About This Episode:

What does it mean to move with intention? For Alexis Milligan, movement is everything — every breath, every blink, every shift of weight tells a story. As the Resident Movement Director at the Shaw Festival, Alexis works at the intersection of physical storytelling, design, and performance, helping actors inhabit their roles from the inside out. In this episode, Phil and Alexis dig into what movement direction actually is, how it differs from choreography, and why getting rehearsal corsets and headpieces into the room early can mean the difference between injury and artistry.

But Alexis's work extends well beyond the rehearsal hall. She is the creator and director of the Groundbreaking Theatre of Medicine program — an accredited continuing professional development program through the University of Toronto that brings performing arts skills directly to physicians, surgeons, and healthcare providers. The research is unambiguous: when patients feel heard and seen by their doctors, their outcomes improve. Alexis is building the bridge between those two worlds, using theatre games, movement exercises, and the transferable skills of the performing arts to fill critical gaps in medical education.

Alexis also opens up about podcasting — both as the host of Finding Creativity and as the host of the Shaw Festival's own Let's Get This Shaw on the Road podcast. She and Phil share a candid conversation about the realities of building an audience for niche arts programming, the importance of pulling back the curtain for audiences, and why Canadian theatre needs to get louder about the value it brings to communities.

This episode explores:

 * What movement direction is — and how it differs from choreography
 * The physical challenges of period costuming and why rehearsal corsets matter from day one
 * Emotional bleed, the actor's cool-down, and the practice of 'taking off the mask'
 * How the Theatre of Medicine is using performing arts skills to improve patient outcomes and physician well-being
 * The power of pulling back the curtain to build new and loyal theatre audiences
 * And much more!

Guest: 🎭 Alexis Milligan

Canadian actor, movement specialist and director Alexis Milligan practices and teaches a diverse range of work from theatre and film to movement direction and puppetry. Currently, she is the resident Movement Director at the Shaw Festival, host of the “Let’s Get This Shaw on The Road” podcast, and the director of the ground-breaking Theatre of Medicine program, created in partnership with the Canadian Royal College of Physicians and Surgeons.

Alexis is a much sought after teacher and arts educator. Her unique approach blends the arts and science by sharing knowledge through experiential learning - which simply means learning through doing. She holds a diploma in Classical Performance from George Brown Theatre School, a diploma in University Teaching from Renaissance College, and a master’s in interdisciplinary studies, combining the performing arts, communication, education, and neuroscience, from the University of New Brunswick.

She has served as a consultant for the Canadian Medical Protective Association and has sat on the steering committees for the Canadian Network of Imagination and Creativity and the Atlantic Centre for Creativity, as well as host of the “Finding Creativity” podcast. Alexis is a regular guest teacher at NYU Tisch School for the Performing Arts, The Verbier Festival, The European Association of Urology (TIP Program), Dalhousie University School of Nursing, and University of New Brunswick, School of Nursing.

Connect with Alexis Milligan:

🌐 Website: www.alexismilligan.com [https://www.alexismilligan.com/]

📸 Instagram:

Alexis Milligan Knows what Doctors can Learn from Theatre

About This Episode:

Logan Robbins is one of those rare theatre artists whose work sits at the intersection of science, storytelling, and a deep love for the natural world. As the artistic director of the Unnatural Disaster Theatre Company in Halifax, Nova Scotia, Logan has built a practice rooted in environmental themes, puppetry, site-specific work, and creating space for emerging artists to find their footing in the professional theatre world. It's a conversation full of warmth, curiosity, and genuine passion for what theatre can do.

Phil and Logan cover a lot of ground - from the origins of the Unnatural Disaster Theatre Company and what sustainable theatre actually looks like in practice, to Logan's unusual path from aspiring marine biologist to professional puppeteer. Along the way, they get into the magic of making inanimate objects breathe, the Grogu effect on public perception of puppetry, and a surprisingly relatable detour into dyscalculia.

