overnight.
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Because they're scared.
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She hides in banana trees during the day.
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She's very strong.
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She can scale tall trees.
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And in some legends, she can even fly.
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Even though the Pantheonok legend comes from Malaysia and Singapore region, there are similar legends of creatures like her across Southeast Asia.
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So in Indonesia, Thailand.
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Brunei and the Philippines.
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Legend also states that you can stab her with a nail or a stake in the back of her necks and she will transform back into a subdued wife.
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Until someone removes the nail.
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What's that about?
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The, I guess, etymology of Ponty Anak is that word Anak means child and the word Ponty means tall tree, noting that she's a woman who died while pregnant.
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and lives in tall trees.
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However, not all women who die during pregnancy or childbirth become a Pontianac.
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Only the ones that die unhappy deaths, meaning due to domestic or sexual violence, turn into Pontianac.
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So, like, the ones that die because their husbands abused them, or their lovers abused them, or they were, you know, sexually assaulted, these are the women that turn into Pontianac to come back for revenge.
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You know what this is making me think about?
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I used to be on OkCupid.
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And they have this prompt that's like, when I die.
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I don't know what they want people to fill in the blank with.
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But I said, when I die, I will haunt rapists.
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That was my account.
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See, I told you that you would like her.
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She's very cool, actually, honestly.
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She's tragic, but... She's tragic, but, like, a bad bitch, for sure.
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So, like, rewinding back to, like, what the origins of the Pontianak are, the Pontianak is actually a city in the Kalimantan region of Malaysia, and it is the capital of the western Kalimantan region, and actually the name of the city is...
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And the information I found about this was like, very vague.
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So I honestly have like, I'm like very interested about like what this is actually about.
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But so like, that region of Asia has gone through a lot of colonization.
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in the late late 1700s his name was siref abdu rahman al-qadri and apparently he got there found that the city was infested with ghosts not infested yeah and so then he cut down all of the trees that the ghosts were apparently living in and used the wood to build a mosque and a palace for him to live in and then he was the first sultan and
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whose reign lasted from 1771 to 1808, and he was said to have been haunted by this ghost after he did that.
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And they named the city after the ghosts that were infesting the city when they got there.
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And the region is still believed to be haunted by the Pontianoc.
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This is fascinating.
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It's so interesting.
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So then I was looking at what is the history of just that region –
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And like, who were the people that were living there like before?
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And there has been evidence of humans in the Malay Peninsula from up to 40,000 years ago in the first century AD.
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And the indigenous people in this region are known as the Dayak people, which is a term that's actually adopted by Dutch and German to identify non-Muslim natives in the region.
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And it's a loose term for over 200 riverine and hill dwelling ethnic groups.
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So it's not like a specific tribe.
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It's like a umbrella term for native people in that region.
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And it's located in central and southern interior of Borneo, which is an island in Indonesia.
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And since the 19th century, it is a term that's continued to be used in Indonesia for indigenous non-Muslim tribes people.
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And in Malaysia, the term is reserved to the Iban that were previously known as the C-Diox because they live closer to the sea.
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These people, like I said, practice and believe what is contemporarily known as animism, which is the belief that objects, sacred places, animals, and natural phenomenon possess distinct spiritual essence.
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So it's one of the oldest and most commonly believed beliefs in a variety of cultures and practices across the world.
Pontianak as Anti-Colonial Figure
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And very present in indigenous Asian cultures.
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The belief is actually what leads indigenous groups to practice sustainability.
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In Malaysia, for example, only hunting and harvesting what they need for the environment and honoring that life exists within everything.
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And Shinto and Ainu also include some of these beliefs.
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And Kami's are actually similar to the, yeah, like Hantu's, I guess, like the spirits.
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There's so many connections to other things we've talked about.
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I know, which I didn't even know when I was, but when I was doing the research, I was like, Ooh, how fun.
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I like how we say that.
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And like, yeah, whoever's listening may or may not have context, but if you heard them all, then you do.
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Yeah, you're like, yeah, if you're listening, like, in order.
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Anyways, stories of the Pontianak have existed in mythical folklore, like, prior to colonization that began to take place in that region.
