Juan Carlos joins the show to share the incredible story of his journey from Miami to the Broadway stage. He opens up about the "athlete's mentality" he brings to his craft, a perspective shaped by his time as a high school carpenter and a college student working three jobs to make ends meet. Juan discusses the bold leap of faith he took by driving across the country to Los Angeles with no representation, only to create his own short film, Oh Brother, which ultimately served as the catalyst for his professional career.



The conversation dives deep into the technical and emotional demands of originating a role in the Stranger Things universe. Juan reveals his unique approach to the audition process, including how a "bad" self-tape setup and a willingness to lean into "extrusive thoughts" helped him land the role of young Bob Newby. From hilarious stories about clogged toilets and slipping on ice to poignant reflections on being a person of color in the industry, Juan’s earnestness and "delusional" optimism provide a refreshing look at what it takes to succeed in theater today.



Juan Carlos is a multi-talented actor, writer, and director who made his Broadway debut in Stranger Things: The First Shadow. Growing up in Miami, Florida, he initially found his way into the arts through animation and musical theater, later honing his skills at a liberal arts college where he balanced acting with carpentry and resident assistant duties. His screen credits include roles in Grey’s Anatomy, The Sex Lives of College Girls, and Elsbeth.

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Connect with Juan:

 * Instagram: @itsjuanccarlos

Connect with The Theatre Podcast:

 * Support the podcast on Patreon and watch video versions of the episodes: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/TheTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ [http://patreon.com/TheTheatrePodcast]
 * Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theatre_podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ [http://instagram.com/theatre_podcast]
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 * Alan's personal Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@alanseales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ [http://instagram.com/alanseales]
 * Email me at feedback@thetheatrepodcast.com. I want to know what you think.



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Ep435 - Juan Carlos: Why Every Actor Needs a Plunger

Alex Wyse joins the show for a deep dive into the relentless "compulsion to create" that has fueled his journey from the suburbs of Cleveland to the Broadway stage and the director's chair. He shares a hilarious story about the childhood soccer match where he opted to fake a faint rather than kick a ball, a clear sign that his true calling was always the theater. Alex speaks candidly about the "fairy tale" of a Broadway debut, reflecting on how the early closing of Lysistrata Jones felt like a personal failure and how that heartbreak eventually taught him to diversify his creative life to survive the industry's inevitable highs and lows.

The conversation explores the "therapy" of the creative process, from the unapologetic queer joy of his digital series Indoor Boys to the sci-fi musical he is currently developing. Alex discusses the unique challenge of his role in Marcel on the Train, a play that uses silence and mime to tell the harrowing true story of Marcel Marceau’s work saving Jewish children during World War II. By the end of the episode, it is clear that Alex is a master of "spinning plates," proving that the best way to handle the pain of waiting for an audition is to simply go out and make something yourself.

Alex Wyse is an actor, writer, director, and producer whose Broadway credits include Waitress, Spring Awakening, and Lysistrata Jones. He is the co-creator and star of the Emmy-winning digital series Indoor Boys and has appeared on television in The Bold and the Beautiful, Marvel’s Iron Fist, and Modern Family. Most recently, he starred in the world premiere of Marcel on the Train at Classic Stage Company.

This episode is brought to you by WelcomeToTimesSquare.com, the billboard where you can be a star for a day.

Connect with Alex:

 * Instagram: @alexjwise

Connect with The Theatre Podcast:

 * Support the podcast on Patreon and watch video versions of the episodes: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/TheTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ [http://patreon.com/TheTheatrePodcast]
 * Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theatre_podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ [http://instagram.com/theatre_podcast]
 * ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook.com/OfficialTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ [http://facebook.com/OfficialTheatrePodcast]
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 * Alan's personal Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@alanseales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ [http://instagram.com/alanseales]
 * Email me at feedback@thetheatrepodcast.com. I want to know what you think.



