Kill The Noise breaks down his evolving creative process—from couch-surfing bass producer to film scores—while navigating an AI-heavy landscape and real-life deadlines. We dive into his Ableton Live workflow for sidechaining and sound design, “stink mode” bass concepts, and the mindset to finish records without getting stuck in perfectionism.



From film scores to studio production and major festival stages, Jake Stanczak—better known as Kill The Noise—has built a career defined by evolution and experimentation. Influenced early on by visionary filmmakers and boundary-pushing artists, his sound bridges cinematic intensity and forward-thinking electronic music, with collaborations ranging from Skrillex and Deadmau5 to Tom Morello, plus contributions to major film scores like Teenage Mutant Ninja Turtles and xXx: Return of Xander Cage alongside Brian Tyler.



Follow Kill The Noise:

https://www.instagram.com/killthenoise



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#207 - Kill The Noise: Ableton Workflows, Sound Design, AI & Artist Collaboration

In this episode, COPYCATT dives into bass music sound design and Ableton workflows—breaking down a track, talking clipping vs limiting, fun stories, and sharing tools for getting movement and character. We'll talk about waveshaping, feedback experiments, and a few Live 12.4 favorites.



COPYCATT (Andre) is an Australian-based producer with a dedicated following in the neuro/ hip-hop/ bass scene, known for his unique sound design. His collaborations include working with artists like Frequent and Mr. Bill, and his tracks have been performed by acts such as Pretty Lights, Haywyre, Mr Carmack, Tipper, Excision, and more. Since his first release in 2015, COPYCATT has built a cult following around 90’s hip hop-inspired grooves, hard-hitting snares, and bone-rattling sub basses—and he also releases sample packs and video tutorials to share his production process.



Follow COPYCATT below:

⁠https://soundcloud.com/itscopycatt [⁠⁠https://soundcloud.com/itscopycatt]

⁠⁠https://instagram.com/itscopycatt⁠ [⁠⁠⁠⁠https://instagram.com/itscopycatt⁠]

https://discord.com/invite/9cW8Hnszvf [https://discord.com/invite/9cW8Hnszvf⁠]



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#206 - COPYCATT: Bass Sound Design, Melodic “Mud Pies,” & Ableton Workflow

In this episode, NUEQ shares how he writes high-energy dance music in Ableton Live, breaking down his Operator-heavy sound design, groove-first drum mindset, and how he builds “call and response” ideas that stay cohesive through a track. He also digs into resampling, distortion chains, sidechaining, and favorite stock tools like Vocoder for adding character.



NUEQ is a bass music producer known for detailed, rhythm-forward productions and building sounds from scratch. He’s played festivals like Tipper & Friends, Infrasound, Submersion, Fire Lights, Desert Bass (IL), and Balter Festival (UK), and has supported artists including Tipper, Culprate, K.L.O, Tsuruda, kLL sMTH, Duffrey, and Thought Process. He’s collaborated with Mr Bill, Culprate, Yehezkel Raz, Azaleh, and Omnist (with ongoing work w/ Vorso + Culprate), released on Inspected, VALE, Billegal Beats, Colony Productions, and Wormhole Music, and has sync placements with Tesla, Nothing Phone, and Ninja.



Follow NUEQ:

https://linktr.ee/NUEQ



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#205 – NUEQ: Operator Sound Design, Drum Grooves, and Workflow

Matt Hill from The Floozies joins the podcast breaking down the live-looping workflows that keep their sets flexible and more. We get into fun show stories, building performance-ready rigs (including multi-Serum setups), mapping + record-arm shortcuts, and the mixing/mastering tools that save time—like Ozone, referencing, and other “work smarter” tech.



Brothers Matt and Mark Hill are the sonic visionaries behind electronic-funk powerhouse The Floozies. Known for sold-out shows nationwide (including their annual hometown Funk Street Festival), they’ve lit up major festivals like Bonnaroo, Electric Forest, High Sierra, Summer Camp, Wakarusa, Camp Bisco, Summerset, and Bumbershoot—plus headlining Red Rocks. Their formidable sound continues to get love from coast to coast.