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And colonization began around the 12th century when Muslim settlements from the Middle East began to colonize this part of Asia.
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And then it led to tension between Native folks and their belief systems and the traditions of Islam.
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And yeah, so legend has it that on October 23rd, 1771, this nobleman that I just mentioned was gifted the city.
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I don't know what the heck that means.
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Other legends say that he stumbled upon this island.
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And the city is located at the delta of the Kapuas River, which is one of the longest rivers in the region.
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And so it's a crucial point of trade between
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Malaysia to the island of Borneo, which is in Indonesia.
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Yeah, this I really was like, why does the story say that when he arrived, it was infested with ghosts?
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Like, does that actually mean that it was infested with ghosts?
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Or are they talking about something else?
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And I like tried really hard to like, research it.
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And I really couldn't figure it out.
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So then I was like, well, either it's like,
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they're being racist and it's about like indigenous people or it's like about it being a rainforest and it being full of trees and how it maybe feels really scary and filled with like spiritual energy to be in a place that's like covered in trees and which is why they call the trees down because they were like scared I don't know you know they're coming from the desert yeah so it's like a totally different landscape that's true so being all of a
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Yeah, I mean, I feel like that could be either way.
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Infested with ghosts is such a specific way of putting it.
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I'm just like, what were the stories?
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Like, what were the, what were the, what happened?
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Why did they say that?
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What do you mean, infested?
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What they do to you?
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Also, they live there.
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It's the ghost's home.
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If you're receiving some kind of energy, maybe you don't need to be there.
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That would be my cue to leave.
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Not take down the trees and build a house out of it.
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One of the things... Respect nature.
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Actually, one of the things that I read about just the Pontianoc legend, I read this, like, this person wrote this book about it called Alluring Monsters, the Pontianoc and Cinemas of...
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decolonization it's just a whole book that's about this legend and all the movies that have been made about it and it's like a film analysis book there's so much here there is she said her story illustrates the patriarchal violence that is part of colonization as well not just that but the violence against the land and the lack of understanding of the indigenous beliefs around animism
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That echoes stories all over the world.
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And then they just used the wood from the trees to build a mosque and a palace that are both still there.
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And you can visit them.
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Those are supposedly built by the original trees that were there.
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And then they, I guess, wanted to honor her in some way, which is why they named the city after her.
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But the concept of animism was viewed as superstition that should be discouraged in favor of Islam and rationalism.
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And so that she argues that like,
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that then poses the Pontianoc as an anti-colonial force that disrupts patriarchal, racist, and capitalist logics of post-colonial societies.
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Which I'll get into.
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So the reason that she was able to write this also, this whole book, is because the Pontianoc is like in so much popular culture because of,
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just the prevalence of her story and her legend.
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So it obviously started off with oral tradition and narrative tradition.
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And then in the fifties, it shifted to film and like Malaysian horror films also called Hantu films.
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And in 1965, Singapore separated into its own country.
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And actually in the late 1960s, the government banned the horror genre because of what I just said about like,
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in favor of rationalism and we're not going to have horror movies.
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So there was no horror movies that were allowed to be made in that region until the 90s.
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And then the ban was lifted at that point.
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And then Pontianoc movies started coming out again in the 90s.
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You typically direct-to-video movies.
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And then the early 2000s, there were some big-screen movies about her also.
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And yeah, that was around when restrictions were around...
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horror films were relaxed.
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Anyway, like, I feel like that is definitely some very, like, interesting, like, history.
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And one more thing I'll add about that.
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There's a movie called Pontian, and in that movie, the Pontianics are the original owners and guardians of the land.
Pontianak in Modern Cinema
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And in this movie, the environmental trauma that is, like, contemporary in the movie, so, like, in the
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movie there's like past and present sort of going on and in the present the environmental trauma is like palm oil developers are like coming to destroy the land and they bring the Pontianux back and they kill the plantation owner to stop them from further deforestation and land destruction and that's like the plot of the movie which is super cool
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She's a feminist hero.
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Well, just you wait.
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She's about to be even more of a feminist hero.
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So, kind of shifting.
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This is a region... You know, sexual violence and domestic violence are prevalent across the world.
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Because patriarchy is present across the world.