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Ep434  - Alex Wyse: Why Your Debut Isn't Your Destiny

Maya Jade Frank joins the podcast to share the fascinating journey of a career that began with a serendipitous audition for her sister’s project and led her to the Broadway stages of Evita and Mary Poppins. She opens up about the unique experience of growing up on the road with the 25th Anniversary National Tour of Les Misérables, where she balanced three hours of daily schooling with visits to historical monuments and backstage "Docu-drama" marathons. Maya discusses the transition from being a child actor in New York to a Disney Channel star in Los Angeles, reflecting on how her supportive, non-theatre parents helped her stay grounded while she pursued a "normal" college experience at USC.

The conversation dives deep into Maya’s impressive ability to merge her creative passions with a sharp business mind. Beyond her current starring role as Zoe Murphy in the South Florida premiere of Dear Evan Hansen, she reveals the inner workings of her digital media company, Mangoes and Bubblegum, and her work as a global Pilates instructor. From her "morning jump around" ritual to early 2000s pop punk to her dreams of performing Shakespeare at the Globe, Maya exemplifies a modern multi-hyphenate artist who prioritizes physical health and analytical data just as much as her vocal warm-ups.

Maya Jade Frank is a New York City native whose extensive credits include the Broadway revival of Evita, the final Broadway cast of Mary Poppins, and the 25th Anniversary National Tour of Les Misérables. She received a Daytime Emmy nomination for her work on Nickelodeon’s History and Heritage and appeared on Disney Channel’s Bizaardvark. A graduate of the University of Southern California and the Royal Academy of Music in London, her recent stage work includes Next to Normal and the UK revival of Be More Chill. She is currently appearing in Dear Evan Hansen at the Actors' Playhouse in Coral Gables.

Connect with Maya:

 * Instagram: @mayajadefrank [https://www.instagram.com/mayajadefrank]

Connect with The Theatre Podcast:

 * Support the podcast on Patreon and watch video versions of the episodes: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/TheTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ [http://patreon.com/TheTheatrePodcast]
 * Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theatre_podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ [http://instagram.com/theatre_podcast]
 * ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook.com/OfficialTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ [http://facebook.com/OfficialTheatrePodcast]
 * ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheTheatrePodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ [http://thetheatrepodcast.com/]
 * Alan's personal Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@alanseales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ [http://instagram.com/alanseales]
 * Email me at feedback@thetheatrepodcast.com. I want to know what you think.



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EP433 - Maya Jade Frank: From Little Cosette to Big Business

Stella Cole joins the podcast to discuss her unique journey from a musical-theatre-obsessed child in Springfield, Illinois, to a global jazz sensation. She opens up about the "old soul" label she has carried since infancy and how she navigated a high-pressure academic environment at Northwestern University while privately yearning for the music of Judy Garland and Doris Day. Stella shares the vulnerable story of nearly quitting singing altogether before finding her voice again during the 2020 lockdown, leading to a meteoric rise on TikTok that felt more like a "fake little thing" on her phone than a career-changing event.

The conversation dives deep into the realities of being a touring artist in the modern age, from the scrappy days of singing for dinner in Brooklyn to signing with a major label and recording with a full string orchestra at Power Station. Stella discusses the profound emotional power of the Great American Songbook, her transition from viral creator to live performer, and her future aspirations to return to her theater roots. She offers insightful reflections on mental health, the dangers of social media overstimulation, and why she still keeps the idea of law school in the back of her mind just in case.

Stella Cole is a vocalist and recording artist who first gained international attention through her viral performances of jazz standards on social media. A graduate of Northwestern University, she has toured extensively as a featured performer with Postmodern Jukebox and has sold out prestigious venues in New York, London, and beyond. Her discography includes her self-titled debut project and the 2024 album It's Magic, featuring arrangements by Grammy winner Alan Broadbent.

Connect with Stella:

 * Website: stellacole.net
 * Instagram: @stellakcole
 * TikTok: @stellakcole

Connect with The Theatre Podcast:

 * Support the podcast on Patreon and watch video versions of the episodes: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/TheTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ [http://patreon.com/TheTheatrePodcast]
 * Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theatre_podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ [http://instagram.com/theatre_podcast]
 * ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook.com/OfficialTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ [http://facebook.com/OfficialTheatrePodcast]
 * ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheTheatrePodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ [http://thetheatrepodcast.com/]
 * Alan's personal Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@alanseales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ [http://instagram.com/alanseales]
 * Email me at feedback@thetheatrepodcast.com. I want to know what you think.



