How did the radio, a major technological development in the history of sound and music, change the social, cultural and political landscape of the region?

In this last episode of the season, we speak to audio curator Hazem Jamjoum, and Elias Anastas and Saeed Abu Jaber, two of the co-founders of the Palestinian radio station Radio Al Hara. We find out more about the history of the radio in the region and also it's present – specifically looking at how this new technology was used by imperialists, technocrats, intellectuals and liberation groups to broadcast and connect groups. Through Radio Al Hara's activity, we learn how radio works in similar ways to this day.

Hazem Jamjoum is an audio curator and researcher with an interest in history of audio and music recording in the Arab world

Elias Anastas is a co-founder of Radio Al Hara. He is an architect based in Bethlehem, Palestine and runs an architectural studio with his brother Yousef called AAU ANASTAS. They also run Wonder Cabinet, a not-for-profit cultural platform.

Saeed Abu Jaber is one of the founders of radio al hara. He is a graphic designer and runs a studio called Turbo in Amman, Jordan.

www.radioalhara.net/ [https://gate.sc/?url=https%3A%2F%2Fwww.radioalhara.net%2F&token=faab03-1-1717625114131]

3.10 The Power of Radio

This episode explores the link between technology, warfare and nationalism. Turkey and Israel are two countries in the region who have developed their technological capabilities for both domestic and international conflict. We speak to two researchers who have been tracing the use of military technologies and the effect they have had on a sense of nationalism amongst their populations.

Digdem Solaytin Colella speaks to the regime-boosting effects of drone production in Turkey whilst Sophia Goodfriend provides a more granular analysis of how military technology has transformed a new generation of Israeli soldiers’ views of Palestinians and Israeli occupation.

Digdem is Assistant Professor of Politics and Public Policy at the University of Aberdeen. Her research concentrates on the politics of corruption, mechanisms of state capture and regime survival, autocratic bureaucracies & illiberal governance, and Southeast European and Turkish politics.

Sophia is a PhD candidate at Duke University’s Department of Cultural Anthropology and Fulbright-Hays Dissertation Fellow. Her academic work examines the ethics and impact of new surveillance technologies in Israel and Palestine.

3.9 War Tech and Nationalism in Turkey and Israel

What does the era of ‘big data’ mean for development technologies in MENA? How can data be used for good, to ensure projects working with vulnerable communities such as informal workers and women are seen and supported? What kind of repercussions does poor data collection have on emerging technologies? How can data-driven research and technology improve prospects for the next generation in the region seeking work, and what does it mean for the future of labour in the region?

These are some of the questions we posed to Nagla Rizk, Professor of Economics at the American University in Cairo in episode 8.

Nagla is Professor of Economics and Founding Director of the Access to Knowledge for Development Center (A2K4D) at the American University in Cairo’s School of Business. Nagla’s area of research, teaching and advocacy is the economics of knowledge, technology and development, with focus on governance of responsible data and Artificial Intelligence, fair work in the platform economy, innovation, gender and inclusion in Egypt, the Middle East and North Africa (MENA).

3.8 Data for Development with Nagla Rizk

Writer and art critic, Rahel Aima, who grew up and currently lives in Dubai, talks to us about living in the Gulf, a region rapidly developing itself as the place to be for smart cities and high-tech living.

Rahel explores a concept she has been thinking about for some time, the Khaleeji Ideology, which meets at the intersection of technology, economy, the environment and nation building, as a way of understanding developments in the contemporary Gulf.

This episode also features comment from Michael Mason, Director of the LSE Middle East Centre and Professor of Environmental Geography at LSE, who explores the rise of “progressive” urban development projects in the Gulf, and whether technology can be the solution to pressing environmental challenges of our time.

Rahel Aima is a writer, critic, and editor from Dubai. She writes about art, technology and the Gulf. Her work has been published in Artforum, Artnews, ArtReview, The Atlantic, Bookforum, frieze, Mousse and Vogue Arabia, amongst others.

Read Rahel’s ‘The Khaleeji Ideology’ here: https://www.e-flux.com/architecture/horizons/498319/the-khaleeji-ideology/.

3.7 Living in the Future with Rahel Aima

How can art complicate claims of progress, innovation and the use of rapidly developing emerging technologies in MENA? In this episode, Cima Chehab speaks to visual artist Nadim Choufi about how he incorporates technology into his artwork both as subject matter and as medium.

In the conversation, they discuss Nadim’s own artistic practice, his use of “lecture performances” and the question of whether life is truly enhanced by progress and technology, which is one of the main questions that underpins his work. Nadim also explores emerging art in the Middle East and how technology has transformed a new generation of artists – from digital illustrations to meme accounts.

Nadim is a visual artist living in Beirut. He primarily focuses on the material histories and futures of innovation and desire, their social and political driving forces, and the visual and literary practices that surround them. He is a 2024 resident at the Jan van Eyck Academy. Currently he is the curator of the film programme of the 2024 festival edition of transmediale and a researcher at Haven For Artists. Previously he was co-Programs Director at Beirut Art Center.

https://nadimchoufi.com/

3.6 Art Meaning and Art Making with Nadim Choufi

Majd Al-Shihabi of 'Palestine Open Maps' and Sana Yazigi of the 'Creative Memory of the Syrian Revolution' talk to us about how they have centered their archiving processes around maps, and what digital archiving can do for Palestinian and Syrian community-building.