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But in this region, sexual violence and domestic violence and patriarchy are rampant and the norm.
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And we talked a little bit about that in the Malaysian Airlines episode.
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Some stats that I looked into, there weren't a lot that were recent, but in a 1990 report, the Women's Aid Organization found that 40% of women older than 15 suffered some form of violence, and 68% of women who had experienced violence were beaten while they were pregnant.
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So I was like, oh, well, that makes sense.
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It's just a story that exists.
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And studies show that violence towards women often increases during pregnancy and postpartum period, which, yeah, I knew that too.
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Which is, you know, fucked up.
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But it's also a heavily underreported thing.
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So in 2015, a survey in Singapore found that one in three young people have faced some form of sexual violence.
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And in Malaysia, there are an average of eight rape cases reported daily in the country.
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And those are reported cases.
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And more than half of those are committed against minors.
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And then I found articles that were talking about how domestic violence reports went up significantly during the COVID-19 lockdowns, which we also know was a thing.
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So given all of this context, she's honestly like a really badass feminist icon and new writers and filmmakers are taking this legend and writing stories about her that are actually really beautiful and
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and subversive, so I'm going to highlight some of those.
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Amanda Nell-U's 2017 short film is called It's Easier to Raise Cattle, and it depicts a friendship between two countryside girls, one of whom is later revealed to be a Pontianak
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after she experiences sexual violence, she becomes one.
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But rather than focusing on her killings, the film pays more attention to how there's a bond between the two protagonists and lasts even after her friend finds out that she's a Pontianoc.
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So it's about friendship.
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It's like she finds out she's a survivor, yeah?
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And then she's like, I got you.
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I don't think you're a monster.
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You don't have to be ashamed.
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Multiple articles I read were talking about the concept of the monstrous feminine, which is a term that was coined by Barbara Creed in a book about film feminism and psychoanalysis.
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And it's a trope in horror movies where a monster who is frightful in nature is linked to her femininity, which is oftentimes her sexuality.
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And the Pontianic is a good example of this because of how she literally weaponizes her femininity to lure her victims to their death, which is ironic given that she is also killed and her origin story is based on her being killed because of her femininity.
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Dr. Alicia Izaruddin, who is a senior lecturer in gender studies at the University of Malaya, says the Pantianak isn't able to be a mother in a culture where reproduction is essential to a woman's identity, so she disrupts Malay ideals of femininity.
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She is also vindictive in nature and helps to provide a mythic counterpoint to the real life experiences of being a woman in patriarchal society.
The Pontianak's Evolving Narrative
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She has endured violence and suffering, avenges the real life crimes of women living in misogynistic societies, the things that they experience being femicide, rape, and domestic violence, and
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And Adeline Koo, who is a senior lecturer at Singapore's LaSalle College of the Arts, says she's a woman riding the injustices within a traditional society that has many constraints for women.
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The author of that book, Alluring Monsters, that I mentioned earlier, states, "...as a woman who returns from the dead, can fly, and often fights wrongdoers, the Pontianak is also a compelling figure of female agency, both in cinema and across Malay cultures."
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The Pantheonok gains a power not given to, quote, good Malay woman.
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Instead, she takes murderous revenge, often against men, and uses her supernatural abilities to protect her community.
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There is an obvious feminist potential in such a potent female figure, and female artists have vibrantly evoked the Pantheonok's power.
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One example of that is a writer, Tanya De Rosario, who's a Singaporean poet and who's also queer.
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She has a blog called Not Your Final Girls.
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It's a feminist blog and has written poems from the perspective of multiple monstrous feminine protagonists, including...
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I'm going to read the poem because it's pretty good.
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And she wrote it following a local rape case during which the defendant's senior counsel argued that the woman could have shut the gates, meaning crossed her legs, to prevent the assault from happening.
00:26:09
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So she wrote this poem in response to that.
00:26:11
Speaker
It's called Blame Pontianak Meets Taxi Driver.
00:26:14
Speaker
So sorry for not stopping the
00:26:17
Speaker
You're wanting while I still could for not pushing your hand from my knee, not resisting, not insisting you stop the car.