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Ep432 - Stella Cole: Judy Garland Vibes for a TikTok Generation

Chloe Tucker Caine joins the show to discuss her fascinating transition from a national tour leading lady to a high stakes real estate powerhouse on Netflix's Owning Manhattan. She shares the vulnerable reality of arriving in New York expecting a parade only to find herself bartending and eventually running an "illegal" Airbnb business out of her Hell's Kitchen apartment. Chloe opens up about the secret life she led while establishing her real estate career, including sneaking off to vocal lessons and dance classes between property showings because she feared being dismissed as just another "annoying theater kid".

The conversation dives deep into the creation of her viral "property musicals," a niche that blends her performance background with luxury sales to help move quirky listings that had previously sat on the market for years. Chloe reflects on the lessons learned from being cut on the first night of an MTV reality show and how motherhood has shifted her professional perspective from wanting to be a "shark" to simply being her authentic self. From recording her single "Fly High" for her daughter to her dreams of playing Velma Kelly in Chicago, Chloe proves that you don't have to close the door on your passions to find massive success in a new field.

Chloe Tucker Caine is a multifaceted performer and real estate agent who starred as Sophie in the national tour of Mamma Mia!. She is a central cast member on the Netflix series Owning Manhattan and a top agent at the SERHANT. brokerage. In addition to her real estate success, she is the creator of the digital series Chloe in Manhattan and recently released the single "Fly High"

This episode is powered by WelcomeToTimesSquare.com, the billboard where you can be a star for a day.

Connect with Chloe:

 * Instagram: @chloeinmanhattan
 * TikTok: @chloetuckercaine
 * Listen to the single Fly High [https://open.spotify.com/track/2am21Egq06wrqfbU8XlXX8]
 * Listen to Michael Mott's music [https://open.spotify.com/artist/4DPQVwUWXPSNlarh36tjx0]

Connect with The Theatre Podcast:

 * Support the podcast on Patreon and watch video versions of the episodes: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/TheTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ [http://patreon.com/TheTheatrePodcast]
 * Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theatre_podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ [http://instagram.com/theatre_podcast]
 * ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook.com/OfficialTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ [http://facebook.com/OfficialTheatrePodcast]
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 * Alan's personal Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@alanseales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ [http://instagram.com/alanseales]
 * Email me at feedback@thetheatrepodcast.com. I want to know what you think.



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Ep431 - Chloe Tucker Caine: Why Every Actor Needs a Real Estate License

Bess Wohl joins the podcast to discuss the journey of bringing her latest play, Liberation, to Broadway after a decade of development. She shares the "woo woo" details of her creative process, describing a vision of her characters waiting in a metaphorical doctor's office for her to finally tell their stories. Bess reflects on how the play, which travels between the 1970s Women’s Liberation Movement and the present day, became unexpectedly urgent in the current political climate.

The conversation dives into Bess's transition from an acting student at Yale Drama to an acclaimed playwright, a shift she describes as almost destined. She explains her rebellious approach to writing, from the "masterclass in silence" found in Small Mouth Sounds to the vulnerable, full-ensemble nudity in Liberation. Through stories of her mother’s time at Ms. Magazine and her own experiences in the rehearsal room, Bess highlights how storytelling serves as a visceral exercise in empathy for audiences and actors alike.

Bess Wohl is a Drama Desk and Outer Critics Circle Award winning playwright and filmmaker. Her body of work includes the Tony Award nominated Grand Horizons, as well as Small Mouth Sounds, Make Believe, American Hero, Continuity, Camp Siegfried, and the feature film Baby Ruby. A graduate of Harvard University and the Yale School of Drama, her plays have been produced on Broadway and at major theaters including Ars Nova and Second Stage.

