"Abroad with the Lockharts 1930-xx-xx (13) Homeward Bound" is the thirteenth episode of the 1930s CBS radio comedy series. After their European escapades—culminating in Rome in episode twelve—the Lockharts, our lovably clueless American couple, are now heading back to the States. This finale (assuming a typical 13-episode arc) likely puts them on a ship again, mirroring their "At Sea" start, but now seasoned with tales of their misadventures. Expect humor from their relief at leaving “weird” Europe behind, mixed with last-minute chaos—maybe they lose a souvenir, argue over packing, or try to impress fellow passengers with exaggerated stories of Rome.

The 1930s transatlantic vibe—think cramped cabins and deck games—would frame their journey, with the Lockharts possibly lamenting the end of their trip or botching a farewell to newfound friends. Without an exact date beyond 1930 or preserved audio, the plot’s a reconstruction based on the show’s tone.

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Abroad with the Lockharts 1930-xx-xx (13) Homeward Bound

"Abroad with the Lockharts 1930-xx-xx (12) Sightseeing in Rome" is the twelfth episode of the 1930s CBS radio comedy series. By this point, the Lockharts—our comedic American travelers—have made their way to Rome, likely after journeying through other European stops following their Parisian train escapade in episode seven. This episode would feature them bumbling through Rome’s iconic sights: picture them gawking at the Colosseum, tossing coins haphazardly into the Trevi Fountain, or getting tangled in a spaghetti mishap at a trattoria. The 1930s lens might amplify Roman stereotypes—gesticulating locals, ancient ruins baffling modern Yankees, or the Lockharts accidentally offending a pompous guide.

The show’s formula thrives on their outsider perspective, so expect laughs from cultural missteps—like mispronouncing “ciao” or mistaking a relic for junk. With no exact date beyond 1930 and scant surviving recordings, the specifics remain a guess based on its travelogue style.

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Abroad with the Lockharts 1930-xx-xx (12) Sightseeing in Rome

"Abroad with the Lockharts 1930-xx-xx (07) Wagon-Lit Office in Paris" is the seventh episode of the 1930s CBS radio comedy series. After crossing the English Channel in episode six, the Lockharts—our accident-prone American couple—find themselves in Paris, likely at the office of the Compagnie Internationale des Wagons-Lits, the company behind luxury sleeper trains like the Orient Express. This episode probably centers on their attempt to book a train journey, setting up a classic fish-out-of-water scenario: the Lockharts mangling French, misunderstanding ticket agents, or balking at the opulence (and cost) of a wagon-lit berth.

The humor would hinge on 1930s American stereotypes of Paris—snooty locals, language barriers, and the couple’s wide-eyed awe or confusion. Maybe they mix up destinations or end up on the wrong platform. The Wagon-Lit tie-in suggests they’re gearing up for more European adventures, with the train as their next comedic stage.

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Abroad with the Lockharts 1930-xx-xx (07) Wagon-Lit Office in Paris

"Abroad with the Lockharts 1930-xx-xx (06) Crossing the English Channel" is the sixth episode of the 1930s CBS radio comedy series. After sightseeing in London in episode five, the Lockharts—our comedic American duo—now set off across the English Channel, likely bound for France. This episode would lean into the chaos of a 1930s sea crossing: think choppy waters, cramped ferries, and the Lockharts fumbling with foreign phrases or seasick antics. The humor might play on their cluelessness about European travel—maybe they pack absurdly, lose luggage, or bicker with a French passenger before even docking.

 The English Channel, a short but iconic stretch, was a big deal for American tourists back then, often romanticized but ripe for mockery in a show like this. Without a precise date beyond 1930 or surviving audio, the details stay speculative—typical for early radio serials.

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Abroad with the Lockharts 1930-xx-xx (06) Crossing the English Channel

"Abroad with the Lockharts 1930-xx-xx (05) Sightseeing in London" is the fifth episode of the 1930s CBS radio comedy series. Following their arrival in England in episode four, the Lockharts—our hapless American travelers—now explore London’s landmarks. Expect classic 1930s humor: the couple likely stumbles through visits to places like Big Ben, Buckingham Palace, or Trafalgar Square, with gags about foggy weather, double-decker buses, or misadventures with British customs—like mistaking a bobby’s helmet for a souvenir.