This is also a conversation about community, what it means to build one, how Halifax's independent theatre scene functions with limited space, and why Logan started not one but two puppet festivals in the same year. If you've ever felt the inexplicable joy of watching a puppet come to life, this episode will remind you exactly why that feeling matters.

This episode explores:

 * How the Unnatural Disaster Theatre Company was founded and what sustainable theatre means in practice
 * Logan's journey from zookeeper and marine biology student to professional puppeteer and theatre maker
 * The magic of puppetry and why breath is the key to bringing any object to life
 * The Halifax theatre scene: independent companies, the Bus Stop Theatre, and Neptune's growing role as a community hub
 * Launching the Objective Puppet Test festival and the Atlantic Festival of Puppetry Arts
 * And much more!

Guest: 🎭 Logan Robbins

Logan “Lo” Robins is a queer environmental theatre maker, puppeteer, director, producer, stage manager, science communicator, and Artistic Director of The Unnatural Disaster Theatre Co.

He is based in the Moolipchugechk region of Mi’kma’ki (colonially known as Herring Cove, Nova Scotia, Canada) and has performed around the world in theatres, on glaciers, and everywhere in between. In the summer of 2025 Logan performed as a puppeteer from Southern Spain to the Arctic Circle with “The Herds”- an international climate action project by The Walk Productions.

Logan is passionate about devised theatre, mask, puppetry, and outdoor site-specific theatre that connects audiences to the natural world. As a theatre maker they believe that prioritising collective creation and community care are key to creating art that forges pathways of empathy towards others, ourselves, and the planet.

Connect with Logan and The Unnatural Disaster Theatre Company

🌐 Website: www.unnaturaldisaster.ca [https://www.unnaturaldisaster.ca/]

📸 Instagram: @unnaturaldisastertheatre [https://www.instagram.com/unnaturaldisastertheatre]

📸 Instagram: @loganrobins [https://www.instagram.com/loganrobins]

Subscribe & Follow: 🎧 Listen on Apple Podcasts [https://podcasts.apple.com/us/podcast/stageworthy/id1071732834] | Spotify [https://open.spotify.com/show/0b9Vl5lsMKqDc1UIYl5thh] | Podchaser [https://www.podchaser.com/podcasts/stageworthy-416634] | Amazon Music [https://music.amazon.com/podcasts/ca3db4c6-c5b6-4791-b23f-2af83272ac85/stageworthy] | iHeart Radio [https://www.iheart.com/podcast/1310-stageworthy-271061892/] 📺 Watch on

Logan Robbins Is Giving Puppets (and the Planet) a Fighting Chance

About This Episode:

Bryn Kennedy returns to Stageworthy to talk about directing Riot King's production of The Moors by Jen Silverman — a darkly comic Victorian Gothic play about isolation, power, and the cost of giving up community. Bryn shares why this unsettling tale of spinster sisters, a mysterious governess, a mastiff dog, and a moorhen feels urgently relevant in our age of individualism and loneliness.

Beyond The Moors, Bryn and Phil dig into big questions facing Canadian theatre: How do we reach audiences who aren't already theatre people? Why do we struggle to communicate story in our marketing? And what can we learn from Hollywood, fringe festivals, and even church about building community and inviting people in? Bryn also reflects on her work as a director, actor, producer, and marketer — and what she learned about the next generation of theatre-makers while managing Musical Stage Company's One Song Glory program.

This episode explores:

 * Why The Moors speaks to our culture of isolation and individualism
 * The magic of the BMO Incubator Space at the Theatre Centre
 * What Riot King gets right about indie theatre community
 * Why we need to stop assuming everyone knows the classics
 * What Bryn learned from working with fearless theatre kids
 * And much more!