Connect with Bess:

 * Instagram: @besswohl

Connect with The Theatre Podcast:

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 * Email me at feedback@thetheatrepodcast.com. I want to know what you think.



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Ep430 - Bess Wohl: Getting Out of the Way

Irene Sofia Lucio stops by to discuss the journey from being a shy kid in Puerto Rico who had to force herself to raise her hand to starring in some of the most provocative plays on Broadway. She opens up about the intersection of motherhood and art, explaining how becoming a parent shifted her relationship with her body and why creative teams led by mothers are simply more efficient. We also dig into the "white passing" label she carried for years and how she finally decided to fully reclaim her Latinx identity and name in an industry that loves to categorize.

We get into the specifics of her current role in Liberation, including the decision to wear a custom golden armor bust of her own body for opening night and the unique power of performing a nude scene while her father is in the audience. Irene shares how the play explores the history of women's liberation and why physical vulnerability on stage creates a "force field" of safety with her castmates. It is a candid look at how the political climate impacts performance and why gathering in a theater is a form of community building we desperately need right now.

Irene Sofia Lucio is an actor and creator whose Broadway credits include Liberation, Slave Play, and Wit. Her Off-Broadway work includes Our Dear Dead Drug Lord. On screen, she has appeared in In the Heights, Tell Me Lies, The Big Cigar, and co-created the web series Butts. She holds a BA from Princeton University and an MFA from the Yale School of Drama.

This episode is powered by WelcomeToTimesSquare.com, the billboard where you can be a star for a day.

Connect with Irene:

 * Instagram: @irenesofialucio

Connect with The Theatre Podcast:

 * Support the podcast on Patreon and watch video versions of the episodes: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/TheTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ [http://patreon.com/TheTheatrePodcast]
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 * Email me at feedback@thetheatrepodcast.com. I want to know what you think.



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Ep429 - Irene Sofia Lucio: Golden Chest Armor is Liberating

Wayne Brady opens up about the surprising reality that despite his career as an improvisational powerhouse, he considers himself a quiet recluse who never actually aspired to be funny. He breaks down how he approached comedy as a science rather than a natural personality trait and shares the deep work ethic instilled in him by his grandmother in Orlando. We also get a candid look at his "get in where you fit in" philosophy and learn how he thrived as part of an ensemble by scratching the itch to perform whatever role was required.

The conversation takes a vulnerable turn when he recounts the terrified moment he blanked during his audition for Hamilton in front of friends Lin-Manuel Miranda and Thomas Kail. He explains how he recovered from that stumble to land the role of Aaron Burr in Chicago and why he actually finds more comfort in the structure of a script than in the freedom of improv. We also discuss his current role as a talking horse in All In and why he loves playing grounded characters in absurd situations.

Wayne Brady is a multiple Emmy Award winner and Grammy nominee known for his work on Whose Line Is It Anyway? and as the host of Let's Make a Deal. His extensive television credits include How I Met Your Mother, The Masked Singer, Black Lightning, and Chappelle's Show. On Broadway, he has starred in Kinky Boots, Chicago, and The Wiz, and played Aaron Burr in the Chicago production of Hamilton. He is currently starring in All In on Broadway.

This episode is brought to you by WelcomeToTimesSquare.com, the billboard where you can be a star for a day.

Connect with Wayne:

 * Instagram: @mrbradybaby
 * Facebook: The Official Wayne Brady
 * YouTube: Wayne Brady

Connect with The Theatre Podcast:

 * Support the podcast on Patreon and watch video versions of the episodes: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/TheTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ [http://patreon.com/TheTheatrePodcast]
 * Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theatre_podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ [http://instagram.com/theatre_podcast]
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 * Alan's personal Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@alanseales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ [http://instagram.com/alanseales]
 * Email me at feedback@thetheatrepodcast.com. I want to know what you think.



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Ep428 - Wayne Brady: The Introverted Improviser

Christiani Pitts stops by to chat about her journey from playing a scene stealing cow in a church nativity play to leading Broadway blockbusters. She shares a hilarious story about how a miscommunication led to her performing stand up comedy at a nightclub at age eleven for an event associated with Dave Chappelle, and how her parents supported her dreams while navigating the tricky world of early industry scams.