 The show thrived on exaggerating cultural clashes for laughs, so picture the Lockharts getting lost, botching Cockney slang, or marveling at “strange” English habits. With no exact air date (just 1930) and few surviving recordings from that era, specifics like dialogue or plot twists are elusive without a script or audio relic.

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Abroad with the Lockharts 1930-xx-xx (05) Sightseeing in London

"Abroad with the Lockharts 1930-xx-xx (04) Arriving in England" refers to the fourth episode of the 1930s CBS radio comedy series. In this installment, the Lockharts—our fictional, bumbling American couple—likely reach England after their "At Sea" journey in episode three.

 The show, known for its light humor, would probably depict their first impressions of England with a mix of culture shock and funny misunderstandings—think tea etiquette blunders, accent confusion, or getting lost in London fog. Since it’s a serialized travelogue, this episode sets the stage for their British adventures, poking fun at both American naivety and English quirks. Exact details like the air date (beyond 1930) or a full script aren’t readily available, as many early radio episodes like this didn’t survive in recorded form. The "xx-xx" placeholder reflects that uncertainty.

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Abroad with the Lockharts 1930-xx-xx (04) Arriving in England

"Abroad with the Lockharts," an old radio serial from the 1930s. The specific episode title "At Sea" suggests it's part of the series where the Lockhart family, a fictional American couple, embarks on humorous travel adventures around the world. The "1930-xx-xx (03)" likely indicates the third episode, with the exact date unspecified (common for old radio shows where precise airing dates can be lost or vague).

The series was a lighthearted comedy, airing on CBS, and followed the Lockharts as they navigated foreign cultures and mishaps—think of it as an early precursor to travel sitcoms. "At Sea" would logically involve them on a ship, probably dealing with seasickness, quirky passengers, or some nautical misadventure.

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Abroad with the Lockharts 1930-xx-xx (03) At Sea

Abroad with the Lockharts, aired in 1930 (exact date uncertain but following the series' debut around mid-August). This episode picks up after the planning phase, thrusting Will and Mrs. Lockhart into the start of their European adventure as they board a ship departing from New York.

In "Sailing Day," the focus is on the couple’s embarkation, with Mrs. Lockhart buzzing with excitement about the journey ahead—destinations like London, Paris, and Rome on the horizon—while Will, ever the reluctant traveler, probably grumbles about leaving his familiar routine (and fishing gear) behind. The comedy likely stems from their contrasting reactions to the ship, the bustle of departure, and the looming prospect of a transatlantic voyage. Picture Will muttering about seasickness or the cost of the tickets, while Mrs. Lockhart marvels at the luxury liner and the promise of adventure.

As one of the surviving early episodes (within the first seven known to exist), "Sailing Day" sets the tone for the travelogue format, blending humor with a vivid depiction of 1930s ocean travel—a glamorous yet daunting experience for Americans of that era, especially during the Great Depression. Gene Lockhart’s script would’ve leaned on his and Kathleen’s real-life chemistry to bring the scene to life.

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Abroad with the Lockharts 1930-xx-xx (02) Sailing Day

Abroad with the Lockharts, aired in 1930 (exact date uncertain but possibly around August 17, based on the earliest known broadcast on WCAO in Baltimore). This first installment introduces listeners to Will and Mrs. Lockhart, portrayed by Gene and Kathleen Lockhart, as they set the stage for their European adventure.

In this episode, Mrs. Lockhart, the romantic and adventurous half of the couple, persuades her pragmatic husband Will to ditch his usual fishing trip for their tenth wedding anniversary and instead embark on a grand vacation to Europe. Will, a businessman with a dry wit and a preference for simplicity, is initially resistant, but his wife’s enthusiasm wins out. The episode likely focuses on their banter and the comedic contrast between their personalities as they begin plotting the journey from New York to Europe by ship—a luxurious prospect in 1930, when the Great Depression made such travel a distant dream for most Americans.