Guest: 🎭 Bryn Kennedy

Bryn Kennedy (she/her) is a director, producer, sometimes actor, spreadsheet planner, community builder and life-long learner. As a director, her favourite credits include the upcoming production of The Moors with Riot King, a new interpretation of Vitals by Rosamund Small (Outstanding Solo Performance Nomination, My Entertainment Awards), Beneath the Bed by Gabriel Golin (sold out, site specific run at Toronto Fringe) and new, speculative fiction play JANE by Camille Intson (inaugural Tarragon Greenhouse Residency). She is an alumni of Director's Lab North, Musical Stage Company‘s Apprentice Program and the Stratford Festival Langham Directors Workshop, where she was the recipient of the Jean Gascon Award for Emerging Director at the Guthrie Awards. She has also held assisting positions with prolific Canadian directors Jackie Maxwell (Withrow Park at Tarragon, Ransacking Troy at Stratford), Chris Abraham (Natasha Pierre and the Great Comet of 1812 and Rogers V Rogers at Crow's) and Peter Pasyk (Hamlet at Stratford). She is currently the Assistant to the Artistic Director at Crow's Theatre and Associate Artistic Director at Directors Lab North.

Connect with Bryn Kennedy

🌐 Website: brynkennedy.com [https://brynkennedy.com]

📸 Instagram: @brynkennedy [https://www.instagram.com/brynkennedy]

Get tickets to the Moors: https://theatrecentre.org/tickets/?eid=188037

The Moors runs until April 19 at The Theatre Centre.

Support Stageworthy: If you love the show, consider supporting on Patreon: patreon.com/stageworthy [https://patreon.com/stageworthy] Patrons get early access to episodes, participate in conversations about topics to cover, and more. With three backer levels: $2, $7, and $20.

Subscribe & Follow: 🎧 Listen on Apple Podcasts [https://podcasts.apple.com/us/podcast/stageworthy/id1071732834] | Spotify [https://open.spotify.com/show/0b9Vl5lsMKqDc1UIYl5thh] | Podchaser [https://www.podchaser.com/podcasts/stageworthy-416634] | Amazon Music [https://music.amazon.com/podcasts/ca3db4c6-c5b6-4791-b23f-2af83272ac85/stageworthy] | iHeart Radio [https://www.iheart.com/podcast/1310-stageworthy-271061892/] 📺 Watch on

Bryn Kennedy is Wearing Many Hats in Toronto's Indie Theatre Scene

About This Episode:

In this episode, Phil sits down with Miriam Cummings, a playwright, performer, and educator who creates deeply personal solo theatre. Miriam shares how a tongue-in-cheek suggestion at Canada's National Voice Institute led her to write and perform her first solo show, The One, and how that experience opened up new ways of being vulnerable on stage. She reflects on the protective barriers she built as a young actor after experiencing profound loss, and how solo performance helped her dismantle those walls and get closer to herself as an artist.

Miriam also discusses her second solo show, Wide, which pushed the boundaries of audience participation and co-creation, and how moving from Montreal to BC transformed both her body and her art. As an educator, she believes everyone has inherent presence and that actor training is about uncovering the joy of play we all had as children. This conversation explores grief, presence, the writing process, and the courage it takes to be honest on stage.

This episode explores:

 * How a casual suggestion led Miriam to create her first solo show
 * The terrifying vulnerability of hearing your own writing read aloud for the first time
 * Navigating grief and loss in theatre school and building protective barriers as an actor
 * The difference between creating The One and Wide, and the role of movement in Miriam's writing process
 * Teaching presence, play, and helping adults reclaim what they loved as children
 * And much more!

Guest: 🎭 Miriam Cummings

Miriam (she/her) is an artist, actor, and educator who creates on the ancestral, unceded territory of the Syilx Okanagan Nation. Playful improvisation that connects breath, body, and voice to image is at the core of Miriam’s practice. She holds an MFA (Performance & Creative Writing) from UBCO and a BFA (Acting) from Concordia University. Based in Tiohtià:ke / Montréal for more than a decade, Miriam performed with local companies such as Repercussion Theatre, Montréal Improv, and co-founded Hopegrown Productions, an incubator for new plays. Her solo performance and research of psychologically safe actor training methods have been selected for residencies in Ontario, Québec, and British Columbia. Miriam has instructed adults across the country for more than a decade, teaching acting, devising, and creative writing classes as Part-Time Faculty at Concordia University and workshops at Sheridan College, Okanagan College, Geordie Theatre School, Tempest Theatre, Kaleidoscope Theatre, Rosebud School for the Arts, and more. Miriam offers accessible classes for everyone that boost confidence, creativity, and self-expression through actor training techniques and coaches people one-on-one.