Follow The Floozies Below:

http://flooziesduo.com

https://www.youtube.com/user/FlooziesDuo

http://instagram.com/flooziesduo



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#204 - The Floozies (Matt Hill): Live Looping, MIDI Guitars, and Modern Mixing Tips

In this episode, Dillon Bastan breaks down how he approaches building playful, physics-inspired music tools—plus the stories behind Iota, the Inspired by Nature Pack, Entanglement (his “quantum” synth concept), and the viral new ChatDSP Max for Live devices that generate instruments/effects from text prompts. We get into why he loves workflows that invite happy accidents, and his broader philosophy around creativity, meaning, and making art.



Dillon Bastan is a multi-talented artist and developer known for esoteric Max for Live devices and experimental artistic adventures. His work pulls from natural processes, mathematical systems, and physical forces—often replacing traditional parameters with unconventional controls and environments. He created Ableton’s popular Inspired by Nature Pack, the granular-looping instrument Iota, and advanced tools like Entanglement, and ChatDSP (a viral new prompt-based AI device builder).



Follow Dillon Bastan Below:

https://dillonbastan.com [⁠https://dillonbastan.com⁠]

https://www.instagram.com/dillonbastan

https://dillonbastan.bandcamp.com



Grab limited-edition Producer Merch & save 10% with the code "podcast":

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Join the newsletter to get free downloads, early episode access, and upcoming events.⁠⁠ [⁠⁠https://www.abletonpodcast.com/newsletter⁠]

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#203 – Dillon Bastan: Quantum Synthesis, Ableton Packs, and Inspiring Max for Live Devices

In this episode, Flozone sits down and shares his Ableton workflow—from his production template and sidechain setup, to dialing in kick/sub balance that translates on small speakers. We also get into mixing decisions (clippers, limiters, and avoiding weird plugin glitches), Serum tips, and how he stays creative without forcing ideas.



Flozone is a bass music producer known for overwhelming low-end, gritty leads, and a fluid-but-aggressive sound shaped by Southern trap influences and modern bass music. He’s played major stages like Lost Lands, Wakaan, and Okeechobee, hit Red Rocks, toured on the Wooli bus tour, and is now stepping into his first headline shows.



Follow Flozone Below:

https://linktr.ee/flozonebass



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#202 - Flozone: Workflow, Templates, Mixdowns & Production Tips

In this episode, we dive deep into advanced Ableton sound design, resampling techniques, and creative workflow strategies with Leotrix and eliderp. The conversation covers everything from using Melodyne for unique bass design, building fat racks, and pushing stock Ableton devices to their limits, to unconventional sampling methods that spark new ideas.



Leotrix is an Australian bass producer known for his original sound design, melodic future riddim style, and explosive live sets, with support slots alongside Excision, Zeds Dead, NGHTMRE, Kayzo, Virtual Riot, and Marshmello, plus appearances at Bassrush, Red Rocks, and Lost Lands. Eliderp is a producer, visual artist, and film/game composer whose detailed sound design has led to collaborations and releases with artists like Mr. Bill, The Widdler, Knoir, JoeB, and DABOW, including a Virtual Riot remix with Mr. Bill.



Follow Leotrix and eliderp Below:

https://linktr.ee/eliderp

https://linktr.ee/leotrix



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#201 - Leotrix & eliderp: Sound Design, Resampling, and Workflow Hacks

In this special 200th episode, Dan Giffin (Philia) gets interviewed and reflects on what he’s learned from 200+ conversations with producers, artists, and industry pros on the podcast. He talks about how his approach to music has evolved over the years, practical Ableton tips for file management, faster workflows, favorite max for live devices, and building a live performance setup.