00:26:29
Speaker
So sorry for the lipstick on your collar and the blood on your seat for my beauty and your morals, both skin deep for the length of my teeth and the depth of your fear.
00:26:46
Speaker
I got a little chills.
00:26:46
Speaker
Yeah, a little chills.
00:26:48
Speaker
I did get a little chill.
00:26:48
Speaker
Yeah, I was like, ooh, I like that.
00:26:53
Speaker
And now I want some art, you know?
00:26:55
Speaker
I want some art for my house.
00:26:58
Speaker
Like a drawing of her.
00:27:00
Speaker
I could look at her every day.
00:27:04
Speaker
Be like Praise B, bitch.
00:27:08
Speaker
The author of this poem says she's assertive, uncompromising, unrelenting, solitary, neither a caregiver nor dependent.
00:27:17
Speaker
She roams the street alone at night without an escort and doesn't give a shit.
00:27:24
Speaker
Dr. Izaruddin also says, it says a lot about Asian society that we cannot grant agency to living women, but only when they're undead.
00:27:32
Speaker
So talking about how like her murderous violence is only viewed as legitimate because she's dead.
00:27:38
Speaker
But, you know, other people are saying, like, this can be interpreted as a form of power and freedom.
00:27:44
Speaker
Amanda Wu says, it's about letting your freak flag fly and not giving a shit.
00:27:52
Speaker
And she says, I feel great sympathy for the Pontianak.
00:27:56
Speaker
On first sight, you're afraid of her.
00:27:57
Speaker
But afterwards, you realize that the real monsters are humans and society.
00:28:02
Speaker
And all horror stories are created from this.
00:28:05
Speaker
The best horror movies, you know, they bring that point about.
00:28:11
Speaker
And we talk about that all the time.
00:28:12
Speaker
The way that real horror story, where the horror is actually the violence.
00:28:18
Speaker
Yeah, it's not the ghost.
00:28:20
Speaker
Yes, usually of men.
00:28:22
Speaker
It's not the ghosts.
00:28:24
Speaker
It's the patriarchy.
00:28:26
Speaker
There's a book that I actually started reading after I learned about it.
00:28:31
Speaker
It's called Ponty and it's by Charlene Teo.
00:28:35
Speaker
And it's a book that's about three Singaporean women's life being entangled with the Pontyanak myth.
00:28:41
Speaker
And she says she appears fragile, but is vicious when provoked.
00:28:45
Speaker
The Pontyanak mimics vulnerability and seeming gentility through her high pitched baby cries and frungy ponny scent.
00:28:53
Speaker
But try and take advantage of her and she'll suck your eyeballs out.
00:28:59
Speaker
I read this article on this website by Wenyi Li called Lady Macbeth, the Pontianoc and the Compulsive Power of the Monstrous Feminine.
00:29:08
Speaker
She says that like about all these stories that I was kind of just talking about the movie, the poem...
00:29:14
Speaker
that these stories, unlike older representations of the Pontianoc, re-center her in her own story, focusing on her grief, her injustices, and her rage.
00:29:24
Speaker
She is positioned in the context of her trauma, and she's conferred the agency of being centered in the narrative rather than the thing that lurks in the shadows.
00:29:33
Speaker
She isn't only a destructive force, but she's also a mother, a daughter, an aunt, a friend, a lover.
00:29:39
Speaker
Another quote I'll share from the filmmaker Amanda Nalou is,
00:29:45
Speaker
She can walk alone and not have to be accompanied by a man.
Real-Life Encounter and Its Impact
00:29:49
Speaker
She can be as beautiful and provocative as she wants.
00:29:52
Speaker
She can be extremely gentle or a massive flirt.
00:29:56
Speaker
But if you dare touch her without her consent, her claws will come out.
00:30:00
Speaker
Amanda is currently on a journey of dissecting and retelling Malaysian tales of female ghosts.
00:30:10
Speaker
So bringing it back to the story that I first shared in the beginning...
00:30:15
Speaker
It was said after that part of the story was shared, the story was actually shared by the son of the person that this supposedly happened to.
00:30:25
Speaker
And he said that his dad told him that after he had this experience with the Pontianic, he cleaned up his act.
00:30:32
Speaker
He started treating women with more respect.