Connect with Miriam:

📸 Instagram: @mcummings___ [https://www.instagram.com/mcummings___/]

Support Stageworthy: If you love the show, consider supporting on Patreon: patreon.com/stageworthy [https://patreon.com/stageworthy] Patrons get early access to episodes, participate in conversations about topics to cover, and more. With three backer levels: $2, $7, and $20.

Subscribe & Follow: 🎧 Listen on Apple Podcasts [https://podcasts.apple.com/us/podcast/stageworthy/id1071732834] | Spotify [https://open.spotify.com/show/0b9Vl5lsMKqDc1UIYl5thh] | Podchaser [https://www.podchaser.com/podcasts/stageworthy-416634] | Amazon Music [https://music.amazon.com/podcasts/ca3db4c6-c5b6-4791-b23f-2af83272ac85/stageworthy] | iHeart Radio [https://www.iheart.com/podcast/1310-stageworthy-271061892/] 📺 Watch on YouTube [https://www.youtube.com/@Stageworthy] – Li

Miriam Cummings Finds Freedom Through Solo Performance and Teaching

About This Episode:

Creative producer Alexis Eastman joins Stageworthy host Phil Rickaby to explore what it really means to be a creative producer in Canadian theatre. From her early days making work at the Toronto Fringe to her current role supporting artists through long-term development processes, Alexis shares insights into how she bridges the administrative and creative aspects of theatre-making. She discusses her collaborations with artists like Adam Lazarus on shows including Daughter and the upcoming Versus, and how her approach to producing integrates her into the creative process as a true collaborator. Alexis also opens up about how becoming a mother profoundly changed her perspective on producing, the importance of failure in the creative process, and her journey from devised theatre to discovering she's actually a novelist. She reflects on growing up in an evangelical church and how that shaped her artistic practice, the necessity of boredom for creativity, and why long-term relationships between artists and producers lead to deeper, more rigorous work.

This episode explores:

 * What a creative producer actually does and how it differs from traditional producing
 * The importance of long-term artist support and development in theatre
 * How motherhood transformed Alexis's approach to producing and collaboration
 * Working with Adam Lazarus on Daughter and the new show Versus
 * Why failure and time are essential ingredients in the creative process
 * And much more!

Guest: 🎭 Alexis Eastman

Alexis Eastman is a writer and creative producer based in Toronto. A graduate of York University's Creative Ensemble program, she learned her producing craft at the Theatre Centre under Ashlyn Rose, where she served as producer from 2018. Alexis works as a creative collaborator integrated into the artistic process from idea through development to premiere and beyond. She has collaborated extensively with artists including Adam Lazarus on Daughter and the upcoming show Versus. Beyond producing, Alexis is also a novelist, having discovered that novel writing is her true creative practice. She brings her experience as a mother and her background growing up in an evangelical church to inform her thoughtful, emotionally intelligent approach to supporting artists.

Connect with Alexis Eastman:

📸 Instagram: @alexis_leanna [https://www.instagram.com/alexis_leanna]

Support Stageworthy: If you love the show, consider supporting on Patreon: patreon.com/stageworthy [https://patreon.com/stageworthy] Patrons get early access to episodes, participate in conversations about topics to cover, and more. With three backer levels: $2, $7, and $20.

Subscribe & Follow: 🎧 Listen on Apple Podcasts [https://podcasts.apple.com/us/podcast/stageworthy/id1071732834] | Spotify [https://open.spotify.com/show/0b9Vl5lsMKqDc1UIYl5thh] | Podchaser [https://www.podchaser.com/podcasts/stageworthy-416634] | Amazon Music [https://music.amazon.com/podcasts/ca3db4c6-c5b6-4791-b23f-2af83272ac85/stageworthy] | iHeart Radio [https://www.iheart.com/podcast/1310-stageworthy-271061892/] 📺 Watch on YouTube [https://www.youtube.com/@Stageworthy] – Like, subscribe & hit the notification bell!