We dive deep into her experience starring in King Kong, discussing the technical insanity of acting opposite a massive puppet and how she manifested doing an action movie on stage. She also opens up about her current role in Two Strangers (Carry a Cake Across New York), exploring how the show handles mental health with subtle physicality, the "simplistically complex" set design, and the joy of balancing life as a Broadway star and a mom to a daughter who thinks she is also in the cast.

Christiani Pitts is a history making performer who received critical acclaim playing Anne Darrow in the Broadway production of King Kong. After previously starring as Jane in A Bronx Tale, she played Beverly in the Netflix romantic comedy Resort to Love and starred as Pernessa in Power Book III: Raising Kanan, with additional credits including Elementary, Evil, The Good Fight, Blue Bloods, and Dead Ringers. She is currently starring as Robin in the new Broadway musical Two Strangers (Carry a Cake Across New York).

This episode is powered by WelcomeToTimesSquare.com, the billboard where you can e a star for a day.

Connect with Christiani:

 * Instagram: @christianipitts
 * Facebook: Christiani Pitts

Connect with The Theatre Podcast:

 * Support the podcast on Patreon and watch video versions of the episodes: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/TheTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ [http://patreon.com/TheTheatrePodcast]
 * Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theatre_podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ [http://instagram.com/theatre_podcast]
 * ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook.com/OfficialTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ [http://facebook.com/OfficialTheatrePodcast]
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 * Alan's personal Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@alanseales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ [http://instagram.com/alanseales]
 * Email me at feedback@thetheatrepodcast.com. I want to know what you think.



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Ep427 - Christiani Pitts: Scene Stealing Nativity Cows

Alan and Mike sit down to process a packed year of theater, trading hot takes and reviews on a massive slate of 2025 productions. From the cult popularity of Teeth and the star power of Audra McDonald in Gypsy to the technical marvel of Stranger Things: The First Shadow, they cover the shows that defined the last twelve months. They also dig into the unique experiences of immersive theater, the polarizing nature of certain plays, and the sheer stamina required to keep up with the New York theater scene.

The discussion moves beyond reviews into a look at the state of the industry, debating the potential for simple streaming solutions to build audiences outside of New York City. Mike recounts his year of Cats related travel, including a roller coaster version in Pennsylvania, and they speculate on what 2026 holds for Broadway with upcoming productions like Smash, Schmigadoon!, and the return of Cats: The Jellicle Ball.

Mike Abrams is the host and creator of The Wrong Cat Died, a podcast entirely dedicated to the musical Cats. Originally launched as a short comedic exploration of the show's plot holes, it has grown into a long running series featuring interviews with cast members and creatives from productions around the world.

Connect with Mike and listen to The Wrong Cat Died:

 * @⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheWrongCatDied [https://lnk.bio/thewrongcatdied]



Connect with The Theatre Podcast:

 * Support the podcast on Patreon and watch video versions of the episodes: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/TheTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ [http://patreon.com/TheTheatrePodcast]
 * Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theatre_podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ [http://instagram.com/theatre_podcast]
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 * Email me at feedback@thetheatrepodcast.com. I want to know what you think.



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Ep426 - 2025 Wrap Up with Mike Abrams

Intimate, personal conversations with the biggest talents from professional theatre, tv, film, and more. Hear their secrets, what makes them laugh, stresses them out, and how they manage the anxiety of success. We feature both stars and creatives such as producers, stage managers, directors, press and marketing agents, or even the people who own the theaters or productions themselves.

This is a podcast for artists, made by artists. With over 2 decades of experience in film and theatre both as cast and creative, host Alan Seales speaks with Broadway, TV, film and beyond’s biggest talents to learn more about not only how the world of theatre and performing operate, but also what makes it so real and human. In-depth, personal, behind-the-scenes conversations will highlight special details of the industry that most people may not know exist, will always find out what makes the guests love their craft, what makes them tick, and what truly inspires them.

Part of the Broadway Podcast Network. [http://bpn.fm]

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