As a surviving episode (one of the first seven known to exist), it captures the lighthearted tone and escapist appeal that defined the series. Gene Lockhart, who also wrote much of the show, blends humor with a relatable domestic dynamic, setting up the travelogue that would unfold over the next 12 episodes. 

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Abroad with the Lockharts 1930-xx-xx (01) Planning a Trip to Europe

Destination Freedom is a treasure trove of rich storytelling that delves deep into the African American experience. Let's explore it further. Richard Durham, the genius behind the show, crafted each episode with a profound sense of purpose. He didn't just want to entertain; he aimed to educate and inspire listeners to reflect on societal issues.

One of the most compelling aspects of the show was how it highlighted both famous and unsung heroes. For instance, episodes featuring figures like Paul Robeson and Sojourner Truth didn't just recount their achievements—they delved into their personal struggles and the systemic challenges they overcame. Durham's writing brought these historical figures to life, making their stories resonate on a deeply human level.

What's also fascinating is how Destination Freedom subtly pushed against the racial barriers of its time. During an era when segregation was rampant and media representation was scarce or stereotypical, the show presented Black characters with depth, intelligence, and complexity. It was revolutionary in challenging the narratives that mainstream media often perpetuated.

The show's influence extends beyond its original run. It set a precedent for future generations of storytellers and activists. The way it fused art with advocacy can be seen in modern mediums like podcasts, spoken word poetry, and socially conscious cinema. Creators today continue to build on that foundation, using storytelling as a catalyst for change.

Have you considered how the themes from Destination Freedom are still relevant today? The quest for equality, representation, and justice remains at the forefront of societal discourse. It's a reminder that while progress has been made, there's still a journey ahead.

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Destination Freedom (1950) (037) 1951-06-23 Wanted A Witness

CBS Radio Mystery Theater (a.k.a. Radio Mystery Theater and Mystery Theater, sometimes abbreviated as CBSRMT) was a radio drama series created by Himan Brown that was broadcast on CBS Radio Network affiliates from 1974 to 1982, and later in the early 2000s was carried by the NPR satellite feed.



The format was similar to that of classic old time radio shows like The Mysterious Traveler and The Whistler, in that the episodes were introduced by a host (E. G. Marshall) who provided pithy wisdom and commentary throughout. Unlike the hosts of those earlier programs, Marshall is fully mortal, merely someone whose heightened insight and erudition plunge the listener into the world of the macabre (in a manner similar to that of "The Man in Black" on yet another old time radio program, Suspense).



As with Himan Brown's prior Inner Sanctum Mysteries, each episode of CBS Radio Mystery Theater opened and closed with the ominous sound of a creaking crypt door, accompanied by Marshall's disturbing utterance, "Come in!… Welcome. I'm E. G. Marshall." This was followed by one of Marshall's other catchphrases, usually either "The sound of suspense" or "The fear you can hear." At the conclusion, the door would swing shut, preceded by Marshall's classic sign off, "Until next time, pleasant… dreams?" Marshall hosted the program from January 1974 until February 1982, when actress Tammy Grimes took over for the series' last season, maintaining the format.



CBSRMT was broadcast each weeknight, at first with a new program each night. Later in the run three or four episodes were new originals each week, and the remainder repeats. There were 1,399 original episodes. The total number of broadcasts, including reruns, was 2,969. Each episode was allotted a full hour of airtime, but after commercials and news, episodes typically ran for about 45 minutes.

CBS Radio Mystery Theater

Listen to Classic Radio Shows From time passed by and let your imagination run wild. The Golden Age of Radio, also known as the old-time radio era, was an era of radio programming in which radio was the dominant electronic home entertainment medium. It began with the birth of commercial radio broadcasting in the early 1920s and lasted through the 1960s, when television gradually superseded radio as the medium of choice for scripted programming, variety and dramatic shows.

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