Alexis Eastman on Devised Theatre, Novel Writing, Creative Producing and Artistic Identity

About This Episode:

What happens when three goblins discover the complete works of Shakespeare and decide to stage Macbeth? Rebecca Northan and Bruce Horak, the creative minds behind Spontaneous Theatre and the Goblin Empire, join Phil to share the wild origin story of Goblin:Macbeth; from a rushed eight-day creation to becoming a phenomenon at major Canadian theatre festivals. They discuss the challenges of performing in Hollywood-grade silicone masks, the art of caring for audiences while embodying creatures, and how they've managed to sneak improvisation into prestigious Canadian theatre companies like the Stratford and Shaw Festivals.

This episode explores:

 * The serendipitous eight-day creation of Goblin Macbeth and performing in expensive silicone masks
 * How mask work, clown technique, and bouffon influence the goblins' relationship with audiences
 * Sneaking improvisation into mainstream Canadian theatre at Stratford and Shaw Festivals
 * The legacy of Keith Johnstone and Loose Moose Theatre Company in shaping Canadian improv
 * Why live theatre is the antidote to artificial intelligence and isolation
 * And much more!

Guests: 🎭 Rebecca Northan and Bruce Horak

Rebecca Northan is a "Jill-of-all-trades": actor, director, playwright, improviser,producer, and sometimes-prop-maker. She is the Artistic Producer of Spontaneous Theatre, known for its audience-centered creations that almost always break the fourth wall. Rebecca has worked across Canada as an actor and director. Most recently she co-created Murder-on-the-Lake for the Shaw Festival, which played to 87% houses in the 2025 season. In 2026, Rebecca will travel to Bard on the Beach, in Vancouver, to direct the Merry Wives of Windsor, and will then remain perform in Goblin:Oedipus. Rebecca, and co-creators Bruce Horak & Ellis Lalonde continue to expand the "Goblin Empire", with several future Goblin projects in the hopper. Rebecca is a Canadian Comedy Award Winner, and has also starred in two Canadian TV series ("Alice, I Think", and "The Foundation"). She also teaches improvisation occasionally, and hopes to someday launch a training facility. Rebecca's hit show, Blind Date, has toured across Canada, parts the US, off-Broadway, and in London & Oslo.

Bruce Horak is originally from Calgary, Alberta where he trained in Theatre and Improvisation at the prestigious Loose Moose Theatre. He has worked professionally in Canada and abroad for over 25 years. He can be seen onscreen in Star Trek: Strange New Worlds for Paramount Plus as the Chief Engineer, Hemmer. When not creating new works and performing onstage, Bruce devotes his time to painting, composing, and writing.

Connect with Rebecca Northan and Bruce Horak:

🌐 Spontaneous Theatre: spontaneoustheatre.com [https://spontaneoustheatre.com]

📸 Instagram: @spontaneoustheatre [https://www.instagram.com/spontaneoustheatre]

📸 Instagram: @rebeccanorthan [https://www.instagram.com/rebeccanorthan]

📸 Instagram: @brucehorak [https://www.instagram.com/brucehorak]

Support Stageworthy: If you love the show, consider supporting on Patreon: patreon.com/stageworthy [https://patreon.com/stageworthy] Patrons get early access to episodes, participate in conversations about topics to cover, and more. With three backer levels: $2, $7, and $20.

Subscribe & Follow: 🎧 Listen on Apple Podcasts [https://podcasts.apple.com/us/podcast/stageworthy/id1071732834] | Spotify [https://open.spotify.com/show/0b9Vl5lsMKqDc1UIYl5thh] |

Rebecca Northan and Bruce Horak Are Sneaking Improv into Mainstream Canadian Theatre

About This Episode:

This week on Stageworthy, Phil Rickaby is joined by the vibrant and multifaceted Tika McLean. In a conversation that is as funny as it is profound, Tika reflects on her journey from a self-described "shy kid" who once froze during a church solo to becoming a bold, multidisciplinary artist who uses her voice to challenge the status quo.