00:30:35
Speaker
And he then very soon after that met the woman who would go on to be his wife only two months later.
00:30:42
Speaker
And he believed that had he not had this experience and he would not have met and gotten married to the woman that he's married to today.
00:30:49
Speaker
This woman just had to freak him out bad.
00:30:52
Speaker
She was like, I know you have a good heart.
00:30:55
Speaker
So stop fucking around because I'm watching you.
00:31:00
Speaker
He said, okay, okay.
00:31:05
Speaker
Thank you for sharing.
00:31:09
Speaker
Now I'm just thinking about all these ghost stories from all over the world of just usually there's similar threats for all of them.
00:31:19
Speaker
Something about... Colonial, patriarchal violence.
Critique of Patriarchal Folklore Elements
00:31:24
Speaker
And how all of these very colonized places happen to be the sites of the most patriarchal violence.
00:31:32
Speaker
And then, yeah, these ghost stories emerge from them.
00:31:37
Speaker
Yeah, we should cover more of them and see what the connections are.
00:31:42
Speaker
Yeah, but then they paint these women as evil, you know?
00:31:45
Speaker
The ghosts end up being these scary evil creatures.
00:31:46
Speaker
Like, oh, she's so scary with her long nails.
00:31:51
Speaker
And, oh, if you stick her with a nail in the back of her neck, she'll become a subdued wife again.
00:31:57
Speaker
like what's up with that who came up with that part of the legend a man obviously it was threatened he felt he felt a little scared about walking home alone at night i guess so i had to have i would love for like in a movie depiction of that that like a man tries to do that and she's just like what are you doing just pulls it out sucks his eyeballs out wow
00:32:23
Speaker
somebody's taking notes somebody's taking notes somebody take notes and put that in a movie if it's not already in one so oh wow that was so my bread and butter i know i told you i was like so excited like shane's gonna love this violin i didn't even know that it was gonna be like this when i started the research but then i was like oh my gosh there's like a there was a vice article and as soon as i thought of that i was like this is gonna be a great episode
00:32:46
Speaker
The Vice article was titled, Southeast Agerist Vengeful Man-Eating Spirits is a Feminist Icon.
Conclusion: The Pontianak as a Feminist Icon
00:32:54
Speaker
Yes, I want that on a t-shirt.
00:33:01
Speaker
She is a feminist icon.
00:33:03
Speaker
That's what the title of the episode is going to be.
00:33:06
Speaker
Vengeful Man-Eating Spirit is a Feminist Icon.
00:33:16
Speaker
And you know, I told you it was going to be a mini and it was a mini.
00:33:19
Speaker
You did a great job.
00:33:21
Speaker
I stayed within the time limit.
00:33:23
Speaker
It was comprehensive.
00:33:25
Speaker
And yeah, thank you.
00:33:27
Speaker
Yeah, I did my best.
00:33:28
Speaker
You did a great job.
00:33:33
Speaker
Thanks for listening and for supporting us.
00:33:35
Speaker
You can find us on Instagram and Facebook at Unpacking the Eerie, on Twitter at Unpack the Eerie, and on our website at www.unpackingtheerie.com.
00:33:48
Speaker
Yes, and special thanks to all of you who subscribe to our Patreon.
00:33:53
Speaker
As we've mentioned before, we do all the research for this, we edit, and we don't have any sponsorships or ads.
00:34:02
Speaker
So Patreon support is super helpful in just keeping this project sustainable, keeping the Buzzsprout subscription going, paying for the website, all the stuff.
00:34:12
Speaker
So thank you so much.
00:34:14
Speaker
Sari, Liz, Clifton.
00:34:16
Speaker
Jill, Victoria, and Lindsay.
00:34:18
Speaker
Lauren, Vivian, Valerie.
00:34:21
Speaker
Micheline, Montana, Katrina.
00:34:23
Speaker
Raina, Allie, Jake.
00:34:25
Speaker
Drithi, Daphne, and Katie.
00:34:27
Speaker
Vern, Meredith, H, and Vince.
00:34:31
Speaker
To April, Aaron, and Ellen.
00:34:33
Speaker
And to Brittany, Alyssa, and Meredith R. Yay, thank you so much.