This episode also features comment from Dr Sara Salem and Dr Mai Taha of LSE, who explore the importance of creative archiving through their project 'Archive Stories'.

Note: this episode was recorded before October 7, 2023.

Majd Al-Shihabi is a technologist turned urban planner, turned technologisturbanplanner. Majd is co-founder of Palestine Open Maps, a platform for searching, navigating, downloading and digitizing historical maps of Palestine. Majd was the inaugural Bassel Khartabil Free Culture Fellow which enabled him to start Palestine Open Maps.

https://palopenmaps.org/en

Sana Yazigi is a graphic designer and cultural activist. She is the founder of Creative Memory of the Syrian Revolution, a project that documents all types of creative expressions produced since the Syrian Revolution in 2011 until the present day. She is also the founder of The Cultural Diary, Syria's first bilingual monthly cultural agenda (2007-2012).

https://creativememory.org/

https://archive-stories.com/ 

3.5 Archiving and Mapping Technologies in Palestine and Syria

Iraq’s engagement with fintech is new but rapidly developing, amidst a contemporary economic history that has struggled with foreign intervention and internal corruption, while Iranians have been engaging with a form of fintech - alternative digital currencies - for some time, to evade and work around sanctions and a crippled economy.

In this episode we speak to Ali Al-Hilli and Shayan Eskandari, who are working at the intersection of technology and finance, to improve the livelihoods and prosperity in their home countries.

Ali Al-Hilli is a tech entrepeneur from Iraq with over 14 years of experience in business development, telecommunications, and fintech. He is currently Marketing and Communications Director at Miswag, the largest and oldest homegrown e-commerce startup in Iraq.

Shayan Eskandari is a PhD candidate at Concordia University. Originally from Iran, he has a background in blockchain engineering. Shayan is actively involved in creating and supporting open-source projects related to cryptocurrencies. He has been working on nonprofit educational content in Farsi on the topic of blockchain and cryptocurrencies for over a decade.

3.4 Fintech, Crypto and Sanctions in Iraq and Iran 

Smartphones, food-only debit cards, biometric data checks at border crossings, these are some of the ways refugees and migrants interact with technology in their daily lives both in the region and the diaspora.

This episode unpacks the benefits, ambivalences and concerns surrounding these technologies. Our guests, Dr Reem Talhouk and Dr Yener Bayramoğlu discuss refugee-centered design technologies for humanitarian aid, as well as smartphone usage amongst refugees and migrants and how it has given them control over their own lives and narratives as they cross borders.

Reem Talhouk is an Assistant Professor in Design and Global Develpment at Northumbria University where she co-leads the Design Feminisms Research Group. Reem also leads the Global Development Futures Hub. Her work sits within design, and human and computer interaction. Reem works with communities considered to be ‘on the margins’ to design technologies and counter-narratives with a focus on humanitarianism, activism and social movements.

Yener Bayramoglu is Assistant Professor in Digital Media at York University. His current research explores the role of digital media in everyday practices of belonging. Yener is particularly interested in the ambivalent meaning and function of digital media for social groups whose lives are marginalised and shaped by intersectional inequalities. Yener has previously explored how digital media technologies turn into self-empowering tools for migrants, refugees and LGBTIQ+ people.

3.3 Re-Appropriating Technologies with and for Refugees and Migrants 

The Abbasid and British Empires are the nexus through which our two guests, Dr Ahmed Ragab and Dr Katayoun Shafiee explore technology, knowledge production and power. This episode charts medieval paper production and Abbasid-era hospitals to the “discovery” of oil by foreign entrepreneurs in southern Iran, exploring the different ways technological knowledge production developed across empire.

Ahmed Ragab is Associate Professor of the History of Medicine and the Chair of the Medicine, Science and Humanities Programme at Johns Hopkins University. Ahmed works primarily on the history of medieval and early modern medicine in the islamic world and questions of medicine in colonial and post colonial contexts.

Katayoun Shafiee is Associate Professor in the Department of History at the University of Warwick. Katayoun focuses on modern Middle Eastern history and politics, and she teaches on empire and energy.

3.2 Knowledge Production Across Empires 

What kinds of obstacles are people in MENA facing with regards to access to technological opportunity and concerns around digital rights abuses? How are they tied to global challenges? Dr Nakeema Stefflbauer, tech executive, investor and digital rights advocate shares her thinking.

This episode also features comment from Kassem Mnejja and Marwa Fatafta of Access Now, a digital rights advocacy group. They discuss these issues in relation to Tunisia, Sudan and Palestine.

3.1 Digital Rights and Big Tech in MENA

This is Instant Coffee, your quick fix of everything Middle East. This podcast, brought to you by the LSE Middle East Centre, features 20-minute conversations with activists, artists, journalists and more from the region.

Instant Coffee

What is the role of positionality in research? How do researchers navigate their nationality, gender, age and personality while being in the field? What challenges and opportunities come with being insider and outsider? In this podcast, LSE Middle East Centre visiting fellow, Anne Kirstine Rønn invites her colleagues to discuss these and many more questions. 

Episodes are released each Wednesday.

LSE Middle East Centre

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