In this episode:

 * The "General Creative" Philosophy: Why Tika refuses to choose just one lane between acting, dancing, and painting.
 * Art as Social Commentary: Using satire to address racism and the "distraction economy."
 * Navigating the Industry with Disability: The reality of chronic pain, healthcare "sensitivity," and accessibility on stage.
 * The K-Pop Connection: How global fandoms and the South Korean idol system inspired her new musical project.
 * And much more!

Guest: 🎭 Tika McLean

Tika McLean is a performer who uses acting, singing, dancing & painting as creative outlets to express her performance abilities to her audience. She created her one woman (for now) production company, Beyond A Productions, and shares her comedy skits, cover songs and dances on her YouTube channel TIKA! (@tikacreates), & LOVES to perform live! Tika strives to build mutual aid networks in her community through her work with various organizations as an outreach worker for people experiencing homelessness, hosting clothing drives and a portable soup kitchen, and handing out Covid fun packages for people in isolation. She continues to volunteer in her community by mentoring youth & young adults to create their own community initiatives & achieve their career goals. She also is the proud creator of GIVE ‘EM LOVE, an art fundraiser platforming communities experiencing oppression due to stigma, to finally have the opportunity to tell their stories to the world. Tika wants you to know that mutual aid networks are key to creating positive change in our communities.

Connect with Tika:

📸 Instagram: @angry_black_womban [https://www.instagram.com/angry_black_womban] 🎥 TikTok: @angry_black_woman [https://tiktok.com/@angry_black_woman] 📺 YouTube: @TikaCreates [https://youtube.com/@TikaCreates]

Support Stageworthy: If you love the show, consider supporting on Patreon: patreon.com/stageworthy [https://patreon.com/stageworthy] Patrons get early access to episodes, participate in conversations about topics to cover, and more. With three backer levels: $2, $7, and $20.

Subscribe & Follow: 🎧 Listen on Apple Podcasts [https://podcasts.apple.com/us/podcast/stageworthy/id1071732834] | Spotify [https://open.spotify.com/show/0b9Vl5lsMKqDc1UIYl5thh] | Podchaser [https://www.podchaser.com/podcasts/stageworthy-416634] | Amazon Music [https://music.amazon.com/podcasts/ca3db4c6-c5b6-4791-b23f-2af83272ac85/stageworthy] | iHeart Radio [https://www.iheart.com/podcast/1310-stageworthy-271061892/] 📺 Watch on YouTube [https://www.youtube.com/@Stageworthy] – Like, subscribe & hit the notification bell!

Tika McLean is Building Community in Art and Every Day

About This Episode:

This week on Stageworthy, host Phil Rickaby sits down with Emily Jeffers for a thoughtful and wide-ranging conversation about artistic identity, collaboration, and carving out a sustainable life in theatre.

Emily shares insights into her creative journey, reflecting on the evolution of her practice and the realities of working as an artist today. From navigating uncertainty to embracing curiosity, she speaks candidly about the challenges and rewards of making work that feels both personal and communal. The conversation explores process, risk-taking, and the importance of staying open to change in an ever-shifting theatrical landscape.

This episode explores:

 * Emily’s path into theatre and the experiences that shaped her voice
 * The balance between artistic ambition and practical sustainability
 * Collaboration as a creative engine
 * The role of vulnerability in performance and creation
 * Redefining success on your own terms
 * And much more!

Guest: 🎭 Emily Jeffers

Emily Jeffers is an actor, producer, comedian and clown based in Toronto. She has developed her comedic sensibilities through instructors and training from l’École Philippe Gaulier (France), Spymonkey Theatre (UK), the Idiot Workshop (Los Angeles), Second City, Bad Dog Theatre, and Sweet Action Theatre. Emily is known for absurd, physical characters like Bitty-Bat, the Mathemagician, and her drag persona Sheonardo DiCaprio. She has performed at Second City, Toronto Sketchfest, Montreal Sketchfest, the Montreal Clown Festival, Toronto Fringe and Edinburgh Fringe. Ever a champion of the ridiculous, Emily also produces the variety shows Tight Five and Sketch Party as well as workshops to support the professional development of clowns and performers in the Toronto community.