Dan Giffin is an Ableton Certified Trainer, producer, performer, and educator based in Denver, Colorado. He teaches Ableton Live through AbletonPodcast.com, hosts the Ableton Music Producer Podcast, and produces under the artist name Philia. Dan has taught Grammy-winning artists, led workshops at SAE Institute and Sweetwater, and has collaborated with major label artists including Mac Miller, Machine Gun Kelly, and more. As Philia, he blends jazz-infused bass music with live drums, keys, improvised DJing, and has shared the stage with artists including Tiesto, Slushii, Daily Bread, Blookah, Beats Antique and others. 



Follow Philia Below:
https://linktr.ee/philiamusic
https://www.tiktok.com/@philiamusic
https://www.philia-music.com [https://www.philia-music.com/]
https://www.facebook.com/PhiliaMusic
https://www.instagram.com/philiamusic



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**Thanks to Brennan & Ben for interviewing this episode:



Brennan Forrester:

http://instagram.com/brennanplayskeys

https://www.instagram.com/8_of_spades_dnb



Ben Spilker:

https://www.instagram.com/spilkerben

https://github.com/benspilker

#200 - Dan Giffin (Philia): Things Learned from 200 Episodes + Ableton Tips & Favorite Devices

In this episode, STVSH breaks down his approach to bass music production, sound design, and how his background in film and Foley work has shaped his unique sonic identity. We dive into Ableton workflows, creating “mud pies,” resampling techniques, and why simplifying your process can actually level up your music.



Nathan Lienau, aka STVSH, is a rising bass music producer and DJ from Atlanta, Georgia. Known for blending raw hip-hop influences with gritty, urban textures, his sound is deeply inspired by the “sonic architecture” of his city. With a background in sound design for film and visual arts like graffiti and illustration, STVSH brings a multi-disciplinary approach to music. His career highlights include performing at Red Rocks Amphitheater, playing Lost Lands, collaborating with Mersiv, releasing on UKF, and completing his first headline tour.





Follow STVSH Below:

https://linktr.ee/stvsh



Grab limited-edition Producer Merch & save 10% with the code "podcast":

⁠⁠⁠ [https://creators.spotify.com/pod/show/0w36fDq6DOSzSAjRcpcfbG/episode/5OdFZL5pvw5InsW9GcQfkC/%E2%81%A0https://abletonpodcast.com/merch%E2%81%A0]⁠⁠⁠https://abletonpodcast.com/merch⁠ [⁠⁠⁠⁠⁠⁠https://abletonpodcast.com/merch⁠]



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#199 - STVSH: Sound Design, Foley, & Building a Unique Music Identity

In this episode, Tom Cosm talks about building Orchid with Telepathic Instruments, getting back into live performance, brainwave-driven music experiments, and creative workflows in Ableton Live. He shares thoughts on AI for producers, live set design, sound design, and how technology can remove friction without replacing creativity.



Tom Cosm is a New Zealand–born producer, technologist, coder, and educator who has been pushing the boundaries of music and sound for over two decades. Known as an “audio mad scientist,” his career spans global tours as an electronic artist, pioneering music tutorials on YouTube, and building custom creative software that fuses sound, code, and biometrics. As Technical Director at Telepathic Instruments, Tom built the first prototype of Orchid alongside Kevin Parker from Tame Impala, and now oversees its development, bridging code, electronics, and design.



Follow Tom Cosm Below:
https://www.instagram.com/tomcosm/
https://www.youtube.com/channel/UCyiC_SKm-R5WLVMYmxuMXxA
https://www.cosm.co.nz/



Follow Telepathic Instruments Below:
https://telepathicinstruments.com/
https://www.youtube.com/@telepathic.instruments
https://www.patreon.com/cw/telepathicinstruments
https://discord.com/invite/UY8PpbQaXz
https://www.tiktok.com/@telepathic.instruments
https://www.instagram.com/telepathic.instruments/



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#198 - Tom Cosm: Orchid, Music Tech & Workflow

Ableton Certified Trainer- Dan Giffin interviews today's industry experts and Ableton Live artists. We'll explore all things from studio to stage.

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Official page: LiveProducersOnline.com/podcast