Connect with Emily:

🌐 website: www.emilyjeffers.ca [https://www.emilyjeffers.ca/]

📸 Instagram: @blemilybleffers [https://www.instagram.com/blemilybleffers/]

📸 Instagram: @bittybatshow [https://www.instagram.com/bittybatshow/]

Support Stageworthy: If you love the show, consider supporting on Patreon: patreon.com/stageworthy [https://patreon.com/stageworthy] Patrons get early access to episodes, participate in conversations about topics to cover, and more. With three backer levels: $2, $7, and $20.

Subscribe & Follow: 🎧 Listen on Apple Podcasts [https://podcasts.apple.com/us/podcast/stageworthy/id1071732834] | Spotify [https://open.spotify.com/show/0b9Vl5lsMKqDc1UIYl5thh] | Podchaser [https://www.podchaser.com/podcasts/stageworthy-416634] | Amazon Music [https://music.amazon.com/podcasts/ca3db4c6-c5b6-4791-b23f-2af83272ac85/stageworthy] | iHeart Radio [https://www.iheart.com/podcast/1310-stageworthy-271061892/] 📺 Watch on YouTube [https://www.youtube.com/@Stageworthy] – Like, subscribe & hit the notification bell!

Emily Jeffers is Making Theatre on Her Terms

About This Episode

In this episode of Stageworthy, host Phil Rickaby speaks with Virginia Woodall, producer at the Toronto Sketch Comedy Festival.

With the festival entering its 21st year, Virginia shares the story of how she moved from volunteer to producer, how 164 submissions become a 12-day lineup of 78 troupes, and why sketch comedy deserves recognition as its own artistic discipline.

In this episode:

 * The evolution of the Toronto Sketch Comedy Festival
 * How the programming committee evaluates 160+ submissions
 * Why sketch comedy is a distinct art form — not just “theatre adjacent”
 * Community-building within the sketch scene
 * The role of monthly comedy cabarets
 * Why Virginia calls Sketchfest “Comedy Christmas”
 * And more!

Guest: 🎭  Virginia Woodall

Virginia Woodall is a producer at the Toronto Sketch Comedy Festival. She's an arts administrator and creative producer with a background that bridges the cultural and corporate sectors (she’s a textbook Libra: very balanced). Drawing on years of experience in comedy, live performance, and festival production, she combines strategic thinking with a deep love for the creative process. Her prior work in corporate sales and marketing helps her build buzz, grow partnerships, and develop organizational growth strategies. Virginia is passionate about creating inclusive, accessible, and joyful arts experiences that support artists and strengthen community.

Connect with Virginia & Toronto SketchFest

🌐 Website: torontosketchfest.com [https://torontosketchfest.com/]

📷 Instagram: @tosketchfest [https://www.instagram.com/tosketchfest/]https://www.instagram.com/tosketchfest/

📷 Instagram: @iamvirginiawoodall [https://www.instagram.com/iamvirginiawoodall/]

Support Stageworthy: If you love the show, consider supporting on Patreon: patreon.com/stageworthy [https://patreon.com/stageworthy] Patrons get early access to episodes, participate in conversations about topics to cover, and more. With three backer levels: $2, $7, and $20.

Subscribe & Follow: 🎧 Listen on Apple Podcasts [https://podcasts.apple.com/us/podcast/stageworthy/id1071732834] | Spotify [https://open.spotify.com/show/0b9Vl5lsMKqDc1UIYl5thh] | Podchaser [https://www.podchaser.com/podcasts/stageworthy-416634] | Amazon Music [https://music.amazon.com/podcasts/ca3db4c6-c5b6-4791-b23f-2af83272ac85/stageworthy] | iHeart Radio [https://www.iheart.com/podcast/1310-stageworthy-271061892/] 📺 Watch on YouTube [https://www.youtube.com/@Stageworthy] – Like, subscribe & hit the notification bell!

Virginia Woodall is Building Community at the Toronto Sketch Comedy Festival

About This Episode

In this episode of Stageworthy, host Phil Rickaby speaks with acclaimed playwright, actor, and screenwriter Anusree Roy about her newest play, Through the Eyes of God, now onstage at Theatre Passe-Muraille. The conversation explores Roy’s evolving artistic process, the deeply personal roots of her storytelling, and her journey between theatre and television writing.

In this episode:

 * Writing as an act of witnessing and responsibility
 * The emotional and ethical weight of socially engaged theatre
 * Navigating the Canadian theatre landscape as a playwright of colour
 * Collaboration, trust, and the rehearsal room as community
 * Sustaining an artistic life while carrying urgent stories
 * And much more!

Guest: 🎭 Anusree Roy

Anusree is a two time Governor General’s Award-nominated and four-time Dora Award-winning writer, actor, and director.

Anusree is currently the Co-Executive Producer and writer for the Allegiance S3 (CBC) television series. She has also worked on Interview With The Vampire S3 (AMC), Allegiance S2 (CBC), Transplant S2 (NBC/Netflix/CTV), I Woke Up a Vampire (Netflix), SkyMed (Paramount+/CBC), Remedy (Global TV), Killjoys (SyFy), and Nurses S1 & S2 (NBC/Global TV).

For theatre, Anusree’s plays include: Through the Eyes of God, Sisters, Trident Moon, Little Pretty and The Exceptional, Sultans of the Street, Brothel # 9, Roshni, Letters to my Grandma, and Pyaasa. She is the recipient of the K.M. Hunter Award, the RBC Emerging Artist Award, the Carol Bolt Award and the Siminovitch Protégé Prize. She was the 2018 finalist for the Susan Smith Blackburn Prize (the largest and oldest playwriting prize for women writing for English-speaking theatre). Currently, she is the commissioned playwright at Tarragon Theatre, writing her new play, 147, 8th Street. Anusree is presently developing a feature film inspired by her audio play, Sisters, as well as directing and premiering her short films, The Birthday Party and God’s Plan (winner of Best Performance & Best Editing at WIFF). She is also an adjunct professor of playwriting at the University of Toronto and a professor of creative writing, teaching advanced drama to MFA students, at the University of British Columbia.

Anusree's playwright residencies include: Nightwood Theatre, Young People's Theatre, Factory Theatre, The Blyth Festival, Theatre Passe Muraille, The Canadian Stage Company and Tarragon Theatre. Anusree spent two seasons as an actor at the Stratford Festival of Canada. She holds a B.A. from York University and an M.A. from the University of Toronto, and most of her plays have been published by Playwrights Canada Press. Anusree was a board member for Playwrights Canada Press for over five years and a juror for the Toronto Arts Council, Ontario Arts Council, Canada Council for the Arts, Michael Than Foundation Award, Toronto Arts Foundation Awards and the George Luscombe Mentorship Award. Her works have appeared in multiple anthologies including: Refractions: Scenes, Refractions: Solo, Love, Loss and Longing: South Asian Canadian Plays, Truth in Play, Dramathemes, TOK: Writing the New Toronto, and Diaspora Dialogues Anthology. Anusree's plays have been taught at the University of Toronto, York University, Ryerson University, Wilfried Laurier University, the University of Calgary, the University of Guelph, the University of Regina, McGill University and the National Theatre School.

Connect with Anusree

🌐 Website: www.anusreeroy.com [http://www.anusreeroy.com/]

📸 Instagram: @writeranusreeroy [https://www.instagram.com/writeranusreeroy]

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Anusree Roy Writes in Service of the Story

Hosted by writer and performing, Phil Rickaby, Stageworthy is a weekly podcast about the performing arts in Canada. In each episode features intimate and knowledgeable discussions with artists from different disciplines, about creating and presenting work, the creative process, and more. Episodes arrive every Tuesday, with bonus episodes now and then.